Les, that is a really, really, REALLY weird thing to say while staring lovingly into the chocolate brown sclera’s of your second wife’s eyes. What are you trying to say here? That you’ve realized you’re lucky your first wife died? Because in the end what you really wanted was both a supportive wife and a sob story? The knockout one-two punch that will win you gold in the victim Olympics in performative grieving.
I get the sentiment, it’s a nice sentiment. You’re trying to tell Cayla that you’re content in your life with her. That Hollywood fame wouldn’t have made you appreciably happier because you’re already happy. But, when talking about this to a second wife, as a widower, you should avoid words like, ‘lucky.’ ‘all along,’ and ‘in the end.’
By Cayla’s tired grimace, I can tell what she’s thinking. “I don’t know if he’s insulting me or snubbing Lisa, but at least he sounds happy she’s dead.”
Many of us this week have found ominous signs that the box office failure of Lisa’s Story might not be then end of this endless arc. That a box office bomb can still go on to be critically successful and win awards. And it would dovetail nicely with Batiuk’s sentiments on popular entertainment, for the true beauty of Lisa’s Story: The Movie, to only be admired by a few.
I fear we’re in for a Marvin’s Room deal. If TomBa is going to use anything as a template for Lisa’s Story’s success or failure, it’s not going to be one of the cancer movies of the last few years. It’s going to be from the glory days of weepy prestige drama. The 90’s.
I’d never heard of this film before my cancer movie research of earlier in the week. And after reading the synopsis, and watching the trailer, it is top on my list of movies to never see. But the plot is Batiukian to the max. A movie about sarcasm in the face of disease, death, and poorly portrayed mental illness, written by a man who was himself dying of AIDS.
For 20 years Bonnie (Diane Keaton) has been taking care of her bed-ridden father, Marvin (Hume Cronyn) following a stroke. When she is diagnosed with leukemia, she reaches out to the sister she hasn’t seen for 20 years, Lee, (Meryl Streep), asking if she and her two sons would be tested for a bone marrow transplant. Lee retrieves her older son, Hank (Leonardo DiCaprio), from the mental health facility where he’d been kept since trying to burn her house down, and takes her family to see her sister. Much heartfelt sarcasm ensues. Bonnie’s treatment appears to be failing, but Lee is now comfortable caring for their father.
The movie bombed in 1996, making $12 million on a $23 million dollar budget.
And it got Diane Keaton an Oscar nod for best actress, Meryl Streep a Golden Globe nom, also for best actress, and three SAG nominations to boot.
The box office numbers might be in. But awards season is right around the corner.
And sometimes, the people you know the least…
are the ones you need the most…
and the places we’ve left behind…
are the places we’ve always belonged….