Link to today’s strip.
Before we dive in, I just want to say that commentor Rusty Shackleford is absolutely not responsible for bringing back Dinkle. Because if he had that power, a kind of Doomsday Weapon, I’m certain he would never use it.
I think today’s entry has to be the most wall-o-text ever. I mean, look at that crap. “Possibly be selected to”? Why not just…”to”? If you want to drop a hint that maybe, just maybe this one time Dinkle won’t get everything handed to him, why not “to possibly march,” split infinitive and all? I can’t see a reason for the grotesque block presented here.
Except for the reason mentioned last week, and my own pet theory: the balloons are drawn and finished long before there’s dialogue to go in them. And they’ve got to be filled. Because the author has Important Things To Say, and (like here) Important Appeals to Make to Those Who Issue Rewards.
And as long as I’m making suggestions, Mr. Batiuk, here’s another one: drop Dinkle. No one likes him. In fact, people like Crankshaft more than they like Dinkle. Dinkle was a fine Act One character, back when you were trying to make something good. He’s no longer a character people want.
I go back and forth as to whether Dinkle is worse than Les. On the one hand, Les has a small sense of humility. It gives him a tiny sense of self-awareness. But he has these things only so he can gorge on his massive need to whine how life isn’t fair to him, and no one praises him for his suffering.
On the other hand, Dinkle is equally loathsome, without even the tiniest bit of humility. He waltzes in to every situation, takes his rewards, and gives out the most punchable hatchet-faces imaginable. Any time he’s surprised by events, they are always in his favor (why, it’s even easier to make money nowadays!).
I guess I hate them alternatively. Heaven help us if they ever have an arc together. (“Say, have you ever thought of making Lisa’s Story into a musical? Who could we get to write the music?”)