Narshe

Graduating Into Irrelevancy

Act III began with so much promise for Summer Moore. As the daughter of what had become the strip’s ostensible lead character and his holy bride — the focal points of the Most Important Stories Ever — most would assume that Summer would naturally fall into the role of being the focus of the new generation. In a sense that is indeed what happened as of all of the so-called Funky Kids she’s clearly the one who up to this point had gotten the most attention… but that’s mostly because of how little Tom Batiuk seemed to care about them. She got her place as the centerpiece of the high school stuff almost by default and even then, by this point she had begun fighting for that position with Owen and Cody, characters that clearly resonated more with Batty as they were the requisite Funky/Les duo.

Outside of basketball stories taking place in the winter, Summer’s presence is mostly just that; present. A character who hangs around but doesn’t do much of anything. For her final year of high school that’s really not going to be changing all that much. Her knee having exploded earlier in the year, by the summer it looks to be mostly healed as she’s back to shooting hoops with Keisha in a set up for a week of already tired “Les meets weirdos at a book signing” strips.

She does at least make fun of him upon his arrival home, however.

She also gets to be a sounding board for Les’ complaints about how Hollywood is mucking up the Lisa’s Story adaptation.

*“They asked if the masked death concierge was necessary and I was just so offended!”*

With the ghastly gold digger exiled from both Westview and the strip, there’s nothing standing between Cayla and the man of every woman’s nightmares. Les decides that it’s time to do the most important thing he’ll need to do in his post-Lisa life which means a fancy dinner at Montoni’s and sitting Cayla down on Lisa’s bench to tell ask her if she’d be willing to be his favorite runner-up. Cayla, of course, gleefully accepts and they arrive back at Les’ wondering how to spring the news on their kids. But of course the “rents” don’t realize that Summer and Keisha are eavesdropping on them like 8-year-olds.

In celebration of his new engagement, Les gets invited to the cookout and spends labor day with Cayla’s family. Summer gets half-assedly drawn in the background of a couple of panels but the main event is getting to see Les hit in the face with a softball.

Summer also gets to show up kicking off the requisite Lisa’s Legacy week which by now is beginning to feel like something Batty includes more out of obligation than interest.

Fall and the start of the new school year also brings with it one of Batty’s favorite stories: school levies! And surprise surprise, the ignorant clods once again voted it down so now the raises of Linda Bushka, Jim Kablichnick and the other two teachers at WHS are in jeopardy. But not just that, funding for athletics have been gutted too. Bull had earlier tried getting around this by implementing a “pay to play” scheme for the teams but that’s not enough and with the failure of the levy, it’s announced that the sports programs are being shuttered.

To add insult to injury, Les and Cayla decide to “cheer up” their kids by feeding them some Montoni’s slop.

But while everyone else mopes, Funky decides to do what characters in this series very rarely do and take some initiative. It turns out that he’s the head of the local Chamber of Commerce and he’s not about to take this problem lying down.

His genius idea is to hold a raffle and go around to local businesses so that they’ll offer prizes for it. I’m not really up on how all of this stuff works so I’m not sure if a raffle would actually be enough to subsidize an entire school’s athletic programs for the year which I assume would be in the range of hundreds of thousands of dollarydoos. But I suppose that’s why Batiuk is the somehow reasonably successful cartoonist while I’m snarking on his comic strip for free.

Funky gets to work and by “gets to work” I mean we get a couple of days of a travel agent pawning off onto him a trip to climb Kilimanjaro that they weren’t able to get rid of in something that is totally not foreshadowing.

Come the day of the big raffle, Les is naturally there to buy a ticket and Bull is there to, in a roundabout way, call him a loser. That’s how I’m interpreting it at least.

But TB is the master of dramatic irony so of course Les does in fact win a prize and what prize does he win? Why that Kilimanjaro trip! Beacuse like a master bowler, Batty sets ’em up and knocks ’em down. Les being who he is, he’s not exactly thrilled but Summer, being who she is, is excited.

But good news, Funky’s raffle scheme somehow worked and the season is saved. Summer gets her final season after all!

TB, being the master storyteller that he is, decides to wrap up this year of tribulation for Summer with some levity by having Bull rile her up a bit about her rehab.

It’s also Dopey’s birthday so Summer decides to rile him up by giving him AARP membership; LMAO. And of course St. Lisa has a tape for just this moment as well. Why she’d have a tape for a random birthday instead of a milestone one is beyond me but Lisa’s going to do what she’s going to do and inserting her desiccated visage at inopportune times seems to be her final act of revenge on the world and the people in it.

But with all the rehab, all the effort to save the sports programs, the Lady Goats begin the season with a losing streak potentially flushing everything down the crapper.

But Summer realizes there may be a solution and tells Bull of a mythical figure: someone who, prior to his arrival, managed to actually bring a championship to Westview. None other than Ann Fairgood, her half-brother’s adoptive mother.

Why Bull wouldn’t know this considering he was a student at Westview while Ann was a teacher and coach is beyond me but by this point we know that continuity for Batty basically only exists when the immediate story calls for it to. Whatever, he goes to the Fairgoods’ home to talk to Ann and brings her in to give a motivational speech about her own history.

But when she suggests some plays he decides to go one step further and name her the new assistant coach. This winds up paying off, unsurprisingly, and the Goats snap their losing streak.

With this, the Westview girls proceed to turn things around and tear up the (regional? conference?) tournament.

By knocking off Big Walnut Tech they’ve made it to the state championship game in a rematch from two seasons prior against Our Lady of the Cedars.

But alas, TB throws in a swerve when on the way to the game it turns out that Summer has become ill.

Yes indeed, in deciding to pull from reality Batty decides to reach 15 years into the past and equate Summer with the greatest basketball player ever by recreating the famous “Flu Game” from the 1997 NBA Finals where a violently ill Michael Jordan dominated and hit a legendary shot in the closing moments.

In the closing seconds, Summer takes a hard foul and it’s up to her to sink the free throws.

She takes the shot. Tension builds…

But of course, she did it! The Lady Goats are your new state champions!

One teeny-tiny problem though: this is not how basketball works. There’s no such thing as a “walk off free throw” as there would still be some time on the clock and the other team would have been able to either inbound or rebound (assuming Summer misses the second shot) and try to heave it for a miracle if there was enough time to do that. The game isn’t going to end then and there just because Summer hit a free throw even if it was effectively over. And the worst part? Batty knows this because there’s a strip prior to this where Les admonishes Bull about how there are no walk off free throws. So Batty is disregarding a basic rule of the sport that he himself acknowledged some weeks prior just for nonsensical drama.

If this is what he wanted to do, why do the free throws in the first place? Why not just have Summer hit a buzzer beater? This is not hard and yet he makes it more difficult than it needs to be by not taking five seconds to think about if what he’s writing actually makes any sense.

Anyway, having coached Summer to a championship and rehabbed her knee, Bull does one more solid and presents her with a highlight reel of her high school play that she can send off to colleges. A nice enough gesture although with Summer being such a highly regarded player wouldn’t she have been scouted and approached by recruiters long before this point anyway?

In April, the two tracks of high school that Batty has been working with finally come together when Summer shows up to save Cody from getting pounded by Wedgeman. Much like every high school generation has its loser male geek duo and its vapid popular girl so too must it have its loutish bully and Wedgeman is the current one in the line that goes back to Bull and Stoneironmarblehead Morton. And just like the vapid popular girl, it’s diminishing returns in terms of his characterization i.e. it’s nonexistant beyond “is a bully.”

Cody, of course, falls in love with her and can’t help but see Summer as Wonder Woman who I assume is also Tom Batiuk’s own waifu.

Thus starts a rather nonsensical storyline for the next few weeks where Cody decides to send an anonymous text to Summer declaring his love for her and, can you believe it, she sends an anonymous text back! How Cody would have her number to even do this I have no idea. Owen, though, spends the whole thing acting dismissive and when she fails to show up for a promised date at Montoni’s (of course) the ruse is revealed. See, it was actually Owen sending those texts to Cody the entire time because he was also in love with Summer and he wanted to I guess disappoint Cody so he’d have her all to himself? I don’t know, none of it makes sense.

But Cody is undeterred and decides he’s just going to tell Summer how he feels in person. However, he sees her talking to Chad and decides to slink away in disappointment even though she’d turned down Chad’s request for a date.

Of course there’s one final twist as someone sends Cody an anonymous text declaring how much they like him. Because of Owen’s stunt Cody dismisses it oh ho it turns out it was a real girl who really does like him. This is of course just an ending stinger and is never again followed up on.

Truthfully, that’s really about it for Summer’s importance during the waning days of her time in high school. The next big storyline is Roberta’s protest over a gay couple being allowed to attend the prom and Summer does seem to be the instigator in starting a counter demonstration against it.

But aside from that she otherwise has nothing to do with the story which is mostly about Nate giving a big speech about how there will be no discrimination at his school. Then Becky’s father tells his wife to shut up and that’s effectively the end of Roberta Blackburn’s time as an antagonist in the strip. The most notable thing about the storyline — besides the milquetoast way that Batty presents his stance — is the biggest unsolved mystery in Funky Winkerbean — who was behind the castle?

During the prom there’s a couple of strips where a person — of who only an arm can be seen — thanks Nate for what he did for “me and students like me” while declaring that they’re not ready to come out just yet. All while Nate looks like he couldn’t care less. Seriously, why does he look so bored?

So who is Nate talking to? We can really only use process of elimination to narrow it down to a few options. Given that the character is hidden that would obviously imply it’s a known character, otherwise why hide their identity? Of the seniors, the only notable male from this generation is Cory who for reasons of “marries and later has kids with a woman” doesn’t fit; also the person looks shorter which implies it’s probably a girl.

Given the light skin that also rules out Keisha. It probably can’t be Rana given later developments that would make her being gay, although not impossible, very unlikely. So you’re left with three options: Summer, Maddie and Jinx.

Summer did very briefly date a boy early in Act III but at this point that seems like an abberation. But on the other hand, the sporty short-haired tomboy also being a lesbian seems to be such a trite stereotype that it might even give Batty second thoughts. Maddie is (supposed to be) the eccentric girl who marches to her own beat but she’s also effectively a non-character.

Jinx was there for the start of this story and is the one who announced that Nate and his wife were voted prom king and queen. Based on that I’d say there’s a reasonable chance it could be her, you know clumsy hinting from Batty and all. But who knows?

Maybe later strips can be read in a way to make you look back on this and think it was Summer or Maddie. Maybe they’re all gay. Or maybe that hand poking out from the castle wasn’t a real character and was just the representation of gay teenagers which seems like the kind of cop out Batty would do. But unless someone ever asks him directly or he does another Untold Tales (fat chance) we’ll never know.

We can speculate until we’re blue in the face but seeing as we’re likely never getting an answer we may as well just move on. In the final few weeks of school Summer and Keisha receive invitations get evaluated by, where else, Kent State. Things go well and they both receive athletic scholarships thus putting a bow on the last lingering bit of their high school storylines.

And with that done it’s now time for them to ~~die~~ graduate.

Which is immediately followed up by yet another cancer tape.

Just where will Summer’s heart take her? That’s for next time in what will be, for a long time, Summer’s last hurrah.

Because by the middle of next year Summer’s appearances are going to dwindle drastically. She will continue to pop up for the odd appearance or week once or twice a year post-2012 but once Batty shipped her off to Kent State he was also effectively putting her into semi-exile as his interest shifts more and more to comic books, Hollywood and characters like Darin, Pete and the yet-to-be-introduced Mason Jarr(e) and in the exciting world of elderly geekery, there’s neither time nor place for a jock who doesn’t fawn over the latest MCU flicks and Star Wars movies.

All Apologies

Last time, we saw Summer’s on-the-court play take a step up only to run into a wall when she and her team got trounced. She’d also gotten caught up in the ongoing love triangle between her father and two women with rather poor taste. Despite Les and Cayla officially being a thing, TB saw need to throw doubt on the relationship as Susan Smith — that sinister suicidal succubus — proceeded to butt her way into things, a process made all the easier because Les is an oblivious moron and Cayla is a character with absolutely no spine. Summer’s importance after the first few months took a backseat as Batty began diving into fiction’s most laughably unbelievable love triangle and unfortunately for her, 2011 is going to go much the same way as 2010 for a while.

But there is a light at the end of the tunnel as Batty will finally put this interminable storyline to rest. But not before he goes in guns blazing, pushing Summer out of the way in the process. Right from the jump, 2010 ends with Cayla and Susan at Les’ New Year’s party. As the clock ticks closer and closer to midnight, they both anxiously look around for their dickheaded dreamboat, each hoping to be the one that he rings in 2011 with.

But alas, the bespectacled beefcake is already claimed as they find him instead making out with the ghost of his dead wife who, need I remind you, called in a bomb threat just a week or so earlier.

*“It was romantic,” he later thought to himself. “Her ghostly lips tasted of Ecto Cooler.”*

Summer and Keisha, meanwhile, decide to ring in the new year with a little one-on-one.

But Keisha either intended this whole game as a ruse to talk about important issues or she simply resorted to dirty tricks once she started losing to Summer. Both are equally plausible.

Dissatisfied with Summer’s inability to know what her dad is thinking at all times, Keisha then decides to switch it up.

*“She’s a whore, Summer, that’s what i mean. Anyone who stands against my mother and that handsome stud muffin is.”*

Keisha says that maybe the two of them should try nudging their parents closer together and Batty decides to end the week with a fancy (for him) narrative transition to show Les being an absolute prick under the guise of him just being a little frazzled. Of course, we know better.

After some “hilarious” Dinkle and the Band shenanigans, it’s another of Les’ endless book tours with some never before seen college friend of Les, since Batty never ever shows his characters actually attending college 99% of the time. He spends the entire trip back from the airport muttering to himself like a complete lunatic about Summer’s chances in the tournament but it seems fate had different plans.

We’re then regaled with the tale of the destruction of Summer’s knee along with the death Les’ dreams of not having to shell out money for his daughter’s higher education.

Having watched five too many inspirational sports movies and conflating them with real life, Batty decides to have the Lady ‘Goats do the logical thing and forefeit the friggin’ game to “be with their co-captain.” Because that’s something real teams do all the time of course and not just a cheap attempt at trying to wring sentimental pathos out of this wet rag of a story.

*And then the ghost of Brian Piccolo showed up and said “If you build it, you can win one for the Gipper,”* while Rudy stood in the doorway and nodded.

In a show of good sportsmanship, the other team refused the forfeit meaning the game was going to be replayed (does this actually happen?) much to Summer’s delight.

Summer will, of course, need surgery but not quite yet which she’s also happy about because it means she gets to inspirationally cheer her teammates on.

But alas, this strip is a quarter-inch from reality and thus unlike an inspirational sports movie or an anime where good vibes and the power of friendship can will even the smallest minnow to victory, Summer’s encouragement doesn’t prevent the team from losing and ending their season. Which kind of makes it seem like Central Catholic was so offended by the whole forfeit thing that they refused it simply so they could kick the asses of the She-Goats once more for good measure. Just to show them who’s boss.

With the tournament done, Summer now has to get her knee surgery and Cayla’s there to support Les in what’s obviously his hour of need. But oh no, that horrible harlot has decided to make her presence known here too!

But that’s not all! With Summer’s surgery a success, Bull shows up at Chateau Moore to offer his services and help Summer rehab her knee.

This is but one of the many acts of kindness that Bull has paid and will pay to his former victim that will go unappreciated by Les. Instead, Les and Cayla will opine about how awkward it is that his former bully is now helping his daughter as if he and Bull hadn’t been friends since before Summer was even born. To cap things off, the vile vixen also stops by to bring Summer’s homework and of course Les has to get in a snide little remark.

*At least Linda didn’t come by to kill the mood and tell Summer that trying to rehab her knee would be pointless.*

After a month or so of Dinkle, Owen and Cody’s nonsense, it’s back to Summer’s knee but not before TB decides to off the long-retired Coach Stropp.

Summer talks to Bull a bit about he and her dad knowing one another. This is the infamous week where it’s revealed that Bull’s bullying of Les was actually a ruse the whole time cooked up to protect Les from even worse bullies. A revelation that is utterly pointless as like so many other things with Bull and Les after Act I, it’s promptly ignored.

Summer, who’d been largely positive about her rehab, is now starting to feel the effects of inactivity which has made her cranky. But she’s about to get cheered up by a certain Saint’s Son.

*She will always be the only person in existence, both in reality and probably in-universe, excited to ever see him.*

After about 3 and a half years, Darin and his bride creep their way back into the comic to take their rightful place amongst the main cast. Well Darin does anyway as he and his funny books crew will come to increasingly dominate the strip; Jessica just kind of hangs around. We learn that he accepted a buy out from wherever he was working for unspecified reasons (they went under? who knows) and is effectively a jobless, homeless bum. Except not really because Les immediately gets him a job at, where else, Montoni’s and allows Darin to move in with them.

Summer’s excited but Cayla isn’t because god forbid she ever be proactive about anything in her life.

*“Oh, I did nothing and got nowhere because of it! Woe is me!”*

After the requisite month’s worth of strips is spent on reintroducing Darin to the strip’s dozens of readers, we move on to the next part of this grand tapestry that Tom Batiuk so skillfully weaves. Ann Apple, the homeless schizoid-turned-literary agent, calls to tell Les that someone wants to option Lisa’s Story into an actual movie. And not just anyone, but Hollywood! Yes, the entirety of the film industry is apparently just some monolithic entity and it needs to feed itself on the self-pitying misery literature produced by a mediocre and delusionally self-important high school English teacher.

Summer, being slightly more proactive than either her father or his milksop girlfriend, decides to take matters into her own hands when Les begins to falter.

Well that should be the end of it but Les himself has to agree which means a week of him sitting on a bench and talking to Ghost Lisa about all the ways in which Hollywood will ruin it. Personally I feel like all they’d need to do is give it a more accurate title; Tuesdays with Boring should work.

In the end, the spectral Lisa is able to set Les straight and get him to agree to it.

*Why experience the awfulness in just one format?*

With everything coming up Les, he and Cayla sit on the Sacred Throne aka the porch swing and Cayla decides to tell Les “I love you.” Les can only fumble around like an idiot and not say the words back which upsets Cayla who decides they should put the brakes on things for the moment. This is mostly a test to try and get Les to stop being an idiot and Les, predictably, fails it.

But Cayla has made a mistake and the terrible temptress decides to make her move and fill the newly opened up woman-shaped hole in Les’ life. Alone in a classroom, Susan locks lips with the hunky man of her dreams.

Les now, finally, realizes that he has two women in love with him and decides to tell Funky and Crazy Harry about his dilemma. Funky and Crazy do what any reasonable people would do when confronted with the idea of Les the Lothario and proceed to laugh in his face. This pisses him off and causes him to storm out of Montoni’s like a baby.

We then get what is an all-timer in terms of Les’ unwarranted self-importance where Funky is forced to apologize to him and he snidely tells Funky “yes you did” to Funky’s admission that he went too far.

And it’s not just Funky as Cayla comes by to also apologize to Les for getting upset at him being an emotionally stunted dunce.

Keisha decides to send her mother a little image she just so happened to have.

Les explains the whole deal of what happened with Susan to Cayla who accepts it with little hesitation but worries about the reaction of others as the picture gets passed around. Summer, embarassed over the whole thing, decides to cosplay as the Unabomber to hide her identity.

*Check out her forgotten first book: Infunkstrial Society and Its Future.*

The photo has quickly spread around school so Nate calls Les and Susan in so they can explain what it’s about. Any blowback Les could have received is immediately dealt with by Susan sacrificing herself and taking all the blame instead.

Susan decides to resign from her position and tells Les that she’s making a clean break from Westview entirely. Les makes a bunch of pithy and somewhat insulting remarks over the whole thing like the giant tool that he is.

And then decides to bid goodye to Susan with what might be one of the most eyerollingly stupid and infuriating things he says in the entire 50 year run of the strip.

“Heck of a kiss,” are you fucking kidding me? What a Grade-A turbo douche.

Susan gets one final sad and lonely trip down the halls of Westview High, reminiscing over her life there before exiting the school and thus the strip entirely.

Perhaps because people might have thought that Susan went off to try and kill herself once more, in the waning days of the strip Batty will randomly follow up this story with the immediate aftermath. Susan stops at a bridge, gets out and looks over the side but gets a pep talk by the conveniently passing by Ed Crankshaft.

But, and this is a real knee slapper, it turns out that Susan’s car merely ran out of gas. Ha ha, you thought she was going to toss herself off of the bridge because she’d tried to commit suicide before! Isn’t that hilarious!? Suicide Suzy, that’s what they call her!

Thus ends the dumbest love triangle in history and all I really got out of it, besides Les being insufferable and Cayla being Cayla, is that for whatever reason TB really seemed to develop a strong dislike for Susan. Why that is, I can’t really say. I’m sure if you asked him he would say he was just adding some drama and didn’t mean anything by it but come on, I don’t think it’s possible to read that love triangle storyline and Susan’s role in it as an antagonist and roadblock for Cayla, who Keisha actively dislikes and who Summer doesn’t seem overly fond of either, and then get that week in October 2022 clearly playing off of her long ago suicide attempt and think that Batty has anything other than disdain for Susan. It’s one of the most baffling things about the entire strip, there’s no real reason for it but it’s there, clear as day.

Speaking of, while the identity of who took and spread around that photo is unknown I’m 100% convinced it was Keisha. I don’t really have any reason not to think otherwise and completely ruining another person’s life would be an easy way to get that person out of her mother’s way. I’d wonder why she cares so much about making sure that Cayla gets with Les, of all people, but I think in reality it’s not like Cayla could do much better. She’s such a nonentity as a person that I think it would drive most people insane but Les loves someone like that who exists to feed his own ego. Also, if we’re going off the idea that Keisha was behind the photo then that makes her easily one of the most rotten characters in the entire strip.

You’ll notice that once again, Summer pretty quickly disappeared from this little recap because as I’ve said before Batty obviously lost interest in her pretty quickly. After she blows out her knee she mostly exists as scene filler for the first half of the year. But that will change at least a little bit because next time will cover the rest of Summer’s time in high school.

Fadeaway

2009 saw a decent amount of stuff for Summer, largely with her rivalry-turned-friendship with Big Walnut Tech transfer “Breakfast Cereal” Keisha Williams. It was a story that weaved its way into a larger one involving Les, Keisha’s mother Cayla and the beginnings of the love triangle that involved the both of them and Les’ former student Susan Smith. Lisa continued to haunt the strip both figuratively and literally in the forms of Les beginning to write Lisa’s Story — the Holy Bible of the Batiukverse — and the real ectoplasmic form of Dead Lisa, creepily watching her husband make out with his new gal pal.

The underage Summer also had to deal with getting sexually harassed by the much older and very creepy Pete as the year ended… and we’ve reached the point where things are going to start going downhill for Westview’s Messiah. Not in the sense of bad things happening to her but rather as we enter into 2010 we’re now about halfway through Summer’s time in high school and we’ve about hit the point where Batty is beginning to grow bored of her.

In a broader context, the end of 2009 and start of 2010 revolved around Les traveling to, where else, New York City to meet high-powered literary agent Ann Apple and Batty pulls the oh so hilarious (not really) trope where the reader knows that Ann is really Apple Annie, the homeless woman who’d found the manuscript for Les’ book about John Darling (whose murder would leave Jessica Darling fatherless), but Les is too much of an ignorant buffoon to put 2 and 2 together to make 4.

Summer gets that small cameo there but does get a more important role the next week in a series dedicated to Les and Cayla watching her play, with Les fretting over her driving because he’s worried she’s going to end up like Becky.

I get the intent is to show Les being overly worried as parents tend to do and in a sense I can even see where he’s coming from because I’m also the type of person whose brain goes to absurd worst case scenarios. To this day I’ve never been on a roller coaster because I’m completely convinced I’m going to get the one that gets stuck upside down in a loop for two hours or flies off the track or something. But most people would rightly see that as just ridiculous anxiety and so it is here. Although I suppose the prevelance of conveniently placed cliffs along the equally convenient narrow mountain roads that surround Westview makes this a slightly more understandable concern.

There’s also some ironic comparisons between Les the uber-geek and Summer the uber-jock.

*As the kids say, she got that dawg in her.*

I’ll give Batty some credit in that typically he does a good enough job of showing Summer as being confident, driven to succeed and enjoying finding herself in high pressure situations. She is definitely the type of person who would attempt hero ball stuff. At least her athletic prowess is something we get to see repeatedly so we understand why people would praise her unlike with things like Les’ writing talent or Funky’s ability to make a pizza or Pete’s… everything.

Summer ends up sinking the game winning shot and Les relents on his driving fears.

The next week is some nonsense about Montoni’s and karma that I’m only bringing up as it contains one very important debut.

Anyway, Summer does at least get the Sunday comic that week which is more gushing over her being the greatest white basketball player since Larry Bird.

Apparently the Lady Scapegoats have done well enough this season to make the state tournament or I guess this is to determine the conference champion who would represent the conference in the state tournament? I think Batty is confused about state and conference because Bull gives a pep talk to his team before the game against Big Walnut Tech saying they’d be champions after this but it’s also a tournament game somehow.

And naturally Summer gets to play hero again.

But in reality Summer and her on-court success is secondary to what the actual story of this arc is about which is Wally’s PTSD.

After having twice been shot down and captured, after losing a decade of his life to it the second time, after having his family stolen from him by a skunk-haired comic book shop owner, after having the love of his life cruelly cast him aside, Rana — the only person who seems to remotely care about him — invites him to come out to the game because it may be the last time he can watch her cheer. Why, I have no clue. Summer’s generation isn’t close to graduating yet so Rana isn’t going to stop being a cheerleader any time soon. All the excitement of the game causes Wally to freak out which leads to him getting chased down by Funky and Becky who drive him back to his apartment and find out he sleeps with a gun under his pillow. Funky then gets Wally set up with counseling.

All of this plays out over about a month and a half so Summer and her team’s (conference?) championship is really little more than window dressing.

But hey, they still did win which put them in the state championship game. Les goes back to playing the overly worried parent and acts as if Columbus is like Baltimore or 1980s NYC or something. My impression of Columbus is that it’s basically Blandville, USA based entirely on it being used as the ideal test market for stuff but maybe there’s lots of crime to worry about.

Westview’s opponent is a school called Our Lady of the Cedars which I guess is supposed to be Batty’s way of telling the reader that they’re big and bad and that’s why the She-Goats are so scared of them.

Their fear turns out to be justified because Cedars pretty much stomps them into the dirt. Not even Summer’s main character boost are enough to put a dent in them.

There was, then, no joy in Westview because the Lady Scapegoats got their asses kicked.

But like the savior figure she is, Summer vows to rise from the dead. Figuratively but you never know.

The team in fact are a bunch of masochists as the beating laid down on them has only fired them up. Summer and Keisha are named co-captains in an “unusual move” so the team is ready to go next season.

*Even more unusual, Bull is talking like a sideline reporter.*

Summer subsequently decides to get an early start on training.

And that’s basically it for Summer’s relevance for the rest of the year. What I said earlier about what Summer’s stuff being mostly window dressing for Wally’s story? It’s basically going to be that on overdrive for the rest of 2010 because with Summer’s sporto BS over and done with, Batty can now move forward with what the readers really yearn for: Lisa’s Story and Les’ love life.

Most of the next month and change of strips is dedicated to Les and Funky going to New York to close down Montoni’s. But of course the actual meat of the story is Les meeting with Ann who’s set him up with a deal for Kent State Press to publish Lisa’s Story just like in real life because this is the point where Les has really morphed into Tom Batiuk’s avatar more than he already was. From this point on it’s book signings, shilling collected editions and collared shirts under sweaters for Les.

This actually gets into another irritating problem Batiuk has that I suspect Funky’s expansion of Montoni’s was a victim of. That being that things are only as important as they in service to the immediate plot needs of Les or some other pet character. That’s clunkily worded I’m sure so let me explain.

At the beginning of Act III, Funky has turned Montoni’s into a chain and expanded into New York City. Because Funky is busy all over Ohio and now New York, Les takes a second job at the original Montoni’s to help him out. He’s now a Montoni’s employee in addition to being Funky’s best friend which means that he now has a reason to travel to the NYC location. The first time is when Funky sends him to “put out some fires” there but do we ever actually see him doing any of this? No, he wanders around NYC, reminisces over Lisa, meets with Cindy and then has a revelation about his writing. The needing to constantly go to New York means that Les is able to keep in touch with Cindy who in turn connects him with Ann Apple which then gives Les further reason to go and meet with her. With Les’ book deal for Lisa’s Story secured, he no longer needs a plot excuse to keep going to New York and thus Montoni’s closes down because its only purpose for existing was as a plot device to facilitate Les coming and going from NYC to advance his writing career.

It’s quite sad when you think about it. Funky’s business success is pretty much a giant farce, existing only to prop up the second biggest loser in the entire strip.

With his book deal in hand and NYC Montoni’s consigned to the dust bin, Les finally returns to Westview. He’s met not by Cayla or his daughter or friends but by Susan who’s just over the moon. Summer, arriving back from something to do with softball, doesn’t seem overly happy to see her.

Les continues paying more attention to Susan than Cayla as Susan is, you know, actually helping him do work on his manuscript as opposed to sulking around like Cayla. Summer continues to be nonplussed about the whole thing.

Now you’d think that this would lead to a story where Summer confronts her dad about ignoring his girlfriend by paying attention to this horrible homewrecking harlot. But of course Batty is the master of going nowhere as slowly as possible so nothing ever comes of this aside from Summers’ disapproving looks. Who needs her having a talk with her dad about all of this when there are far more important stories to tell?

The next two months are taken up by the tragicomedy (unintended of course) of Funky having to move his dementia-addled father to a nursing home and then getting into a car wreck. The collision rockets him through time, transporting him back to the days of Act I where he wanders around town and tells his younger self to buy a Starbuck Jones comic because it’ll be worth a lot one day and that’s really it. It’s a story that meanders as aimlessly as the title character does and then eventually ends with Funky waking up in the hospital to discover it was all a dream… or was it!? Because at the start of the story Funky gave DSH a rare Starbuck Jones comic so he’d have the money to cover the Komix Korner’s rent claiming that “some old guy” told him to buy it when he was younger. The implication of course is that the old guy was in fact Funky himself per the events of the “dream” that we had witnessed and the whole thing was some kind of time loop.

Time travel stories and them being dismissed as mere dreams? I’m sure glad that will never come up again in this series.

That’s followed up with more Winkerbean wackiness when perennial scene filler Rachel starts dating the highly traumatized Wally beginning her journey to become what every Batiukian woman aspires to be: a mommy-wife who exists to solve her man’s problems. It’s not until the end of August, a full three months since her last appearance, when Summer pops in to remind the readers she still exists.

Around just long enough to tell her dad that it’s cool to start his literary career inside the sad remains of a once proud pizza empire, Summer disappears as quickly as she’d appeared so ~~Batty~~ Funky can say goodbye to his beloved PT Cruiser and Les can have a sitdown with Cayla and Susan to… help him choose the cover of his book. Because this farce of a story needs to be stretched out in increasingly inane ways. Cayla’s spent the last few months feeling left out in the cold by all the attention Les is paying to that little tramp and decides to do something about it. Does she confront Les and tell him how she feels about all of this directly? Does she maybe get into a catfight with the younger but far less athletic Susan?

No, of course not. She just changes her hair as some kind of weird passive-aggressive power move intended to one-up Susan which works, for now, because of course it does. Cayla: 1, Susan: 0, Readers: -500.

Summer makes her customary monthly appearance to go “WOW CAYLA, COOL HAIR!” and slink back into increasing irrelevancy.

And I do mean monthly because it’s about 1 month on the dot when she next shows up during the book launch to talk about Ann, inadvertantly creating jealousy in both Cayla and Susan.

Unfortunately this does not lead to an absurd story of the two love rivals teaming up to deal with a schizophrenic homeless woman masquerading as a literary agent. Missed opportunities, I say. Again, it’s another month before Summer shows up, throwing it down like she was Shawn Kemp.

Since October, Les has been on a book tour because at this point while he’s still technically a teacher, his appearances actually teaching classes are largely over and done with. His real career of flying around to engage in book signings where he wryly mocks all the people taking time out of their day and money out of their wallets to support him has begun. Why Batty even continues with the charade of Les being a teacher is beyond me, he even calls attention to it by having Nate handwave it away.

*Maybe Nate’s just glad he’s not around.*

Summer gets slightly more to do for once with Les checking in on her…

…and having to deal with the dreaded task of talking someone through using technology over the phone, presumably because she’s considered tech savvy for knowing how to turn on and off a computer.

By the middle of December, the first of an unending parade of book tours is finished and Les is ready to head home but a mysterious voice from beyond the grave pleads with him not to get on the plane.

Les believes he’s being pranked and angrily walks — with anger — onto his seemingly doomed flight. Summer is supposed to pick him up from the airport but has yet to hear from him.

Tension builds as Batty ends the week with a cliffhanger.

But Batty does his best R.L. Stine impression and the cliffhanger turns out to be nothing as Les, unfortunately, shows up at the Taj Moore-hal fine and dandy.

Les explains to Summer and Cayla that it’s “a long story” of which we only catch the tail end of.

But oho! That’s not quite the end of it because TB has one final curveball to throw at us.

Yes, that’s right, Lisa used her ghostly powers to call in a bomb threat and commit (fake) terrorism in order to save the life of her still living husband either out of genuine concern for his wellbeing or simply so he doesn’t bother her for eternity in the afterlife considering he keeps summoning her to Earth for inane crap as is.

With Les’ life saved from another ValuJet incident, the family is able to celebrate Christmas together.

So 2010 turned out to be a pretty down year for Summer on the whole. Aside from the basketball stuff in the earlier part of the year she was mostly relegated to one-off appearances for the majority of the year… when TB could be bothered to actually have her show up at all. Even then, a good chunk of that basketball story is really just there to provide background noise in service to Wally’s PTSD story or to Les’ parental worries. It’s really only when the Scapegoats are getting destroyed in the championship game that it’s kind of about her and the team specifically.

Which really gets into the heart of the problem with Summer’s use while she’s in high school. As I’d mentioned earlier, Batty typically does fine (by his standards) in showing that Summer’s supposed to be a talented athlete as opposed to simply telling us she is and then leaving us to actually believe that it’s true as he does with so many other “talented” characters. The problem though is that’s all that she does. Think about it, since Act III has started how many stories has she had that were about anything other than her playing basketball? I don’t mean her being involved in a story, like where she’s the one who convinces Les to write Lisa’s Story, I mean stories that are about her specifically.

All I can really think of is the 16th birthday at the NICU for premature births, her wanting to drive and her being pissy over not having a date to the winter dance. Everything else is basketball and if she’s not playing basketball she’s playing softball. Otherwise she’s basically just there to hang around Les and encourage him or gush over Cayla, basically acting like a shipper.

For a character who was supposed to be so important to Act III she’s pretty quickly relegated to the sidelines and in a couple of years it’s only going to get worse.

Raising the Dolt

Over the last two weeks, “Terrible” Tom Batiuk and “Dangerous” Dan Davis have decided to bless us with another entry in the current passionate epic that’s been the main romantic focus of the post-Funky Winkerbean Funkyverse; a love that burns hotter than the stairs outside of Lizard Lil’s bookstore. I am of course referring to the love story between comic book writer-turned-screenwriter-turned-pizza shop owner Pete Roberts-Reynolds and Mindy Murdoch, granddaughter of Ed Crankshaft. The tale truly told of these two and Pete’s new pizza-serving robot has really showcased the chemistry they have. Just look at what has basically been Mindy’s default expression in most of the strips focused on the compelling and hilarious antics of them and their new robot pal.

Much like Stu Pickles dealing with his bratty niece, Mindy has spent most of the time — as indeed she spends most of her appearances — looking like a woman who’s lost control of her life. She seemingly regrets every single choice that she’s made that’s brought her to this point and undoubtedly is hoping that her fiance’s pizza serving robot will go berserk, and leave her with a fat insurance payout. BJ6K talked at length about just why Batty’s relationships don’t work and today I’ll be reinforcing the idea that he sucks at writing them by exploring the awful one between a woman who has at least nominally reached adulthood and her idiotic manchild boyfriend.

Mindy’s crossing over from Crankshaft into Funky Winkerbean happened late in Act II when she’d shown up to take the now open waitressing spot vacated by Becky Three Limbs. There she hung around as part of the Montoni’s scenery until she rather inexplicably became interested in sick twisted firestarter Mooch Myers. As ComicBookHarriet wonderfully documented this led to a story where Mooch discovered Lucy McKenzie’s comic book collection that, after some shenanigans, DCH John would use to fund the Komix Korner’s continued existence. That’s about all that’s really done with that relationship and by the time Act III rolls around Mindy and Mooch have broken up. So the relationship seems to have been simply to set up a story to explain how John’s shoddy business is still running after the timeskip in a story that was likely pawned off onto Crankshaft because between Lisa’s cancer and Darin’s search for his bio-mom, Batty had no space for it in Funky Winkerbean.

For the purposes of this entry, it also sets up that Mindy apparently has terrible taste in men. Possibly because her main examples of what a man are happen to be a self-absorbed old bus driver given to wanton acts of destruction and a nebbish Tom Batiuk self-insert.

After hooking up with Mooch, Mindy disappears back into the pages of Crankshaft and since I’m not really as familiar with that strip I’m not going to pretend to know what if anything she got up to over there; instead we’ll fast forward to 2017. Production on the Starbuck Jones film had wrapped and it had been decided to hold the premiere — as well as the Mason Jarre/Cindy Summers and Cliff Anger/Vera Nash double wedding that comes with it — at the Valentine Theater in Centerville because of Jff’s Starbuck Jones fandom. Pete, the film’s writer, is sent to scout out the Valentine for some reason (shouldn’t that be someone in the studio’s marketing department?) and comes across Mindy, showing up in Funky Winkerbean for the first time in a decade.

Pete’s immediately smitten and because for some reason he has tons of unearned confidence he decides to ask her out within seconds of meeting her.

For whatever reason Mindy accepts and unsurprisingly the date is at Montoni’s. Batty also cruelly subjects readers to the second of two vertical strips in a single week.

*Well why don’t you just date Jff then, Pete?*

Already Mindy seems to be regretting agreeing to do anything with this geek that’s not calling the cops on him for harassing her. But alas, she quickly gets over it when she detours from driving Pete to the airport to ~~drown him in Lake Erie~~ take him to Bedside Manor to meet her grandfather who is a quantum entity, simultaneously existing as a rotting husk in a Westview retirement home and a doddering, but still lively, old annoyance in Centerville.

Why does she really like him? Who knows. She only just met the guy, he acted like an ass and made bad jokes and took her to a crummy middling pizza joint that is an objective failure given what happened to it in Act III. None of it really matters of course. Batty loves using the red string to lasso his characters together so what need is there to explain it? Just accept it you terrible nitpickers!

In March 2018, Chester Hagglemore makes his non-anticipated return to the comic in order to announce that he’s reviving the “spirit of Batom Comics” by starting a new company called Atomic Comics — later chaged to Atomik Komix. As part of it he wants to recruit superstar (used very loosely) writer Pete to be his flagship (and seemingly only) writer, as well as Darin to do art. Pete tags along on Darin and Jess’ trip back to Westview and Pete laments the whole long distance relationship thing.

Of course it’s not helped by the fact that Pete basically blows her off for days at a time and she’s apparently just supposed to accept this as an amusing little quirk of his.

*My girlfriend wants me to pay attention to her!? Needy, needy, needy!*

He also claims that they’ve been moving so slow and old-fashioned that they’re still only emailing one another which is immediately shown to be a lie when Mindy texts him.

Now the context is, as said, that they were taking things slow and old-fashioned and given that third panel, the implication that what was sent is anything but. So that to me reads like Mindy is sending him some pretty naughty stuff which means either she’s sending Pete erotic pictures of herself or some pretty spicy texts, like erotic roleplaying. Either way, the heavy implication is that she’s sexting her boyfriend who then shows it off to his own friend for… what? To brag, I guess, because look how goddamn smug Pete is in that third panel.

Seriously, what a rotten little creep.

Since he’s in Ohio, Creepy Pete naturally takes it as an opportunity to see Mindy again taking her out to a show at the Valentine (because they can get everything comped and he’s a cheapskate) and dinner at… well, guess. They’re celebrating their seven-and-a-half month anniversary and Pete is so excited because this is “usually” when he gets banished to the Friend Zone.

*You can see the interest die and regret settle in in real time.*

Mindy, of course, is not amused by this at all since the implication is that Pete is a terrible boyfriend which… yeah, no shit. He’s Pete. But the natural urge to devour his head as if she were a praying mantis passes and Mindy stays with him, apparently cool with the fact that he’s giving up his Hollywood job to move back to Westview and write comic books.

Maybe she just takes pity on him. Perhaps that’s the secret, she looks at morons like Pete and Mooch as if they were the person version of a stray animal and feels compelled to take them in and fix them up. But perhaps the real answer is that she’s a pretty (per the standards of this fictional universe) blonde which means that charmless dorks are deserving, nay entitled, to her. Whatever the reason, she deigns to give him a goodbye kiss before he flies back to California. No doubt she’s also secretly hoping that his plane crashes into a mountain on the way back.

Pete and Darin take the job of course which means that he and Mindy are able to see each other. Pete shows more of his trademark charm and once again Mindy must fight back the understandable urge to toss Pete and his eyebags into Montoni’s pizza oven.

*“Well Min, I’ll tell you that mine is 69420.”*

With Atomik Komix now up and running — taking months to produce nothing but covers — Mindy decides to pay a visit to Pete at the studio. Pete proceeds to respond to her knowledge of comic book minutiae by acting like a patronizing dickhead.

Why is Pete surprised? He’s been talking to Mindy for about a year at this point. Mindy knows he writes comic books and likes comic books. Wouldn’t her knowing and liking comic books too be something that’s brought up early on as an interest both share and a common point of connection between them? Maybe Mindy just decided to hold that back otherwise Pete would have been proposing to her on date #1 ala DCH John and Becky. Or maybe it came up and Pete, being the unaware cretin he is, just ignored it because getting to know his girlfriend isn’t something he actually cares to do. He’s too busy creating bizarre fantasy scenarios in his head where he self-inserts into the lives old comic book creators after all.

Pete had been doing this thiking/fantasizing on the replica Cosmic Treadmill that had been lugged over to the studio and while Mindy waited for him to actually acknowledge her existence she’d also idly decided to color in an unfinished cover which Darin is flabbergasted by and lands her a job as Atomik Komix’s official in-house colorist thus proving that she has slightly more talent than her useless boyfriend.

Doubling down on being more useful than Pete, she comes up with the name Atomic Ape for the publisher’s trademark character after the boys have been tearing their hair out coming up with one. She also casually comes up with a sidekick for the character — Charger Chimp — when Chester suggests “the Lone Ranger needs a Tonto.” Pete responds to this like an absolute baby, throwing a giant bitchfit over her having the temerity to try and create a “cute and cuddly” sidekick for Atomic Ape (even though his boss is the one who suggested it) because he hates sidekicks.

*May as well have added a “You dumb broad!” somehwere in there.*

*“Wow, this guy is a total nitwit,” she thinks; stunned by his complete childishness.*

Mindy once more overcomes her urge to shove the stupid little hobgoblin out of the window and the two continue on as normal. The next big moment in their relationship occurs in the summer of 2019 when Pete takes her to the county fair but fails to win Mindy a prize. Showing that he’s not allowed to suffer any setbacks, the carny (a folk known for their kindness and honesty) gives Pete a giant stuffed tiger out of pity.

*It’s at least better than a ring made out of an I.O.U. paper?*

How the hell did Pete blow through his savings at a stupid carnival game? God, what a dumb putz. Anyway, after the first of their engagements the next year Pete invites Mindy and Jff out to Los Angeles for the premiere of the new Starbucks Jones movie. The urge to drop Pete out of the bucket of one of the helicopters helping to put out the giant fire that Pete has kindly invited her to see likely crops up once more when she has to remind him that instead of visiting caves where they film old B-movie quality pulp serials, they should be spending the day together. Like adults in a relationship tend to do.

*Yeaaaaah. Okaaaaaay. God I really wanted to see those rocks.*

But somehow, like usual, she’s able to push down her disgust at the fact this idiot nearly got her father killed (her idiot father’s own stupidity not withstanding) and continue with the relationship. By this point, Mindy has also become the protege to Golden Age has-been Ruby Lith who’s regaled Mindy with stories about what a sexist hellhole the comic book industry is. Thus when a beady-eyed nitpicker wanders into the Komix Korner and begins to criticize the work of her and Atomik Komix as a whole (in a story that is totally not Batty venting), Mindy is ready to push back while Pete stands around like the useless turd he is.

Jumping ahead to the next major stop on the Pete & Mindy Romance Express, it’s now late 2023. Funky Winkerbean has been done for just about a year but Batty has decided he’s not quite done with one aspect of it. Thus Batty inexplicably has Pete decide to get out of comic books, where he’s paid by an immature man with infinite money to do nothing but come up with characters and ideas for terrible covers, in order to resurrect the Sacred Temple with Pizza Box Monster helping to foot the cost.

*Yes, Batty fills this storyline with muliple “raising the dough” jokes. Of course he does.*

Mindy, naturally, is so thrilled at the prospect of Pete leaving behind his relatively stable career for the notoriously easy business of running a restaurant, a business that is not at all prone to failure. Really, why the hell would she stay with him after this? He quit his job and decided to take his savings, their savings really at this point, and buy into a pizza restaurant that closed due to bad business. All without consulting her about it beforehand. He just does it, then tells her after the fact.

Mindy should have left him then and there but she at least does immediately point out how stupid and poorly thought out the whole thing is.

Pete decides to spring one more surprise on her when he proposes to Mindy. Mindy, of course, accepts (despite already having been engaged for four years at this point) but inwardly she knows she made a mistake. Apparently she’s trapped in her own body, unable to control her own actions and thus is unable to stop herself from marrying the eyebagged munchkin. How terrifying for her.

So terrifying she’s apparently suffering some kind of psychotic break.

With Montoni’s successfully (?) reopened, they do what all young (??) couples living in Westview are expected to do and move into the apartment above Montoni’s. Once more, Mindy realizes that she’s got her work cut out for her with this doofus.

That more or less brings us up to the present. Most of Pete and Mindy’s appearances in Crankshaft basically fall into this category. Some crap happens at Montoni’s, Pete looks like a jackass, Mindy looks as if she’s hoping to come back as something other than a blonde woman surrounded by jackasses in the Greater Akron area in her next life. For a romantic couple they’re not even doing much coupley things as they seemed confined entirely to the space in and around Montoni’s — as if some kind of magic barrier has been erected that prevents them from leaving the immediate area — to engage in whatever wacky BS Pete’s dreamed up this week.

Pete and Mindy’s relationship is just really bad even by the standards of all the other bad relationships Batty’s forced readers to endure over the decades. There’s is nothing to show why she likes him and half their interactions are Pete being an annoying asshole while she contemplates if the negatives of a jail sentence will outweigh the relief of a little “accident” lifting the gun-wielding chimpanzee off of her back. And then in the end she swallows it down and resigns herself to having to play mommy-wife to an idiot manchild who may or may not even be able to tie his shoes without her help. Mindy herself doesn’t even seem to know why she’s going along with all of this half the time, it’s as if she has some vague awareness that her actions are being guided by outside forces and that she’s merely an action figure to be moved around to enact the childish scenarios this god has dreamed up for her.

It’s a truly awful relationship the embodies all of Batty’s worst traits in writing them. No reason for the characters to be together, no actual romance or chemistry or anything. The guy is a man who is broken or deficient in some way who’s essentially taken care of by the woman who somehow puts up with all of his crap. It’s like a whole “women are wiser” thing or the cliche sitcom set up of a schlubby moron and his pretty and smart wife but done in a way that feels even more outdated and lame. As if Mindy’s (or Rachel’s, Cayla’s, Lisa’s, Holly’s, etc.) role is to be a minder more than an actual wife or lover. Pete is just such an unlikable manchild even by the standards of the other manchildren in Batty’s work that it really makes the whole thing even worse than normal.

Really, if it’s possible to feel bad for a fictional character then I feel bad for Mindy. She’s not really all that interesting but she’s also fairly inoffensive which, for the characters occupying the Funkyverse, is usually the most postive thing that you can say about them. She doesn’t deserve to be shackled to such a failure and she herself seems to know it. Pete is not just an annoying twerp, he treats her like garbage by ignoring her, talking down to her and engaging in major life altering decisions that affect both of them without once ever talking to her and making sure she’s actually okay with any of it. Never once does he act like someone who’s actually in a relationship with another person who may have her own thoughts and feelings on things. He’s a selfish bastard who treats Mindy as someone who just kind of hangs around and who he occasionally gets to sleep with (unless she hopefully shuts him out when it comes to that) and for some reason Mindy is forced to go along with all of it, beholden to the whims of an immature moron because Batty has decided that she is to be Pete’s reward.

On the bright side, all of that regret and doubt that she’s forcing down into the deepest recesses of herself will eventually morph into cancer and allow her to ascend to sainthood. But as we’ve seen, not even death will free you from being trapped in Westview.

That about wraps it up for this timely little interlude into current Batiukian events. I’ll be getting back to the main event after this because there’s still so much more of Summer to see.

Rival Fools

It’s been another overly hot summer and where I am, we just got out of a heatwave. I’m sure plenty of readers know how muggy summers in the Southeast tend to be so compound that with even higher temperatures and a poor A/C that’s already not much of anything and the last week or so has been rather brutal.

And yet while summer is entering its end stage (come on, we all know that once the calendar switches over to September, it’s fall no matter what The Man says), Summer continues to roll on. When last we left her, she was spying on dear ol’ dad to see if he was putting the moves on that hot new secretary that replaced boring cat lady Betty. For the start of 2009 we pick up with her hanging out with Jinx in a strip which sets up a story where Rana spends a week freaking out over the fact that guys are going to be added to the cheerleading squad.

Yeah, it’s obvious Batty never had a clue what to actually do with Rana.

The next week starts the story arc that will be Summer’s big focus for the first quarter of the year.

Summer gets Dikembe Mutombo’d and is all out of sorts as she wonders just who could have done that to her. She’s surprised to see that it’s none other than her new teammate Keisha.

Summer seems kind of surprised by this and quite frankly so am I because look at that previous comic; that shot blocker was whiter than the audience of a Dave Matthews Band concert. If I found out that my teammate was a shapeshifter or racebender I would be pretty shocked too. Naturally this whole thing leaves Summer completely out of wack and she complains to Les about how Keisha made her look like a joke.

At the game the next night (?) Les and Cayla talk about how Keisha was the star which presumably has left Summer in a bad mood. Les decides to take Cayla out to eat at Westview’s fanciest restaurant. Not Olive Garden fancy, mind you, but close!

*Rachel then contemplated slugging Les for making her recite such a stupid motto.*

Les, by the way, is still doing this stupid song and dance of “Oh, uh, we’re totally not dating,” even though they went to the Winterfest together and he’s now taking Cayla to the holiest of Westview’s temples. We’ve seen this crap, we know how it goes. By bringing her to Montoni’s Les is practically proposing to her. But no, we’ve still got the world’s stupidest love triangle to deal with.

Back to the main, Keisha’s presence on the team has completely sapped Summer of her confidence and led to the team playing badly. So far, the Williamses are a complete net negative on things both in and out of universe.

At this point, Summer is a complete disaster and winds up being benched while Keisha continues to get all the praise.

Which then leads to this complete nonsequiter.

Now suddenly bringing up Dead St. Lisa could just be a sign of Summer’s depression, like she’s going to off herself over basketball or something. But no, it’s simply an excuse to then transition into yet another example of Les insisting that he and Cayla are NOT DATING SO BACK OFF AND SHUT UP SUMMER, GOOOOOD YOU’RE NOT MY MOM YOU HAVEN’T EVEN THROWN AWAY MY COMIC BOOKS!

Summer’s on-the-court woes continue and even at home she’s bricking shot after shot when she’s greeted with a surprise that’s pleasant to her but not to the readers.

Darin, unfortunately, makes another appearance to dazzle the readers with his sparkling personality and memorable traits like… uh…

Summer takes the opportunity to vent about how things have been going for her since Keisha transferred over and gives us a nice little Batiukism in the process.

Darin naturally does what any loving brother would do in this situation and gives his baby sister some advice on how to fix her shooting woes.

It’s a nice little moment, I guess, except for one tiny little insignificant nitpick: why is Darin giving Summer basketball advice!?

Darin, as established throughout basically all of Act II, is a grade A geek. He was a low-on-the-totem-pole loser and the closest he ever got to any athlete was whenever Jessica would throw herself at him. He was never hinted at having anything in the way of athletic ability so why, WHY, is he telling a basketball star who is light years beyond where he ever was what to do? And why is Summer even listening to him? I mean sure, okay, in real life you don’t necessarily have to play a sport or be an elite athlete to have some knowledge of things but typically those coaches who weren’t athletes were at least around the game all the time in other capacities, that’s why they’re good at what they do. Darin never been any closer to athletic competition than mocking it in his and Pete’s dumb comic strips.

Well whatever, I guess in the end it doesn’t matter because aside from showing up at her next game that’s really about all we see out of Darin. For as important as he was in Act II and as much as he’ll take over the strip in the 2010s, in the first few years of Act III Darin barely exists.

Anyway, it’s the final game of the season which of course is against Big Walnut Tech and Keisha’s former teammates are showing her how they deal with traitors while Cayla also shows the reader that she has her daughter’s raceswapping properties in what retroactively turns out to be a genius bit of foreshadowing of Cayla’s eventual visual evolution. Bravo Tom!

Summer decides she’s had enough and pretty much inserts herself into the game.

And then swoops in when Keisha’s in trouble.

Westview loses but Summer’s back to her old self and her and Keisha are now on the same page and bonding over their dads. Well, one of them has a dad anyway.

Which of course transitions into more Les insisting he’s not dating Cayla nonsense.

Which I think gets into the core of what Batty was actually doing with this storyline. It wasn’t about Summer per se and lord knows it wasn’t about Keisha who doesn’t have much of a character to speak of. It was mostly just flavor, giving Summer something to do, in service of the real story which was Les, Cayla, and the world’s lamest love triangle. That said, it at least is a story about Summer that’s based on something she’s into and that’s important to her and doesn’t end with her becoming the trophy for a lame nerdy male character like so many other female characters in this comic. So she’s got that going for her.

That love triangle is also where we’ll be detouring to for a little bit as well. After a month of shenanigans focused on Dinkle, Cory, and Funky’s suicide inducingly bad day, Dinkle’s comic opera (because it’s laughably bad you see) The Magic Flutophone is set to open and Susan decides that this will be a great date for her and the hunky English teacher of her dreams. Unfortunately, Cayla’s snapped him up first.

Summer teases Les over the fact he’s still insisting that going to a concert with Cayla is not a date and that he and Cayla aren’t dating.

Cayla comes by to pick up Les, because if nothing else Les is consistent in being a lazy jackass and making his girlfriend drive him around everywhere, and proceeds to have a little schizo break.

Cayla apparently doesn’t mind dating a lunatic who talks to the ghost of his dead wife and the two go to Dinkle’s undoubtedly awful concert and somehow enjoy themselves. At this point Les finally stops dancing around things and acknowledges that he and Cayla are indeed dating. The two lovebirds share a kiss in what is surely one of the most infamous and unintentionally hilarious strips in the history of Funky Winkerbean.

With Lisa the Ghostly Cuckquean’s approval, Les and Cayla are official.

As for the main subject of this series, Summer shows up for the requisite random installment of the Dead Lisa Tapes and also makes an appearance during Cindy Summers’ (who insists she’s going by Cynthia now but that doesn’t last long) return to Westview.

She also shows up for an insipid story where Cory attempts to cheat by writing his answers on his water bottle. Now that I think of it, I feel like the only times in Act III where Les is shown actually teaching his class is for these stupid “a student has cheated and Les puts them in their place” stories.

We then get another summer story of Summer and Jinx’s softball shenanigans.

But this was all light fare to relax the reader for most of the rest of the summer after this is taken up by what is undoubtedly the most infuriating story in the entire strip. Wally comes marching home to find DSH John has cuckoo birded his way into his nest, beady-eyed nitpickers complain, Wally walks off into depression. It’s called writing.

Batty bookeneds that story with another Montoni’s Softball one.

He seems to have quickly grown bored of this setup though for this is the last we’ll see of the softball team and poor Jinx’s relevance to the strip disappears with it. Her spot as Summer’s best friend (I guess? She sure seemed to be) has by now been usurped by Keisha and eventually Jinx will disappear so thoroughly from the strip that she won’t even make it to the St. Spires Christmas concert which features damn near every other Act III character.

By this point Summer has just turned 16 and drops the news to her dad that she wants to get her license and that Bull is teaching driver’s ed.

Les spends the next week fretting over this showing that everything Bull has done for him since high school has been for naught. And with school starting up again, Batty also begins seeding the post-Summer class with the first appearances of Funky and Les IV: Owen and Cody.

In October, Keisha learns the benefits of being “part of the family” when it comes to the Moores: acting as free labor for Les’ ego stroking charity event.

Summer also engages in some practice driving and Les acquiesces to her desire to stunt all over Maddie.

Summer also wants to be able to get a car once she has her license and Keisha pushes her to get a job. Oh no. Summer and Keisha are female. They are young. They want jobs. You know what that means…

Say hello to the newest residents of Westivew’s Home for Wayward Young Women. Because Pete sure as hell is about to.

Just in case he wasn’t clear enough…

Yes, here is Pete trying, like the creepy little dweeb he is, to flirt with Les’ daughter and the half-sister of his best friend. Let’s ignore how awkward and nonsensical his flirting is and focus on what’s important. He knows, he fucking knows how old Summer is and still he’s trying to put the moves on her. Let me reiterate this: Pete Roberts is a man of around 30 trying to flirt with an teenage girl roughly half his age. A girl that he undoubtedly knows is underage because she’s the half-sister of his best friend.

What the hell was even Batty’s intention with these two strips? Was he trying to make Pete come off as cool and confident? Because he not only failed, he backfired in spectacular fashion. Pete looks like a giant tool. He looks like a creep. He looks like someone who buys a lot of Mike’s Hard Lemonade.

I hate Pete. I really, really detest him. Darin is the world’s most boring person to be sure. Les is a punchable smug douchebag. Dinkle is an unbearable egomaniac. But Pete is something else entirely. He’s an annoying gnome who gets constantly rewarded for no real reason. At twentysomething he was the top writer in the comics industry. He bounces around from publisher to publisher, being given opportunity after opportunity and when he inevitably fails out of this or that one — because he’s a talentless hack — he fails upwards into better jobs. And it’s not just jobs. By the end of Act II he has Chien interested in him though thankfully Batty jettisoned her before he could shackle Pete to her.

Later on he’ll have poor Mindy enamored with him because… well, I don’t know. And how does he treat Mindy? He whines and berates her for daring to create a character he doesn’t like for his stupid comic book. He quits his well-paying and seemingly dependable screenwriting gig to force her to help him run a pizza restaurant and live in the shitty small apartment above it. There’s a strip later on in Act III where it’s heavily implied that Mindy is sending him erotic photos of herself and what does Pete do? Like the giant irredeemable asshole that he is, he shows them off to Darin as some kind of flex.

But it’s okay because Pete is a wish fulfillment self-insert for Batty in a way that not even Les is. He can never fail even when he objectively does and he can never, ever face a negative consequence for any action he undertakes. He can do stupid and despicable things, he can be the shittiest writer of comics this side of Chuck Austen and for some reason will be rewarded for it. He can be a giant creep and still get women way out of his league and everyone treat him like he’s just such a lovable cool guy.

Calling him a tool would be understating what a rotten ugly little troll man Pete is. I hate him. I loathe him. And I can only hope the end of Crankshaft is a nuclear missile striking Montoni’s after Mindy has finally wised up, grown a spine and locked him and his precious comic books inside.

Moving on to actual matters, we close out the for Summer with a family gathering.

That will likewise close out this entry. But while 2009 may have been a down year for our budding little savior, 2010 will be a year that’s looking much brighter. Probably because I won’t have any more reason to rant about how much I hate Pete.