Link to today’s strip.
Whoops! Late to the party on this one, but I got involved in a project of my own and neglected the time.
Not much to say about this one. The artwork continues to slide into the abyss, the dialogue is idiotic, and Rich Burchett shows us something in that last panel (almost wrote “penal”; these hosting stints, lemme tells ya…)
I mean, look at Cliff’s face in that last panel. “Oh? Think I’m not planning on getting my cheese dip on? Really, Vera? Wow, are you in for a surprise!”
Overall, again, it’s people sitting around discussing things that we have not seen and we’ve not been given a reason to care about. Eating food that looks, honestly…well, it looks largely like bowel movements. Which, given the overall bent of this strip, makes perfect sense. It also makes those vaguely flesh-colored cubes that show up now and then in Mary Worth look edible.
It’s kind of silently nauseating in its own unique way. And it’s another step away from what people want in comic strips. And it makes me feel that the 50th anniversary will be something to see, though I can easily imagine Batiuk presenting something ultra dull. After all, it’s the Funky Winkerbean way.
Boy, the artwork in today’s offering is really terrible. Those faces in panel one look like a set of sad balloons from an abandoned “melting-flesh” themed carnival. And I don’t know what’s going on with Cayla’s hand. That doesn’t look natural at all. Rick Burchette is becoming worse and worse all the time; he’s actually making Batiuk’s work look good by comparison. Whether this is due to influence from above (“Make it crappy, like me!”) or a growing disenchantment with his task (“This strip sucks, so who cares”), it’s hard to say. I would guess that the recent Atomik Komix (gah) covers are his way of saying “I am actually quite a competent artist; ’tis the subject that dictates the work and moves the artist’s hand.”
And as to today’s content, well, we’re back to the self-depreciation crap. I know Batiuk loves to have his characters wallow in misery, but seriously, give it a rest. It hasn’t been “edgy” for decades now, it’s just tiresome. It’s the sort of thing that teenagers grow out of. Sheesh. Cliff himself has had a 180 degree turnaround in his life, and he’s now revered and celebrated. But no, he has to be all “Woe is me.”
How can one be a “Hollywood Heartthrob” by starring in one forgotten (but beloved) serial before disappearing into bitter exile? How the Hell can these people be ambulatory and lucid, let alone alive, in their late 90’s? It’s easy, really. Because reality in this strip is whatever Batiuk wishes it to be, because reality in the real world refuses to cooperate.
If it weren’t so dull, it would be sad.
Link to today’s strip.
Another dull entry…which would be a great name for this strip.
Imagine this particular episode presented with no dialogue–it’s just people standing around with a couple of handshakes thrown in. Without the dialogue, it’s dull, but you have the possibility that adding dialogue might make it into something that could be interesting, possibly, depending on what these people say. But in Funky Winkerbean, if you add the dialogue back, yes, it changes…but not for the better. You end up with something no one could care about at all, except someone trying to reach a 50th anniversary on a project in which he has lost all interest. And it shows. Boring people saying boring things in a boring way.
I’m sure the idea is that Funky Winkerbean fans (those mythical creatures) would look upon this and shout, “Yes! Vera and Cliff are back! This is great!” The problem–probably the main problem with the whole strip–is that in the real world, enthusiasm for characters comes from caring about them, because those characters are interesting, or do interesting things. Here, these characters are uninteresting, do nothing but stand around, and we are given no reason to care about them at all. This is because Tom Batiuk cannot create interesting characters, because he cannot care about anyone other than his various avatars (mainly Les, but also Dullard, John Howard and Dinkle).
Remember that time you were in a restaurant and you asked the table next to you if you could borrow their salt shaker, and you got an assful of stories that bored you to tears, but you needed that salt? Say hello to Vera and Cliff.
While I can’t say much for his taste in clothing, it’s nice that Cliff and Vera dress up a bit when they’re going visiting.
Link to today’s strip.
Greetings, folks, BChasm here back behind the wheel of this eternally stalling vehicle. Many thanks to Comic Book Harriet for an excellent hosting stint. Trust me, the headaches go away after a while!
So, what do we have here? I’m honestly dying from boredom just looking at this one. I do like the drawing of the house and the environs in panel one–it’s simple and slapdash but it’s nice, including the squiggle birds and the hinted-at ocean. A decent looking house right on the beach–Starbuck Jones has been very good to Mason. And it’s nice of Les to change from the yellow shirt he was wearing yesterday to a blue version of the same thing. I suppose he did that on the ride over, and thank you to Tom Batiuk for not showing that, and also not showing Mason saying, “Wow, Les, you’re really ripped. I could get you into the movies easily, as a sensitive and caring guy who ends up with the girl in the end!” And also not showing Les being all humble and yet unable to say No. So that’s three good things Tom Batiuk did in just this one episode!
Anyway, I get that Les and Mason are pals due to suffering through the abortive “Lust for Lisa” project, but Cayla and Cindy don’t really seem like the type to pal around. Have they ever actually met?
As for the dialogue, ugh. Dullard told Mason that he and Les were up for an award. Cindy took that as a way to catch up on Ohio. Because, as I think the Comics Curmudgeon pointed out, phones can never be used in the Funkyverse. And everything always happens in Ohio…the place Mason wanted to retire to, if I remember correctly. Yeah, no one uses phones, except Les, just yesterday to text Cindy. So he has her number stored in his phone. And…
This strip is like a shelf full of boxes that all get knocked to the floor, contents scattered everywhere. And the person assigned to pick everything up just doesn’t care where things are supposed to go.
Still, I think the point of this episode is to present something so dull and uninteresting that no one can really criticize it. If so, mission accomplished.
Link to Today’s Comic.
Once again stayed up late waiting for Sunday’s strip to drop. Les and Cayla are in LA, getting picked up by the world’s worst Uber. Mason has always been portrayed as a dingbat. I would not feel safe with him behind the wheel of a Hummer/Hearse Hybrid during LA rush hour.
It seems that ‘Comic-Con’ this year was completely summed up in one panel of nerdery last Sunday. The awards show might as well have been a poorly attended wedding reception for all the excitement and industry flavor we got.
I’m pretty flabbergasted by it, really. We did get plenty of tone deaf ‘nerdy’ humor last year, and the year of the great Holly Winkerbean Starbuck Hunt. But the idea that Batiuk would have nothing more to say during a Comic Con, that he’s both out of new ideas and not interested in recycling his old ones, it’s not like him. It’s almost worrying. Lack of interest in activities that you once enjoyed is a classic hallmark of depression. Can someone check on him?
Well it has certainly been an interesting couple weeks at the helm. I interpret this awards quickie as TommyBats realizing that while the IRL ‘Lisa’s Story’ was nominated for a Pulitzer, the ‘in-universe’ book has never been similarly rewarded. The Eisner nomination, but not win, is a way of giving his opus similar accolades both within his world and without.
Beckoning Chasm is up tomorrow, to see us through the sights of LA. If Cayla is impressed with Union Station, wait till she sees the Scientology Building.
Link to Today’s Comic.
So Tom at least realized that is would be beyond crass to have ‘Lisa’s Story’ WIN the award. We’ve learned something about the lines he will and wont cross.
But when you thought the plotline couldn’t get any weirder or more half-assed, we don’t get to see the announcing of the award, or the immediate reaction. We jump from before the award being announced to some time following later.
I would hate to be Tom’s wife, the man has trouble experiencing a climax. Everything is foreplay to him, followed by a blackout and then an awkward denouement. Since his massive Atomic Komix startup saga tapered off even his foreplay has been perfunctory. Perhaps we are entering the era of endless quickies, shorter and shorter storylines eventually turning the strip back into the one shot comic it once was.
Panel One: Cayla hands her ‘Honey’ divorce papers.
Panel Two: Les drinks while being insulted by an imaginary cat.
Panel Three: Les asks out an attractive woman at a book fair.
Link to Today’s Comic.
Well Darin and Jess are already drunk, and are hanging all over each other like two kids necking at the back of the old Valentine Theatre. Jess has lost a finger. In fact all the hands are extra hideous today. And Cayla is missing a neck. What a treat!
Les has absolutely no grounds to be ashamed of a friend making a scene, but it’s nice to see him miserable anyway.
Something I had never really noticed until I was examining the last panel is how the Funkyverse house art style generally doesn’t include lip tint. Normally it doesn’t stand out. But Jess today, with fully detailed lips, really should have them colored nice and pink or red, as would befit a lady at an awards show. instead she has a terrifying flesh colored pucker on her face, like she has an asshole for a mouth.
Cayla has an asshole for a mouth too. But his name is Les.