The “marriage deal” “didn’t take”? She “wishes she knew” why she got married? What strange, strange dialogue. And the “punchline”, meant to sound profound, means what exactly? And you just know that this is all the backstory we will get about Rachel, a third-string character whom The Creator Batiuk has plucked from the background and put into play. We probably won’t even get to meet her “little boy”.
