So . . . Lisa still lives, and her and Les have an adopted Hispanic son? The title will still be Lust for Lisa? That all was great? Literally the only thing wrong with it was that Les wrote the script? I know it’s an incredibly pointless question, but I really wonder if Batiuk even thinks about this stuff while he’s writing it, let alone going back and reviewing it once it’s done.
Tag Archives: Wally
Panel 1 Mason appears to have caught whatever caused Cindy to have Stupid Hair in Act I. I would much rather focus on that than Mason apparently saying Les is a true hero, and he wants to portray him. “You made the big time after your wife died, you’re a real hero, Les!”. What the hell has Les ever done that’s close to heroic? Not curling up in a ball and dying after Lisa died? People do that every damn day and they do it in a far less pretentious way than Les.
My money is even more on Cindy portraying Lisa now, since I can totally see Mason saying that’ll add to the “realism” of the movie.
The stupid Bull storyline and interview are really starting to seem like massive baiting. “I’ll lure them all in with a moving storyline about a trendy topic, and as soon as they’re hooked, I’ll move on to Les Moore, the Greatest American Hero!”. Seriously though, has someone related to this blog done something to Batiuk, or hacked his computer, and taken over the writing of this strip? Because about the only explanation for any of this is someone really wants to make the writer look like an obnoxious ass.
What on earth is the right way to do Lisa’s Story? True to life, where it just focuses on Les’s reaction to everything, and skips right over the really difficult and interesting part of how he adjusts to life without her? Or focusing on the ridiculous medical paperwork mishap that anyone who saw it in a movie (or a comic) would say is just laughably bad writing?
Actually I think it’s pretty clear what “the right way” means. Lisa Must Die. Because serious art requires beloved characters to die in a very serious, very profound way. Except Bull. Bull you just knock off as quick as possible so you can get to Lisa. Again.
That “Cindy…?” is hilarious to me. “Formerly hot girl I used to stare at in high school and have no real meaningful relationship with, do you think I should make this beg life decision? Because yours is the only opinion that matters to me, way way more than my secondary wife’s.”
I had no idea playing the lead in one (or is two now?) sci-fi movies opens enough doors for you where you can just create movies by yourself. And this is another in the long tradition of Batiuk using “witty” or “funny” sayings that really make no sense, apart from not being funny at all. The doors are already opened, Les. I don’t think it matters what’s on the other side.
Do you think that’s still Cindy there, or just a blonde wig on a stick? They’d both work about as well in their job of sitting quietly while the menfolk handle business, which is all Cindy has done since Les showed up.
Not much to say about this one…it’s okay, but the fact that Rachel’s wish was for Wally to become a night manager at a pizza place–well. It’s hard to think of anything sadder. Although I’m sure Batiuk regards that as a challenge and will get right to work on that.
I have to say, that’s the most unappetizing pizza I’ve ever seen. It looks cold and damp. This might be a testament to Chuck Ayers’ drawing skills, but I think he’s going in the wrong direction.
Charles made an interesting observation in yesterday’s comments, to wit: “H-1B visas are temporary work permits for foreigners who have specialty skills. Washing dishes at or assistant managing a pizza place is not one of those skills. Adeela’s literally taking a job a local American could do.’
That got me to thinking…why was Adeela here in the first place? I have to assume that H-1B visas are given to foreigners whose skills are pre-existing. In other words, they’ve already been trained in a specialty that few Americans have.
Adeela, though, was going to school here in the US to acquire her architecture degree…in other words, she was given an H-1B based on a skill she did not already possess.
Could it possibly work that way? “Oh, here’s a Muslim woman who wants an H-1B visa. What? She doesn’t have a specialty skill? Oh, well, I’m sure she’ll go to college here and get one. Next!”
Batiuk should really stick to things he knows about, or at least learn to use Google.
Well, those of you who said that Adeela will end up working at Montoni’s–please go to the ticket booth to collect your winnings!
I’m rather surprised that Wally, only a few minutes into his new position, felt that he could go over Funky’s head and hire someone to work–and on someone else’s shift, too. That’s pretty damn bold, and not in his character at all. I kind of thought he’d be all cringey and cowardly, and he’d meekly ask for another favor before presenting Adeela as a possible hire.
I think Batiuk thought we’d all be surprised by this development, but it was honestly pretty inevitable. The only thing he could do with Adeela was either send her back to Miseristan or make her part of the regular cast. And I’m sure he thought that if he kept her around, those awards would start rolling in. I guess she’s not quite as punchable as the worst characters here, but she doesn’t really bring anything to the strip (other than making Batiuk’s thirst for awards even more obvious). She’s just a distaff Wally, a sack of misery pushed here and there by forces she’s decided she cannot fight.
I guess Funky’s dialogue proves that Rachel is quitting–I’m not sure what a “day person” is, but it probably wasn’t Wally. Wally was a dishwasher (and I’m sure that will still be his primary role), and “day person” sounds like someone who actually runs the place…which sounds an awful lot like like Funky, come to think.
Well, there’s no way that Adeela is going to replace Funky, because as a female, she’s incapable of so many things in Westview. But, whatever her role in the restaurant, I’m sure that architecture degree will come in super handy.