Tag Archives: silhouette

Stuck Inside of Westview with the Helmet Blues Again

If you’re going to write a time travel story, you either totally ignore all the possible, unintentional ramifications of transtemporal travel, or you make the story about those ramifications. Either way, doing so requires a fair amount of narrative skill. That is, at least make it entertaining enough so that hidebound literalists and beady-eyed nitpickers don’t feel compelled to tear it apart. Gosh, this arc is infuriating. Given his seemingly supernatural gifts, surely there was some way that Hedley could have gotten back the dreary magic helmet. He’s had over 40 years to do it! But noooooo, he was content to leave it in Donna’s possession, and now it’s disappeared (and how does he even know this?). As a result, he’s “stranded” in space and time, and, nothing against janitors, but it’s probably a pretty mundane existence for someone capable of time travel and mind control. But hey, at least the music’s good!

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What’s in your head, in your head? Ruby, Ruby, Ruby-y-y-y

I’d argue that today’s strip is the product of an AI tasked with generating images for the word “wistful”… but that’s an insult to artificial intelligence and I don’t want to be responsible for unleashing Skynet. This is just completely sad, but in the stupidest way.

Mindy is the one that really punches up the stupidity here. First, “when” Ruby retires is essentially right now, it doesn’t need to be discussed as if it is well in the future. Second, Mindy also draws a paycheck from Atomik Komix… so does she dramatically underestimate the financial resources it takes to travel extensively or does Chester really pay that well?

And if Chester pays that well, why can’t he spend some money on an office that doesn’t look like a dungeon crawl game being played on a vintage grayscale Macintosh? Maybe everything in the office is made of stone. So that’s why they called him “Chester the Chiseler”!

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Credibility Gap

It’s been a long time since I laughed out loud at Funky Winkerbean, but Les’ question in today’s strip cracked. Me. Up. It’s been ten whole years since Les and Cayla dropped off Summer and Keisha at Kent State. Even for someone doing “graduate work,” ten years is a stretch. Is she still on a basketball scholarship? I don’t recall even seeing her in a Kent State uniform. So has Les been paying her tuition? I doubt Summer is contributing anything, as the only job we’ve seen her doing is wrapping gifts at the mall two years ago (when the girls were “wrapping up [their] college careers,” according to Cayla).

For someone who’s always bragged about progressing his characters in “real time,” storyteller Tom Batiuk has always taken liberties with the timeline. In this, FW’s Jubilee Year, he’s finally given up trying, casting off any semblance of temporal continuity; most notably by aging his core characters by at least five years to have their fiftieth high school reunion coincide with the strip’s own fiftieth anniversary (pay no attention to Crazy Harry’s time travel arc from last spring which suggested the gang were still in high school in 1980).

You win, Tom Batiuk. This is the last time I’m going to bitch about your nonsensical time constructs, and the last post I’ll have to write for a while, as tomorrow, Banana Jr. 6000 starts a 2 week shift, and I just know he’s rarin’ to go!

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Claim Jumpers

Oh hey, Mitchell Knox is unpleasant, who could have seen that coming. And he’s also overweight and bald, just like every other “bad collector” character Batiuk has had in this strip. I still really don’t get how or why Batiuk thinks some collectors are good and some are bad, but he clearly does.

It’s funny that Jessica just says “we were told” without any more details, and Mitchell doesn’t care at all about who told these strangers what he owns and where to find him, which is what my concern would be if I were him.

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Memento of a Murder

Link to today’s strip

Is it just me, or does it seem a little weird that Jessica is apparently only now thinking that she wants a souvenir of the John Darling show? I feel like she would’ve maybe thought of this sometime before, just because she lost her dad at such a young age. Or that it maybe would have occurred to her in the dozens or hundreds of hours she spent creating the documentary about him. I mean, she had to have watched some footage of him when she made that, I would think. But it took stumbling across random reruns of the show to make her think about wanting a piece of the set or his chair or something.

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