Tag Archives: silhouette

The Dirt: Confessions of the World’s Most Elderly Jazz Band

Link To This One

It’s funny, because just a few years ago Morton didn’t have an imagination at all! At least they’re still both clothed and for that, we should be thankful. Obviously BatYam caught part of some rock band biopic and thought it’d be “very funny” if yadda yadda yadda and so forth. At least Morty finally stopped with the demonic sex offender leering, at least for now. The whole “aren’t depraved randy old coots hilarious?” thing is around 98% less funny than BatNard thinks it is and I really wish he’d leave those gags for his other, lesser known (chortle) comic strip, as I don’t read that one.

It’s funny how usually FW characters are heavily into pop-culture references from thirty years before they born, but today Morton is referencing rock and roll tropes from seventy years AFTER he was born. It’s amazing how his advanced dementia didn’t seem to affect his memory at all, which is, uh, highly unusual, I guess you could say. The way he just totally blew off that early Act III Major Prestige Arc remains one of Act III’s greatest and dumbest mysteries.

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Bury My Foot at Wounded Knee

Link to today’s strip.

I have no idea what Holly means in panel two. Is she on her knees a lot? Does she scrub a lot of floors, or is her Dorf impression hugely popular at parties? When one says “I’m on my feet a lot” it tends to mean “I’m very busy.” I don’t know the corresponding meaning for knees.

Panel three is the real baffler. I really have no idea what she means. It’s framed as if it’s a punchline, but I cannot find a trace of humor in it–or anything sensible. Her knees want her to die so they can rest? Is that the joke?

Proof positive (as if any more were needed) that this is never touched by an editor.

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No Barrel of Laughs

There’s really not too much to make fun of in strips like this one, unfortunately. I do get a kick out of the wild disconnect between the art and the dialogue. Holly’s expression makes her either seem like she’s senile and has no idea what’s going on, or she just found out that Cory stepped on a landmine behind Montoni’s.
I would like to know how much time has passed since Holly’s surgery. It feels like it’s only been a few days, so I feel like the doctor would have given her some actual real pain medicine rather than having to go through so much Advil.

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Fall of the House of Winkerbean

Okay, so it wasn’t a fall, it was an accident. How is that better? And honestly, what is the difference? Are falls somehow on purpose, and not accidental? I feel like it’s not too much to ask, but if Batiuk insists on not being funny, I really wish he could at least make sense with his writing.

Oh, and wasn’t it literally just yesterday that Holly was a sarcastic jerk when someone asked if she fell, because it was obvious that she did fall?  And now she’s saying she didn’t fall?  Maybe they need someone to come in and do a cognitive evaluation.

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Flaming Batom Schtick

Apologies for today’s short post, but this story arc has gone about as well as my week at work has… And today’s strip doesn’t do much to improve matters. It doesn’t do much period.

The insurance companies Dinkle may have put a stop to the flaming baton trick, but don’t you dare think he is losing his touch. He has happily proposed maiming senior citizens with fire in recent years.

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Some Like It Lumpy

Link To Today’s Atrocity

Wow. Major Act II flashbacks, man. I didn’t think he’d go THERE with this story, but once again I vastly underestimated his shamelessness. He could have chosen to go with some nice breast cancer awareness platitudes and how “Lisa’s Story” was ultimately helping people and so forth. But, with his usual sledgehammer-like subtlety, he decided to go ahead and GIVE MARIANNE CANCER instead. So now she really is just like Lisa, except hotter and, you know, alive and everything.

Even after all these years and all the tedium, this is still one weird-ass f*cking comic strip, I’ll tell you what. This is just ghastly and the fact that BatYam doesn’t know this makes it even more twisted and strange. It doesn’t insult your intelligence, it shoots your intelligence in the back, rummages through its pockets and leaves it for dead. Ham-fisted, heavy-handed, this one is as tone-deaf and ridiculous as it gets. Once again BatYarn goes in a direction no one else would have even considered.

Has any comic strip ever used the word “lump” more than FW has? “Maybe For Better Or For Worse” did, but most of that strip’s tragedies weren’t cancer related, so I dunno. If it’s “Crankshaft” I definitely don’t want to know.

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Wheelhouse of Pain

Link to today’s strip.

Author: What is the law?

Mason Jarr: Les Moore is the kindest, bravest, warmest, most wonderful human being I’ve ever known in my life, that is the law. Are we not men?

FW Cast (in unison): Are we not men?

Author: What is the law?

Mason Jarr: No Tom Batiuk has ever made a mistake or distorted information. He is, by any practical definition of the words, foolproof and incapable of error, that is the law. Are we not men?

FW Cast (in unison): Are we not men?

Author: What is the law?

Mason Jarr: Research? We ain’t got no research. We don’t need no research. I don’t have to show you any stinkin’ research, that is the law. Are we not men?

FW Cast (in unison): Are we not men? We sure aren’t Devo.

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Ownly the Lonely

It’s possible I’m forgetting this, but I thought Atomik Komix published things like Amazing Mr. Sponge? Didn’t Chester buy the rights to the old Batom titles and is making new comics of them? So therefore they’re not creator owned at all? It’s possible I’m confusing this, but I thought that’s how it was.
I like that apparently Ruby literally had to give up her seat to Phil. She’s being honored for her career achievements, but a random guy shows up and steals her thunder and her chair. This is extremely on-brand for Batiuk.

Oh, and Phil hated his career, and producing comics is misery.  What else is new.

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Lith-ography

spacemanspiff85
May 24, 2021 at 11:48 am
There are few things in the world I’m less interested in than Tom Batiuk writing about the plight of women in the comics industry sixty or more years ago.

As a member of our very own “bullpen” here at SoSF, spacemanspiff85 knows not just the pain of reading Funky. Winkerbean. Every. Damn. Day. Periodically, Spiff is called upon to write something interesting about it to share with the rest of us. For two weeks, after which another SoSF guide host/guest author takes over. We limit our authors to two-week stints for the sake of their psychological well-being. Were that not the rule, I’d turn the helm back over to Comic Book Harriet, whose bailiwick these “Women in Comics” arcs have become. SoSF trauma protocol dictates that CBH must rest on the sidelines (while killing it as always in the comments), and it falls to me to get us through this arc.

As a male, I must tread lightly, but here goes: editor “Stogie” Butz’ “pretty good for a girl” remark barely qualifies as a microagression, given the times. Whatever midcentury decade Batiuk’s trying to recreate here (and it could be anywhere from the 1940’s through 60’s), calling a woman “girl” in the workplace wouldn’t be automatically out of line. He’s just busting her…chops, as would any cigar chomping, no-neck cranky boss.

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Ominous Donut Box

So today Batiuk takes a shot at PBS for being obsessed with the pandemic, for some reason. I’m guessing it’s solely because it was low hanging fruit for what qualifies as wordplay to Baituk. it I would have gone with “Coronavirus News Network” myself.

This is very odd too, because it seems to be implying that the news was covering the pandemic too much? I mean, maybe some were, to a certain extent, but the vibe of “Stop talking so much about the pandemic that’s brought the entire world essentially to a screeching halt for over a year” is very strange to me. I really think Batiuk wrote this in early March last year and assumed the virus would blow over in a month.

The first panel is kind of hilarious to me. “I tried to avoid the news as much as I possibly could…but it just kept chasing me down and forcing me to watch it!”. If you don’t want to watch the news, don’t watch the news.

This arc really makes me feel that “recovering addict” is the perfect character type for Batiuk’s style of melodrama. You can milk a ton of cheap drama and pain out of it without anything really having to happen. Funky will never drink again, because that would be drama, and that doesn’t happen in this strip. But he will moan and complain, you’d better believe it.

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