Love Duds

When last we left this examination of the life and times of Summer Moore, the retiring Betty Somethingorother was replaced as Westview High’s secretary by Cayla Williams. As we all know, Cayla will eventually be Les Moore’s second wife and Summer’s mother-in-law. She also happens to be the daughter of Smokey Williams, a pro baseball player who had appeared much earlier in Crankshaft being mentored by the crusty old bus driver. Cayla’s future position as Queen of the Taj Moore-hal will not be for a while, though Batty will get to kindling that fire in this, the year of love.

But love can take many forms of course such as the bonds between parent and child which will be somewhat tested this summer when our Messiah finds that her genetic contributor will be spending the time off from school making a nuisance of himself at her hangout spot.

In fact, Sporto Spice already has a backup plan by spending the summer playing youth softball which dear old dad sees as a potential gravy train.

Not pictured is the fourth panel where Les’ eyes turn into dollar signs with a CHA-CHING sound effect.

And it’s not just going to be Summer because Linda has noticed Jinx giving her father the typical teenager attitude because they’re just, you know, so opposite and all and decides to solve this problem by meddling. First by signing her daughter up for the same softball league behind her back.

While also signing up Bull to coach behind his back, christening it a bonding exercise for the two them and gloating about how her scheme is already working.

Now on the subject of love, Batty gives us this rather peculiar Sunday strip at the beginning of July.

Tension isn’t the only thing building.

This has nothing to do with anything, of course, but when I was collecting material for this piece I came across this and just had to grab it. This has to stand as one of the most bizarre strips in the comic’s history, right up there with Zanzibar, the Gun-Wielding Primate. Now I can clearly guess that Batty’s intention was just a simple “Pete gets pulled over and the cop’s amused by his wit and lets him off” kind of gag but I mean… he and Ayers had to know what they were doing right? The dialogue, the little knowing looks between them and the cop’s fierce way of walking away. A big Pride float filled with leather daddies going down Westview’s main street wouldn’t be near as homoerotic as this exchange between Mopey and Officer Sassy.

And now that I’ve given the yaoi fans the fuel that they’ve undoubtedly been craving, we go to the opposite end of the spectrum as Jinx is just thrilled, positively elated even, to be on the same team as Summer.

TB was really on something this month.

But ultimately this is more of a Jinx story where Summer is just along for the ride and it’s about her one shot of relevance in the strip’s entirety.

Meanwhile, while the girls play, the douche has been away having been sent off to New York by Funky to “take care of some things” at Montoni’s NYC location for him.

What that something is we never actually find out because instead Les’ entire trip is spent wandering around NYC talking to Cindy, bemoaning his so-far-failed writing career or reminiscing about his and Lisa’s honeymoon… anything except doing his goddamned job which will be a startlingly common thing with him going forward. It’s during this trip that we also learn that love never dies, it just remains trapped in a depressing purgatory that leaves you looking like an utter lunatic to everyone around you.

That’s right, everyone’s favorite wraith has made her entry into the comic ready to show up at only the most inopportune and awkward times.

Les returns home to news of The Coming Reunion and decides to spend all day moping about getting old and telling his bemused daughter that the ravages of time shall be visiting her too.

By this point Summer has turned 16 and her hospital is throwing a party for all the NICU kids like her who are also turning 16 this year.

And not content to haunting this earthly realm in spectral form, Lisa has left Summer a little birthday present. We get the first of Lisa’s video messages so she can lecture, chastize and threaten the world of the living from beyond the grave. She takes advantage of this inspired bit of forethought to tell Summer the harrowing story of how her half-brother was almost named Econoline.

“Now, my lovely daughter, I want you to find my diary so you can have all the filthy details. This, your mother commands!”

By the way, Lisa sounds like Doris Grau in my head whenever these cancer video strips pop up.

In September a new player enters the scene when Susan Smith returns as a full time teacher at Westview, crossing paths with what will be one of the other parts of the most nonsensical love triangle imaginable.

In October it’s time for another Lisa’s Legacy run with everyone oohing and aahing over Summer for how she’s helped organize the event. She’s also shown hanging out with Cory who’s been forced to come by his parents.

Unfortunately all the money raised this year has been stolen but Funky graciously offers to have Montoni’s cover the amount which Summer has to accept on behalf of her dithering dad.

Of course we immediately find out that Cory stole the money, Holly and Funky know and Funky declares it the “last time I cover for you.” As should be expected though, the shock of Cory being the thief is what’s most important so this is never again followed up on. Cory stole thousands of dollars and basically got away with it. Great writing, Batty!

And speaking of the complete opposite of great writing, soon after Les is moping around because yet another of his crappy stories has been rejected.

How could they reject “Majors League: The Unauthorized Biography of Mike Majors”?

In despair Les tells Summer to file it away with all the other garbage. But our curious as a cat savior spies something.

After a quick perusal of it she tells her father to use it instead.

And thus is born Lisa’s Story, the third part of the unholy trinity that will allow Lisa to forever haunt this series for the rest of its life.

With school back up in full swing and Summer now on the varsity squad, life decides to throw her a few curveballs. First up is the loss of the team’s coach who like St. Lisa before her decided to leave Westview for Seattle. Forced to take her place, and still fretting over coaching girls, is newly minted athletic director Bull Bushka.

And he’s not the only new arrival because also transferring is Big Walnut Tech’s star player, Keisha Williams.

Summer is naturally none too happy that she now has competition for the spot of being the team’s star player.

I will give Batty some credit in actually giving Summer a somewhat negative character trait but not overplaying it too much. One would expect someone with the competitive drive to be a star athlete to also have a bit of arrogance to them and not really take kindly to threats to their status. Of course it’s not overplayed for the reason that almost all of his stories ultimately go nowhere but hey, it’s something.

Les decides to take the opportunity to tease Summer about her feeling threatened.

And in a Sunday strip we get Summer tagging along for the incredibly rare Maddie-centric comic as she buys a hat that’s just like her father’s.

Thankfully TB didn’t also have her decide to start living in her locker.

Les and Cayla both show up to basketball practice and Cayla decides for some ungodly reason to begin flirting with Les while also revealing that she’s Ketamine’s mother.

At this same time Summer gets picked to be part of the court at the Winterfest dance but is bemoaning not having a date. We also learn that she has apparently been dating — and broken up with — a mysterious “Ron” the whole time so I amend my statement a bit from the previous entry. Now if you thought that showing Summer with a boyfriend, you know the kind of thing that would good both for her and for doing stories about a father dealing with his kid growing up, would be important… well you’re not Tom Batiuk. Maybe Ron just went to a different school in Canada so we couldn’t see him, who knows?

A big school dance would also require a new dress which leads to another Ghost Lisa appearance in what is a favorite strip of readers of this site wherein Les basically yells at his daughter to stop dressing like a tramp.

Cayla, like Les, has signed up to chaperone the dance and makes very subtle come ons to him.

Summer continues to curse the cruel whims of her Flash-obsessed creator. She’s the dateless loser while her dad is going on a date with her rival’s mother? It’s utterly preposterous! Les, of course, plays the role of dense harem manga protagonist to a T just to make him even more annoying.

But lo, the tables turn because Cory has been “volunteered” to ask Summer to the dance.

Cory, despite his protestations to the contrary, doesn’t seem particularly thrilled. I assume going on a date with the school’s popular star athlete was his “punishment” for stealing thousands of dollars from a charity event and maybe he realizes what a farce this whole story and indeed series is.

I don’t know if Batty had any intention of actually doing some kind of a romance between Summer and Cory but if he did then he rightly realized that actually putting Les and Funky’s kids together would have been too lame and cliche a move even for him because this is immediately dropped. One thing he didn’t drop of course is the one between Les and Cayla.

As we can see, TB seemed to be in a bit of a lovin’ mood in the back half of the year. 2008 was the year where he’d had his car crash so maybe that close call led him to a bit of reevaluating that he decided to temporarily reflect in Funky. Whatever the case most of it will end up going nowhere: Summer’s love life, Pete’s flirty little brush with the law, not a one of them.

Summer at least is actually getting a reasonable amount of focus now compared to most of the first year or so of Act III but of course you can still see issues. Batty’s love of doing something shocking only for it to go nowhere is evident in Cory’s stealing of the Lisa’s Legacy money; as I said maybe the date for the Winterfest is the “punishment” but if so then that’s a pretty poor cap to that. Les takes a job at Montoni’s which mostly seems to exist as a reason for him to go to New York so he can mope about his failed writing career and see Lisa’s ghost.

But at least his writing career up to this point can be described as “failed.” Not so for Mopey who, if you remember, is reintroduced in Act III as a successful writer for Marvel. Not brought up here is that he’s now, somehow, moved over to DC to write Superman which leads a multiweek storyline about Pete feeling inadequate and going to Jerry Siegel’s childhood home where he imagines what Siegel (or Pete playing the role of Siegel) must have felt when creating Superman in what is the first of the Pete (and later Darin) flashback to the olden days of comics strips.

Les, of course, is a self-insert for Batty but Pete feels like an even more blatant one at times.

But that’s getting off track and is also enough ranting for one day so I’ll leave things here for now. Batty’s plots may be going nowhere and neither is this retrospective as brother, we still have a long way to go.

Sentimental Journey (Part 2)

Batiuk is playing some real twisted mind games with us this summer. After an agonizing prestige arc that dragged on forever, we begged for it to end. Then we got almost an entire week of Batton Thomas waterboarding us with smothering smirks topped off with a titty twister of a political strip for that final jolt of torture. All so the ‘kids these days confuse Ed’ arc feels like the tender touch of a comforting friend. There are serial killers that don’t play with their victims this much!

Without further ado, please enjoy the second week of my half-assed rewrite of Batiuk’s stupid prestige arc.

Some notes for us all to ponder. And I’d love some of your opinons on this. Because while we all complained that Batiuk’s story dragged on and on, I feel like the week I just wrote moves even slower.

Punchlines are hard. And mushing the plot around to squeeze them in means each of my strips has to convey less information than one of Batiuk’s exposition dump strips.

At this point in Batiuk’s story Harry has already conveyed quite a bit of information about his dad, but IMO that was to the detriment of the story. Information about Larry is conveyed again and again and again throughout the tale with no clear progression of one tidbit to another, which makes the story feel like it’s not progressing no matter how many times they change locations. It’s just a bunch of factoids.

Harry also has no obvious change throughout the story in his feelings toward his father. For five weeks he talks about him with the same tone. And for someone who claims he felt distant from his father, he spews a lot of insight into how his father thought and felt even before he finds the convenient journal. The showing is not matching with the telling.

In true Batiuk fashion, ITNOTF is full of objects that are held up and explained. Trumpets and journals and pictures and sheet music and albums. But that leaves no space for characters to feel and react and say something funny. So a lot of detail might get left on the cutting room floor in ‘Sentimental Journey’. I’ll let you decide if that’s a mistake or not.

Most important for this week, I wanted Crankshaft to have a classic-Crankshaft reason to tag along with Lil and Dink’s stupid trip down memory lane.

Vaguely Politics-Shaped Content

This blog has a longstanding “no politics” rule. But we have to tiptoe into it sometimes, such as when Tom Batiuk makes another saving throw for relevance. The July 25 Crankshaft was one such strip. It’s such a mess I have to respond to it in bullet point form rather than an essay.

  • Tom Batiuk must have really liked this joke, because he shortened a week of Batton Thomas gushing over The Flash #123 at Komix Korner to squeeze it in. I wonder if we’ll get today’s Batton Thomas strip as bonus content, as an alrernate version on Arcamax, or if there will be a later week where… never mind, I answered my own question.
  • Timing! July 25 is not the time for a joke about July 4 celebrations. It’s still better than this, though:
Vuvuzelas were the symbol of the 2010 World Cup. At least the 2026 World Cup just ended.
  • Nice epiphany, Dinkle. It shouldn’t be distracting that the focus of a long story arc makes his next appearance in a one-off joke strip. But putting Dinkle back in front of his choir destroys anything that In The Name Of The Father might have been about. It is the final proof that Dinkle never realized that he is a clone of his father: an egotistical, abusive, widely despised band director.
  • The fake name destroys the joke. Tom Batiuk loves his phony brand names… sometimes. And there’s no pattern to it. Today’s strip names the “Celebrate America 250” concert. The real names of the two competing celebrations were America250, established by Congress in 2016, and the Freedom 250, established by Donald Trump and the Trump Administration for their usual reasons.

    Freedom 250 – not America250 – is the one that had the problem of artists cancelling once they found out what they’d signed up for. Country singer Martina McBride had an eloquent response:

I’ve been blessed with the opportunity to be a voice for those who have felt like they didn’t have one. It greatly upsets me that any fan who has been moved by my music may now feel like I’m abandoning the meaning behind those songs. I assure you, that is not the case. I appreciate every single fan who has reached out. 

Martina McBride (@martinamcbride) / what used to be Twitter. Note also that Martina McBride gets actual fan mail.

Today’s strip is clearly referencing the problem of big artists like McBride cancelling their appearances at Freedom 250. The made-up name of the wrong celebration confuses the joke. But the clear intent also means:

  • Batiuk picked a side, even if he thinks he didn’t. Poster Marty DaVille made this point. Mocking the cancellation fiasco technically puts Batiuk in the same category as comedians like Jimmy Kimmel and Stephen Colbert, who came under fire for daring to suggest that any Donald Trump project wasn’t quite as successful as its press releases claimed.
  • He missed an actual good joke. The above problems aside, this would have worked:
If Funky Winkerbean can have Bill Clinton on speed dial, it makes total sense that Dinkle would have Trump.
  • The punchline makes no sense if you don’t follow the Funkyverse closely. Dinkle – and other “content creator” characters like Pete and Les – spend their entire lives being handed every opportunity they want on a silver platter. If you didn’t know that, the punchline revealing that an elderly church choir had a gig at a national Independence Day celebration would be confusing. (I know I’ve been using the word “confusing” a lot.)
  • And it misses another actual good joke. Considering the generally unimpressive roster of artists who did perform at Freedom 250, Harry Dinkle might as well have been a real-life headliner. You know who else cancelled? Milli Vanilli.

    (Well, kind of. There’s some drama over who Milli Vanilli even is. But the band name is such a universal joke that there’s no need to process semantics. Or whether they performed or not. Or whether they performed or not, even if they did go on stage. Like I said previously, I did stand-up in the late 1980s. Piling on Milli Vanilli is practically a reflex.)
  • The church’s tax exempt status is an unnecessary detail. Batiuk seems to draw his word balloons before he writes what they contain. This often results in them being full of words that detract from the strip’s point. A better joke would have landed on something that actually happened in real life. Such as, Dinkle losing his job like Colbert did. But Batiuk wouldn’t dare even joke about that.

Batiuk crammed everything he could think of into this joke. None of it works, works together, resembles the real-life event it’s riffing from, or makes any sense.

Funk Them Kids

They laid Lisa Moore to rest in 2007, scattering her from Ohio to New York. It was a sad thing; so very sad that Tom Batiuk didn’t want to deal with it and have Lisa’s death drag the whole strip down. No sooner had she croaked than we were thrust a decade into the future. Les and the other Act I characters were now middle aged; 46-going-on-60. But they weren’t the only ones who’d aged up as Act III was promoted with a promise. It wouldn’t just be the old men and women getting the stories but their children as well.

That’s right…

It’s like an ad for a new totally radical syndicated Saturday morning teen show from 1994.

First off, I wonder who they got to do this art because these characters all bear only the vaguest of similarities to the characters from the comic itself. Second, we were indeed intended to be getting stories about the sons and daughters of the Westview High School Class of ’92 ’88 ’78 but as we’ll see, Batty eventually seemed to have his own ideas.

Why that is, who can say? In the last couple of years of he’d been getting some writing help from Sean McKeever, a comic book writer who’d been making a name for himself at Marvel on books starring teenaged and college-aged characters. His scripting duties (for I assume he was scripting based on Batty’s plots) included the Senior Skip Day story that started the Dopey/Jessica romance and I suspect almost all of the stuff with them was done by him as well as he’d also done the story about Darin learning that Lisa was his birth mother. I was, and am, a fan of the stuff he was doing for Marvel from that time period and a lot of those strips read like watered down versions of the kind of things he had been writing. McKeever, in an old interview from the COVID times, had said that Batty actually wanted to bring him on full time as a co-writer but by 2007 he’d just signed with DC to write Teen Titans which had been his dream book so turned it down.

I suspect that had McKeever taken up Batty’s offer, he would have been doing stories with the high school characters and without him Batty, who showed less and less interest in younger characters the older he got, just kind of shrugged. But he did still make an attempt at writing them which means it’s now time for the fourth entry in our examination of Summer Moore’s history.

The very first thing Summer gets up to is tagging along with her father on a trip to New York for the (first?) Lisa’s Legacy run.

Remember, he didn’t want the spectre of Lisa’s death hanging over the strip.

And tagging along is the right term because while she’s there, she’s just sort of around to throw in a comment or something. While in New York, the Moores meet up with Cindy who takes them to the grand opening of Montoni’s NYC location where Summer promptly gets hit on.

And we also get our first look at Act III Funky who’s become balding and fat.

Summer is having no part of Funky’s crap and frankly I’m right there with her.

In November we also get the reveal that she’s a jock as Summer takes the opportunity to make fun of her father. Also, her teammate looks like she could be the sister of that one balding kid from the final generation of WHS students.

Around this time is also when we’re properly introduced to the rest of the Funky Kids, the next generation who will theoretically be carrying the strip. Aside from Summer we have Jinx Bushka, adopted daughter of Bull and Linda Bushka. She’s introduced in a way that would make you think she’s a performative theater kid type but if she was that disappears immediately.

There’s Rana Howard, formerly Rana Winkerbean. Batty seemed keen on the idea that all the kids were the opposite of their parents so while Rana’s the daughter of a band geek and comic store owning dweeb, she gets to be the requisite Most Popular Girl In School right down to what I believe is stealing an old Cindy joke.

But on the flipside there’s Maddie Klinghorn who’s set up as being her father’s daughter. Except you’ll never know it because she gets absolutely zero focus and thus very little in the way of actual personality. Like even Jinx will get a couple of stories focused around her, Maddie gets absolutely nothing. She’s pure scene filler.

She’s got nice hair at least.

Rounding out the group is Cory Winkerbean, the bad seed. A big story throughout the first few years of Act III is how Funky’s focus on business has led to neglect of his family and so with the money that Funky provides but not the terrible puns, Cory’s turned out to be a moody troublemaker.

While it’s not directly related to Summer (yet), Mopey Pete Roberts (not yet Reynolds) returns to Westview having achieved the highest level of prestige in Batiukland: becoming a comic book writer. In this we’re also introduced to Maddie’s younger siblings Tyler and Abbey.

I am almost 100% sure that this is the only time in Act III that Crazy Harry’s other kids are shown or even mentioned. Donna was pregnant at the end of Act II which also makes this extra confusing. Because Maddie was born in 2003 but looks as if she’s a full decade older than her brother when at most it should be like 3 or 4 years. I guess it doesn’t matter because Batty memoryholed them but still, come on man.

It’s Christmas time and Summer, being 15, wants to go on a “solo car date” with a guy. Les responds to this in the way that only a loving father can: by laughing in his child’s face as if she’s the biggest moron on Earth.

C’mon Summer, slug him! Right hook! Shoryuken! Something! He’s wide open!

But Les caves and decides to let Summer have her date, and Summer gets back at him by laughing at him for being a dork and trying to explain the birds and the bees to her. As she says, she’s a teenager with the internet so presumably she’s already been exposed to at a minimum Naruto and Harry Potter slash fiction.

There’s nothing you can teach her that she hasn’t already learned from the writings of xXSasukesGrlXx.

All of this is just build up to her date showing up for one strip so Les can play the role of embarassing parent while turning it into a sappy Lisa tribute.

Oddly enough, this is also the last time that Summer is shown being involved in anything romantic, at least on her end. There’s other stories that involve boys having crushes on her but never again is she shown having feelings for another boy, trying to date or anything like that really. Why that is are things we can speculate on much, much later so we’ll just move on to Summer’s last significant appearance of the year.

Just before New Year’s, she’s shown joining her dad and his buddies for a game of football and naturally, like the true jock she is, can’t pass up the opportunity to bully her father for being a wimp.

Meanwhile, Funky’s smug grin is growing to cover his face like lichen on a large rock.

She also shows up at the beginning of the year having attended a party that Cory threw to further the story of Cory being Problem Child (1990) as he’d thrown the party while Funky and Holly were out of town.

She starts getting some attention paid to the fact she’s an athlete in February which leads to a week of flashback strips where she climbed up a tree…

…and Les got stuck going up after her.

Should have left him there. I’m sure he would have been fine.

March begins a story wherein she leads the JV team to the conference finals.

Which is, of course, against Big Walnut Tech leading to the first appearance of Keisha Williams and Summer showing that, as great athletes tend to, she can be both overly aggressive and a little conceited.

She’ll eventually be your mommy too, Summer.

And being that kind of athlete means she eventually decides it’s time to play hero ball.

Which of course works, bringing Westview its first championship since some time during the Act II days. The excitement is so much that it almost kills Les, though unfortunately “almost” is the operative word there.

A month later the trophy arrives at Westview as Les and Becky gush over how amazing Summer is. I believe this is the first of the comic cover homages which will become an Act III staple. Apparently this is also the last professional work of the great Jim Mooney who passed away a few weeks before this strip was published.

She also shows up for a Mother’s Day strip that naturally flashes back to Lisa.

There’s also a few debuts and returns around this time. First off is Summer’s half-brother Darin who returns to the strip in order to welcome back Mopey who’s going to be living in the apartment above Montoni’s as all young Westview men must do.

Also Mooch is there and then promptly disappears into the void. Should have brought him back for that L.A. fire storyline.

At the end of the school year, long time secretary and walking pile of nothing Betty decides to retire and turn over her duties to another woman. A transfer from Big Walnut Tech.

Cayla is here (and has yet to undergo her caucasoid metamorphosis) and she, and her daughter, will play a big role in Summer’s life going forward.

But already we can kind of see how things are going. Despite all the proclamations, a lot of that initial year or so of Act III is spent largely on Les, on Funky, on the adults in general. I didn’t mention it before for instance but at this time Les takes up a secondary job of becoming the new night manager at Montoni’s. A lot of time is spent on Funky being so focused on success that he’s letting his personal life and business go to shit while all his employees are beginning to dislike him.

Summer’s around of course and has yet to be completely sidelined (that’s for later) but aside from the month or so focused on her basketball prowess, around is all she really is. She’s just sort of there and that, I am sure, will bode well for her future usage under the Batty’s pen. That still puts her as better than Jinx and Maddie and at least she hasn’t disappeared into nonexistance like Crazy Harry’s other kids. Small miracles I suppose, but it’s a rather inauspicious start for humanity’s supposed savior.

Since we’re at the end of Summer’s freshman year of high school I figure that this is as good a place as any to leave off for now. We’ll take a look at how things go for her in her sophomore year next time.

Sentimental Journey (Part 1)

With the advent of good ol’ Cranky bitching to a poor receptionist at the doctor’s office on Sunday, I think we can finally say that, ‘In the Name of the Father’ has reached its conclusion.

And boy, what a tale uh….softly…told it was. I’m guessing by ‘softly’ Batiuk meant ‘lacking direction, momentum, or motivation.’

It was awful, truly. So, for me, it was great. Because at least awe at awfulness is a feeling. His attempts at regular old Crankshaft gags, while objectively of better quality, leave nothing to be remarked on. It’s eating a stale, dollar store box of chocy-chip cookies, and remembering the taste of name brand Chips A’hoy. Forgettably disappointing.

But the arc we just got was a greatest hits medley of all Batiuk’s best sins. We got plot holes, weird retcons, call-backs to people who died in horrible ways, failed attempts to be artsy and profound, depression, ruin, and wry grins.

I went back and binged the entire seven weeks in one go. It took six minutes. Like many of Batiuk’s prestige pieces, it does improve somewhat being consumed this way, because you’re not stuck too long on a strip that’s nothing more than inane exposition, or a bland bit of conversation.

Somewhere along the line Batiuk has forgotten entirely that his audience will be reading his stories one strip at a time, with 24 hours between strips. No one is going back and rereading this dreck in massive chunks except for me. So, even if not gunning for a laugh out loud punchline, each strip should do something more than blandly progress the weeklong conversation.

RIVETING

That’s just one of many guidelines for writing well that Batiuk has either forgotten, willfully ignored, or never knew in the first place.

I confessed in some earlier posts that I dabble occasionally in the dark arts of fanfiction, and as I muddled through this nonsense for more than a month, my fanfic addled brain couldn’t help but cough up a version of the story that I saw as better.

I held myself to the constraints of being more or less the same story, told in way consistent with the best possible version of Batiuk’s style, taking up the same seven weeks. I briefly thought about trying to paste strips together for the true fan comic experience, but the task was too daunting, even for me. I hope you’ll accept my script format.

So, nestle in dear nitters, for a the first part of a story entitled, ‘Sentimental Journey’… which like all tales competently told begins with an inciting incident.

Week One:

To Be Continued…

Now, let me talk through a couple of my creative decisions, and how I think they fix some of the problems I think wrecked ‘In the Name of the Father’.

1.) Do not include Chippewa Lake Park. Yeah, both places are real and existed and it’s plausible Lucy and Eugene would have visited both. But all Batiuk did by adding a new location was confuse absolutely everyone. He’s spent 30 plus years building up Summit Beach Park as special. Keep things focused! (Something you’ll hear me repeat.) So everything here is Summit Beach and the Wisteria Ballroom again.

2.) Don’t try to make Eugene’s moving a big mystery. Two of the strips in the first week of ITNOTF were all ominous about Eugene moving. The audience doesn’t care about Eugene alone, he’s a bland quaternary character. You can’t build any stakes on his fate. The audience instead needs a little reminder about what the ancient love triangle is all about, as Lil is a main character of the strip.

3.) Try to make things specific to the characters. The only day that kind of maybe worked that whole week was maybe the “Good old days, getting old days strip.”

Except that it these sort of platitudes could be blathered by any two characters in this strip looking at any old picture. I did my best to make things a bit more personal.

4.) A wider range of emotions. Other than a few ominous side eyes by Eugene, most of the week in ITNOTF is full of bland grins. I tried to throw in some shock, surprise, concern and sadness.

5.) A bit of classic Dinkle behavior. If we’re going to learn Dinkle’s hardass personality was in reaction to his father, let’s get a little taste of it when he’s first shown in the story.

6.) Crankshaft being Crankshaft in Crankshaft. While he stood around blankly staring for most of ITNOTF, I hope to weave actual Crankshaft time into this, even if he doesn’t have a ton to actually do.

I acknowledge that one way this week still fails is in setting up clearly for the audience any question that would make them interested in what is next in the story. Lil taking the photo to Dinkle is plausible, but there’s no real stakes to it.

By talking about how Lucy loved the old band music, I’m hoping to establish why Lil would care at all about who Larry Dinkle was and follow Harry around listening to his stories. I also planted a little reminder of the whole thwarted proposal fiasco, so maybe people would speculate that I would finally resolve that.

I am welcome to any kind of criticism on this. After all, I’m not a Pulitzer Nominated Cartoonist of 50 plus years. I’m just a woman who has written some fanfic and binged some YouTube videos on story structure by other amateurs .

Stay tuned.