That’s right, BatYam, it’s the readers who are wrong. This attitude sure explains an awful lot. “Crappy serialized stories that plod along for weeks on end and never go anywhere are what comic strip authors choose to publish!”…yep, they sure do. It’s one of American popular culture’s most enduring and vexing conundrums.
Tag Archives: Flash Freeman
“Rapping Around”??? Oh…I get it. “Rapping” meant something else in those days. Way to date yourself there, Batton. Sigh. Obviously the gag here is how Batton was tackling these timely, topical issues way, way back in the 1970s, when everyone started giving a hoot and not polluting. And Batton is all wistful about it as he realizes that his “art” made no difference whatsoever. And it’s all very hilarious, in that patented unfunny way of his. I’d like to throw the whole lot of them in that river, preferably with cinder blocks chained to their ankles.
Why is this an annoying vertical strip? Panel one, the fake strip, panel two, word balloon one, panel three, word balloon two. How hard was that? Something about that pseudo-Funky font really irks me, too. “Rapping Around” my ass.
It’s called a “tetralogy”, you nimrods. Or a “quadrilogy”, if you prefer. It took me all of three seconds to learn this. But BatYam felt he really needed to drive Flash Freeman’s general imbecility home, again, so here we are. It would appear that once again he’s done the impossible and discovered something even more tedious than that “Elemental Force” arc from a few months back, and that “something” is watching Flash and Phil talking to Batton about it. That BatHam, always pushing his artistic boundaries.
That “Elementals” arc was absolute hell to get through and I really hope we’re not revisiting that fiasco again, because I am totally out of sub-atomic particle puns. It really is remarkable how quickly Flash Freeman became one of my most despised FW characters, as he wasn’t even in the strip until a few years ago. And it was better that way. Marginally, yes, but nevertheless.
Keen observation there, Boy Lisa. Insight like that must be why they keep him around, in spite of his overwhelming blandness. Not that it would have helped or anything, but it’d have been way more in character if Chester had said something like “find out what next’s year’s hottest titles will be so I can buy all the first editions” or something that was, you know, related to comic books in some way. Because he’s Chester Hagglemore, the man whose entire life revolves around comic books.
But instead he just had him say the most generic thing possible in that situation, rendering the strip (and the Chester character) totally pointless, instead of just mostly pointless. This is a really, really bad premise, even by FW’s lowly standards. Usually the premises are semi-believable and it’s the execution where they all go hopelessly awry, but this one is just complete dog shit. He couldn’t think of any other way to work some “Flash” gags into the strip? “I know! I’ll have Batton Thomas inexplicably use the Flash treadmill at Atomik Komix”…I mean that’s really out there, man. Half the strip takes place in a comic book store and a comic book factory, and this was the best he could do?
March 2, 2022 at 10:35 pm
When Pete says “You addressed climate change in that column” it sounds like either 1) the column only ran once and was sensibly discontinued, or 2) every single column that appeared was about climate change. Because that’s how that sentence reads.
But wait, BC, there’s a third option: reprint that eco-sermon from 1972 in every ish of their new comic. That wouldn’t be too preachy, would it? Many of you have pointed out that the Stan Lee “quote” was addressing pollution, not climate change. While both topics are of course related, climate change has only more recently been regarded as a threat. By characterizing it as “climate damage,” Pete’s making Flash and Stan sound like they were ahead of their time.
Link to today’s word zeppelin.
“[French director] Alain Resnais…was a student of American culture who had learned much of his English from comic books. He was a huge admirer of the Marvel Universe and of [Stan] Lee…Their first project was The Monster Maker, a pop-art parody about a frustrated movie producer who seeks creative and spiritual redemption by making a film about pollution. With gentle direction from Resnais, Lee wrote a full script…The Monster Maker‘s protagonist, Larry Morgan, is an apparent stand-in for Lee himself. Morgan produces schlocky horror pictures that make money and are popular with kids, but he can’t help but feel that he’s reached a dead end. He is despondent about his life and his job, and what he craves more than anything is recognition from an adult audience [emphasis added]. Through a series of story twists, Morgan embarks on a ‘serious’ film project to expose the evils of pollution. There’s some violence, a fire, and then a climactic montage sequence in which a monstrous wave of pollution descends upon New York City, choking the sky, the waterways, and the streets. The true horror, it is revealed in less than subtle fashion, is the accumulation of garbage that we so callously resign to landfills, mindless of the terrible price that we might pay in the future.
“The movie closes with a voice-over:
“…At one point in the movie, Larry Morgan tells his ex-wife, Catherine, about his new, meaningful work. She glows with pride: ‘Larry, you must have known how I always felt about those shallow horror films of yours. I always wondered how you could bring yourself to keep grinding out such juvenile, unintellectual pablum. But now, to think of you tackling a worthwhile theme like pollution—to think of you turning your back on commercialism in order to say something that must be said—Oh, Larry—I can’t tell you how thrilled—how proud of you I am.‘ Unlike Morgan, Lee wasn’t exactly turning his back on commercialism. He and Resnais sold The Monster Maker in 1971 for $25,000. The script gathered dust and was never made.”
Raphael, Jordan and Spurgeon, Tom. Stan Lee and the Rise and Fall of the American Comic Book. 2003
Don’t you remember, Tom…? The comic book column that Flash wrote was called “Bullpen Boasts.” Like “Bullpen Bulletins,” which was what Stan Lee called the page that he created in Marvel Comics. I suppose the title could have changed over time, the way “Bullpen Bulletins” would become “Stan’s Soapbox” (hat tip Uncle Wikipedia).
I actually like Flash’s misconstrual of Pete’s concept–in which the Elemental Force use their mediocre superpowers to punish humanity for climate crimes–much better than what Pete’s actually proposing. I’d even rather see a Captain Planet ripoff, which is where a couple snarkers have suggested this was going. “They should battle human inaction!” What’s that going to look like in a comic book? Probably less like Cap’n Planet and more like Woodsy Owl.