Over the last two weeks, “Terrible” Tom Batiuk and “Dangerous” Dan Davis have decided to bless us with another entry in the current passionate epic that’s been the main romantic focus of the post-Funky Winkerbean Funkyverse; a love that burns hotter than the stairs outside of Lizard Lil’s bookstore. I am of course referring to the love story between comic book writer-turned-screenwriter-turned-pizza shop owner Pete Roberts-Reynolds and Mindy Murdoch, granddaughter of Ed Crankshaft. The tale truly told of these two and Pete’s new pizza-serving robot has really showcased the chemistry they have. Just look at what has basically been Mindy’s default expression in most of the strips focused on the compelling and hilarious antics of them and their new robot pal.
Much like Stu Pickles dealing with his bratty niece, Mindy has spent most of the time — as indeed she spends most of her appearances — looking like a woman who’s lost control of her life. She seemingly regrets every single choice that she’s made that’s brought her to this point and undoubtedly is hoping that her fiance’s pizza serving robot will go berserk, and leave her with a fat insurance payout. BJ6K talked at length about just why Batty’s relationships don’t work and today I’ll be reinforcing the idea that he sucks at writing them by exploring the awful one between a woman who has at least nominally reached adulthood and her idiotic manchild boyfriend.
Mindy’s crossing over from Crankshaft into Funky Winkerbean happened late in Act II when she’d shown up to take the now open waitressing spot vacated by Becky Three Limbs. There she hung around as part of the Montoni’s scenery until she rather inexplicably became interested in sick twisted firestarter Mooch Myers. As ComicBookHarriet wonderfully documented this led to a story where Mooch discovered Lucy McKenzie’s comic book collection that, after some shenanigans, DCH John would use to fund the Komix Korner’s continued existence. That’s about all that’s really done with that relationship and by the time Act III rolls around Mindy and Mooch have broken up. So the relationship seems to have been simply to set up a story to explain how John’s shoddy business is still running after the timeskip in a story that was likely pawned off onto Crankshaft because between Lisa’s cancer and Darin’s search for his bio-mom, Batty had no space for it in Funky Winkerbean.
For the purposes of this entry, it also sets up that Mindy apparently has terrible taste in men. Possibly because her main examples of what a man are happen to be a self-absorbed old bus driver given to wanton acts of destruction and a nebbish Tom Batiuk self-insert.
After hooking up with Mooch, Mindy disappears back into the pages of Crankshaft and since I’m not really as familiar with that strip I’m not going to pretend to know what if anything she got up to over there; instead we’ll fast forward to 2017. Production on the Starbuck Jones film had wrapped and it had been decided to hold the premiere — as well as the Mason Jarre/Cindy Summers and Cliff Anger/Vera Nash double wedding that comes with it — at the Valentine Theater in Centerville because of Jff’s Starbuck Jones fandom. Pete, the film’s writer, is sent to scout out the Valentine for some reason (shouldn’t that be someone in the studio’s marketing department?) and comes across Mindy, showing up in Funky Winkerbean for the first time in a decade.
Pete’s immediately smitten and because for some reason he has tons of unearned confidence he decides to ask her out within seconds of meeting her.
For whatever reason Mindy accepts and unsurprisingly the date is at Montoni’s. Batty also cruelly subjects readers to the second of two vertical strips in a single week.
Already Mindy seems to be regretting agreeing to do anything with this geek that’s not calling the cops on him for harassing her. But alas, she quickly gets over it when she detours from driving Pete to the airport to drown him in Lake Erie take him to Bedside Manor to meet her grandfather who is a quantum entity, simultaneously existing as a rotting husk in a Westview retirement home and a doddering, but still lively, old annoyance in Centerville.
Why does she really like him? Who knows. She only just met the guy, he acted like an ass and made bad jokes and took her to a crummy middling pizza joint that is an objective failure given what happened to it in Act III. None of it really matters of course. Batty loves using the red string to lasso his characters together so what need is there to explain it? Just accept it you terrible nitpickers!
In March 2018, Chester Hagglemore makes his non-anticipated return to the comic in order to announce that he’s reviving the “spirit of Batom Comics” by starting a new company called Atomic Comics — later chaged to Atomik Komix. As part of it he wants to recruit superstar (used very loosely) writer Pete to be his flagship (and seemingly only) writer, as well as Darin to do art. Pete tags along on Darin and Jess’ trip back to Westview and Pete laments the whole long distance relationship thing.
Of course it’s not helped by the fact that Pete basically blows her off for days at a time and she’s apparently just supposed to accept this as an amusing little quirk of his.
He also claims that they’ve been moving so slow and old-fashioned that they’re still only emailing one another which is immediately shown to be a lie when Mindy texts him.
Now the context is, as said, that they were taking things slow and old-fashioned and given that third panel, the implication that what was sent is anything but. So that to me reads like Mindy is sending him some pretty naughty stuff which means either she’s sending Pete erotic pictures of herself or some pretty spicy texts, like erotic roleplaying. Either way, the heavy implication is that she’s sexting her boyfriend who then shows it off to his own friend for… what? To brag, I guess, because look how goddamn smug Pete is in that third panel.
Seriously, what a rotten little creep.
Since he’s in Ohio, Creepy Pete naturally takes it as an opportunity to see Mindy again taking her out to a show at the Valentine (because they can get everything comped and he’s a cheapskate) and dinner at… well, guess. They’re celebrating their seven-and-a-half month anniversary and Pete is so excited because this is “usually” when he gets banished to the Friend Zone.
Mindy, of course, is not amused by this at all since the implication is that Pete is a terrible boyfriend which… yeah, no shit. He’s Pete. But the natural urge to devour his head as if she were a praying mantis passes and Mindy stays with him, apparently cool with the fact that he’s giving up his Hollywood job to move back to Westview and write comic books.
Maybe she just takes pity on him. Perhaps that’s the secret, she looks at morons like Pete and Mooch as if they were the person version of a stray animal and feels compelled to take them in and fix them up. But perhaps the real answer is that she’s a pretty (per the standards of this fictional universe) blonde which means that charmless dorks are deserving, nay entitled, to her. Whatever the reason, she deigns to give him a goodbye kiss before he flies back to California. No doubt she’s also secretly hoping that his plane crashes into a mountain on the way back.
Pete and Darin take the job of course which means that he and Mindy are able to see each other. Pete shows more of his trademark charm and once again Mindy must fight back the understandable urge to toss Pete and his eyebags into Montoni’s pizza oven.
With Atomik Komix now up and running — taking months to produce nothing but covers — Mindy decides to pay a visit to Pete at the studio. Pete proceeds to respond to her knowledge of comic book minutiae by acting like a patronizing dickhead.
Why is Pete surprised? He’s been talking to Mindy for about a year at this point. Mindy knows he writes comic books and likes comic books. Wouldn’t her knowing and liking comic books too be something that’s brought up early on as an interest both share and a common point of connection between them? Maybe Mindy just decided to hold that back otherwise Pete would have been proposing to her on date #1 ala DCH John and Becky. Or maybe it came up and Pete, being the unaware cretin he is, just ignored it because getting to know his girlfriend isn’t something he actually cares to do. He’s too busy creating bizarre fantasy scenarios in his head where he self-inserts into the lives old comic book creators after all.
Pete had been doing this thiking/fantasizing on the replica Cosmic Treadmill that had been lugged over to the studio and while Mindy waited for him to actually acknowledge her existence she’d also idly decided to color in an unfinished cover which Darin is flabbergasted by and lands her a job as Atomik Komix’s official in-house colorist thus proving that she has slightly more talent than her useless boyfriend.
Doubling down on being more useful than Pete, she comes up with the name Atomic Ape for the publisher’s trademark character after the boys have been tearing their hair out coming up with one. She also casually comes up with a sidekick for the character — Charger Chimp — when Chester suggests “the Lone Ranger needs a Tonto.” Pete responds to this like an absolute baby, throwing a giant bitchfit over her having the temerity to try and create a “cute and cuddly” sidekick for Atomic Ape (even though his boss is the one who suggested it) because he hates sidekicks.
Mindy once more overcomes her urge to shove the stupid little hobgoblin out of the window and the two continue on as normal. The next big moment in their relationship occurs in the summer of 2019 when Pete takes her to the county fair but fails to win Mindy a prize. Showing that he’s not allowed to suffer any setbacks, the carny (a folk known for their kindness and honesty) gives Pete a giant stuffed tiger out of pity.
How the hell did Pete blow through his savings at a stupid carnival game? God, what a dumb putz. Anyway, after the first of their engagements the next year Pete invites Mindy and Jff out to Los Angeles for the premiere of the new Starbucks Jones movie. The urge to drop Pete out of the bucket of one of the helicopters helping to put out the giant fire that Pete has kindly invited her to see likely crops up once more when she has to remind him that instead of visiting caves where they film old B-movie quality pulp serials, they should be spending the day together. Like adults in a relationship tend to do.
But somehow, like usual, she’s able to push down her disgust at the fact this idiot nearly got her father killed (her idiot father’s own stupidity not withstanding) and continue with the relationship. By this point, Mindy has also become the protege to Golden Age has-been Ruby Lith who’s regaled Mindy with stories about what a sexist hellhole the comic book industry is. Thus when a beady-eyed nitpicker wanders into the Komix Korner and begins to criticize the work of her and Atomik Komix as a whole (in a story that is totally not Batty venting), Mindy is ready to push back while Pete stands around like the useless turd he is.
Jumping ahead to the next major stop on the Pete & Mindy Romance Express, it’s now late 2023. Funky Winkerbean has been done for just about a year but Batty has decided he’s not quite done with one aspect of it. Thus Batty inexplicably has Pete decide to get out of comic books, where he’s paid by an immature man with infinite money to do nothing but come up with characters and ideas for terrible covers, in order to resurrect the Sacred Temple with Pizza Box Monster helping to foot the cost.
Mindy, naturally, is so thrilled at the prospect of Pete leaving behind his relatively stable career for the notoriously easy business of running a restaurant, a business that is not at all prone to failure. Really, why the hell would she stay with him after this? He quit his job and decided to take his savings, their savings really at this point, and buy into a pizza restaurant that closed due to bad business. All without consulting her about it beforehand. He just does it, then tells her after the fact.
Mindy should have left him then and there but she at least does immediately point out how stupid and poorly thought out the whole thing is.
Pete decides to spring one more surprise on her when he proposes to Mindy. Mindy, of course, accepts (despite already having been engaged for four years at this point) but inwardly she knows she made a mistake. Apparently she’s trapped in her own body, unable to control her own actions and thus is unable to stop herself from marrying the eyebagged munchkin. How terrifying for her.
So terrifying she’s apparently suffering some kind of psychotic break.
With Montoni’s successfully (?) reopened, they do what all young (??) couples living in Westview are expected to do and move into the apartment above Montoni’s. Once more, Mindy realizes that she’s got her work cut out for her with this doofus.
That more or less brings us up to the present. Most of Pete and Mindy’s appearances in Crankshaft basically fall into this category. Some crap happens at Montoni’s, Pete looks like a jackass, Mindy looks as if she’s hoping to come back as something other than a blonde woman surrounded by jackasses in the Greater Akron area in her next life. For a romantic couple they’re not even doing much coupley things as they seemed confined entirely to the space in and around Montoni’s — as if some kind of magic barrier has been erected that prevents them from leaving the immediate area — to engage in whatever wacky BS Pete’s dreamed up this week.
Pete and Mindy’s relationship is just really bad even by the standards of all the other bad relationships Batty’s forced readers to endure over the decades. There’s is nothing to show why she likes him and half their interactions are Pete being an annoying asshole while she contemplates if the negatives of a jail sentence will outweigh the relief of a little “accident” lifting the gun-wielding chimpanzee off of her back. And then in the end she swallows it down and resigns herself to having to play mommy-wife to an idiot manchild who may or may not even be able to tie his shoes without her help. Mindy herself doesn’t even seem to know why she’s going along with all of this half the time, it’s as if she has some vague awareness that her actions are being guided by outside forces and that she’s merely an action figure to be moved around to enact the childish scenarios this god has dreamed up for her.
It’s a truly awful relationship the embodies all of Batty’s worst traits in writing them. No reason for the characters to be together, no actual romance or chemistry or anything. The guy is a man who is broken or deficient in some way who’s essentially taken care of by the woman who somehow puts up with all of his crap. It’s like a whole “women are wiser” thing or the cliche sitcom set up of a schlubby moron and his pretty and smart wife but done in a way that feels even more outdated and lame. As if Mindy’s (or Rachel’s, Cayla’s, Lisa’s, Holly’s, etc.) role is to be a minder more than an actual wife or lover. Pete is just such an unlikable manchild even by the standards of the other manchildren in Batty’s work that it really makes the whole thing even worse than normal.
Really, if it’s possible to feel bad for a fictional character then I feel bad for Mindy. She’s not really all that interesting but she’s also fairly inoffensive which, for the characters occupying the Funkyverse, is usually the most postive thing that you can say about them. She doesn’t deserve to be shackled to such a failure and she herself seems to know it. Pete is not just an annoying twerp, he treats her like garbage by ignoring her, talking down to her and engaging in major life altering decisions that affect both of them without once ever talking to her and making sure she’s actually okay with any of it. Never once does he act like someone who’s actually in a relationship with another person who may have her own thoughts and feelings on things. He’s a selfish bastard who treats Mindy as someone who just kind of hangs around and who he occasionally gets to sleep with (unless she hopefully shuts him out when it comes to that) and for some reason Mindy is forced to go along with all of it, beholden to the whims of an immature moron because Batty has decided that she is to be Pete’s reward.
On the bright side, all of that regret and doubt that she’s forcing down into the deepest recesses of herself will eventually morph into cancer and allow her to ascend to sainthood. But as we’ve seen, not even death will free you from being trapped in Westview.
That about wraps it up for this timely little interlude into current Batiukian events. I’ll be getting back to the main event after this because there’s still so much more of Summer to see.
Son of Stuck Funky 
