All Apologies

Last time, we saw Summer’s on-the-court play take a step up only to run into a wall when she and her team got trounced. She’d also gotten caught up in the ongoing love triangle between her father and two women with rather poor taste. Despite Les and Cayla officially being a thing, TB saw need to throw doubt on the relationship as Susan Smith — that sinister suicidal succubus — proceeded to butt her way into things, a process made all the easier because Les is an oblivious moron and Cayla is a character with absolutely no spine. Summer’s importance after the first few months took a backseat as Batty began diving into fiction’s most laughably unbelievable love triangle and unfortunately for her, 2011 is going to go much the same way as 2010 for a while.

But there is a light at the end of the tunnel as Batty will finally put this interminable storyline to rest. But not before he goes in guns blazing, pushing Summer out of the way in the process. Right from the jump, 2010 ends with Cayla and Susan at Les’ New Year’s party. As the clock ticks closer and closer to midnight, they both anxiously look around for their dickheaded dreamboat, each hoping to be the one that he rings in 2011 with.

But alas, the bespectacled beefcake is already claimed as they find him instead making out with the ghost of his dead wife who, need I remind you, called in a bomb threat just a week or so earlier.

“It was romantic,” he later thought to himself. “Her ghostly lips tasted of Ecto Cooler.”

Summer and Keisha, meanwhile, decide to ring in the new year with a little one-on-one.

But Keisha either intended this whole game as a ruse to talk about important issues or she simply resorted to dirty tricks once she started losing to Summer. Both are equally plausible.

Dissatisfied with Summer’s inability to know what her dad is thinking at all times, Keisha then decides to switch it up.

“She’s a whore, Summer, that’s what i mean. Anyone who stands against my mother and that handsome stud muffin is.”

Keisha says that maybe the two of them should try nudging their parents closer together and Batty decides to end the week with a fancy (for him) narrative transition to show Les being an absolute prick under the guise of him just being a little frazzled. Of course, we know better.

After some “hilarious” Dinkle and the Band shenanigans, it’s another of Les’ endless book tours with some never before seen college friend of Les, since Batty never ever shows his characters actually attending college 99% of the time. He spends the entire trip back from the airport muttering to himself like a complete lunatic about Summer’s chances in the tournament but it seems fate had different plans.

We’re then regaled with the tale of the destruction of Summer’s knee along with the death Les’ dreams of not having to shell out money for his daughter’s higher education.

Having watched five too many inspirational sports movies and conflating them with real life, Batty decides to have the Lady ‘Goats do the logical thing and forefeit the friggin’ game to “be with their co-captain.” Because that’s something real teams do all the time of course and not just a cheap attempt at trying to wring sentimental pathos out of this wet rag of a story.

And then the ghost of Brian Piccolo showed up and said “If you build it, you can win one for the Gipper,” while Rudy stood in the doorway and nodded.

In a show of good sportsmanship, the other team refused the forfeit meaning the game was going to be replayed (does this actually happen?) much to Summer’s delight.

Summer will, of course, need surgery but not quite yet which she’s also happy about because it means she gets to inspirationally cheer her teammates on.

But alas, this strip is a quarter-inch from reality and thus unlike an inspirational sports movie or an anime where good vibes and the power of friendship can will even the smallest minnow to victory, Summer’s encouragement doesn’t prevent the team from losing and ending their season. Which kind of makes it seem like Central Catholic was so offended by the whole forfeit thing that they refused it simply so they could kick the asses of the She-Goats once more for good measure. Just to show them who’s boss.

With the tournament done, Summer now has to get her knee surgery and Cayla’s there to support Les in what’s obviously his hour of need. But oh no, that horrible harlot has decided to make her presence known here too!

But that’s not all! With Summer’s surgery a success, Bull shows up at Chateau Moore to offer his services and help Summer rehab her knee.

This is but one of the many acts of kindness that Bull has paid and will pay to his former victim that will go unappreciated by Les. Instead, Les and Cayla will opine about how awkward it is that his former bully is now helping his daughter as if he and Bull hadn’t been friends since before Summer was even born. To cap things off, the vile vixen also stops by to bring Summer’s homework and of course Les has to get in a snide little remark.

At least Linda didn’t come by to kill the mood and tell Summer that trying to rehab her knee would be pointless.

After a month or so of Dinkle, Owen and Cody’s nonsense, it’s back to Summer’s knee but not before TB decides to off the long-retired Coach Stropp.

Summer talks to Bull a bit about he and her dad knowing one another. This is the infamous week where it’s revealed that Bull’s bullying of Les was actually a ruse the whole time cooked up to protect Les from even worse bullies. A revelation that is utterly pointless as like so many other things with Bull and Les after Act I, it’s promptly ignored.

Summer, who’d been largely positive about her rehab, is now starting to feel the effects of inactivity which has made her cranky. But she’s about to get cheered up by a certain Saint’s Son.

She will always be the only person in existence, both in reality and probably in-universe, excited to ever see him.

After about 3 and a half years, Darin and his bride creep their way back into the comic to take their rightful place amongst the main cast. Well Darin does anyway as he and his funny books crew will come to increasingly dominate the strip; Jessica just kind of hangs around. We learn that he accepted a buy out from wherever he was working for unspecified reasons (they went under? who knows) and is effectively a jobless, homeless bum. Except not really because Les immediately gets him a job at, where else, Montoni’s and allows Darin to move in with them.

Summer’s excited but Cayla isn’t because god forbid she ever be proactive about anything in her life.

“Oh, I did nothing and got nowhere because of it! Woe is me!”

After the requisite month’s worth of strips is spent on reintroducing Darin to the strip’s dozens of readers, we move on to the next part of this grand tapestry that Tom Batiuk so skillfully weaves. Ann Apple, the homeless schizoid-turned-literary agent, calls to tell Les that someone wants to option Lisa’s Story into an actual movie. And not just anyone, but Hollywood! Yes, the entirety of the film industry is apparently just some monolithic entity and it needs to feed itself on the self-pitying misery literature produced by a mediocre and delusionally self-important high school English teacher.

Summer, being slightly more proactive than either her father or his milksop girlfriend, decides to take matters into her own hands when Les begins to falter.

Well that should be the end of it but Les himself has to agree which means a week of him sitting on a bench and talking to Ghost Lisa about all the ways in which Hollywood will ruin it. Personally I feel like all they’d need to do is give it a more accurate title; Tuesdays with Boring should work.

In the end, the spectral Lisa is able to set Les straight and get him to agree to it.

Why experience the awfulness in just one format?

With everything coming up Les, he and Cayla sit on the Sacred Throne aka the porch swing and Cayla decides to tell Les “I love you.” Les can only fumble around like an idiot and not say the words back which upsets Cayla who decides they should put the brakes on things for the moment. This is mostly a test to try and get Les to stop being an idiot and Les, predictably, fails it.

But Cayla has made a mistake and the terrible temptress decides to make her move and fill the newly opened up woman-shaped hole in Les’ life. Alone in a classroom, Susan locks lips with the hunky man of her dreams.

Les now, finally, realizes that he has two women in love with him and decides to tell Funky and Crazy Harry about his dilemma. Funky and Crazy do what any reasonable people would do when confronted with the idea of Les the Lothario and proceed to laugh in his face. This pisses him off and causes him to storm out of Montoni’s like a baby.

We then get what is an all-timer in terms of Les’ unwarranted self-importance where Funky is forced to apologize to him and he snidely tells Funky “yes you did” to Funky’s admission that he went too far.

And it’s not just Funky as Cayla comes by to also apologize to Les for getting upset at him being an emotionally stunted dunce.

Keisha decides to send her mother a little image she just so happened to have.

Les explains the whole deal of what happened with Susan to Cayla who accepts it with little hesitation but worries about the reaction of others as the picture gets passed around. Summer, embarassed over the whole thing, decides to cosplay as the Unabomber to hide her identity.

Check out her forgotten first book: Infunkstrial Society and Its Future.

The photo has quickly spread around school so Nate calls Les and Susan in so they can explain what it’s about. Any blowback Les could have received is immediately dealt with by Susan sacrificing herself and taking all the blame instead.

Susan decides to resign from her position and tells Les that she’s making a clean break from Westview entirely. Les makes a bunch of pithy and somewhat insulting remarks over the whole thing like the giant tool that he is.

And then decides to bid goodye to Susan with what might be one of the most eyerollingly stupid and infuriating things he says in the entire 50 year run of the strip.

“Heck of a kiss,” are you fucking kidding me? What a Grade-A turbo douche.

Susan gets one final sad and lonely trip down the halls of Westview High, reminiscing over her life there before exiting the school and thus the strip entirely.

Perhaps because people might have thought that Susan went off to try and kill herself once more, in the waning days of the strip Batty will randomly follow up this story with the immediate aftermath. Susan stops at a bridge, gets out and looks over the side but gets a pep talk by the conveniently passing by Ed Crankshaft.

But, and this is a real knee slapper, it turns out that Susan’s car merely ran out of gas. Ha ha, you thought she was going to toss herself off of the bridge because she’d tried to commit suicide before! Isn’t that hilarious!? Suicide Suzy, that’s what they call her!

Thus ends the dumbest love triangle in history and all I really got out of it, besides Les being insufferable and Cayla being Cayla, is that for whatever reason TB really seemed to develop a strong dislike for Susan. Why that is, I can’t really say. I’m sure if you asked him he would say he was just adding some drama and didn’t mean anything by it but come on, I don’t think it’s possible to read that love triangle storyline and Susan’s role in it as an antagonist and roadblock for Cayla, who Keisha actively dislikes and who Summer doesn’t seem overly fond of either, and then get that week in October 2022 clearly playing off of her long ago suicide attempt and think that Batty has anything other than disdain for Susan. It’s one of the most baffling things about the entire strip, there’s no real reason for it but it’s there, clear as day.

Speaking of, while the identity of who took and spread around that photo is unknown I’m 100% convinced it was Keisha. I don’t really have any reason not to think otherwise and completely ruining another person’s life would be an easy way to get that person out of her mother’s way. I’d wonder why she cares so much about making sure that Cayla gets with Les, of all people, but I think in reality it’s not like Cayla could do much better. She’s such a nonentity as a person that I think it would drive most people insane but Les loves someone like that who exists to feed his own ego. Also, if we’re going off the idea that Keisha was behind the photo then that makes her easily one of the most rotten characters in the entire strip.

You’ll notice that once again, Summer pretty quickly disappeared from this little recap because as I’ve said before Batty obviously lost interest in her pretty quickly. After she blows out her knee she mostly exists as scene filler for the first half of the year. But that will change at least a little bit because next time will cover the rest of Summer’s time in high school.

Raising the Dolt

Over the last two weeks, “Terrible” Tom Batiuk and “Dangerous” Dan Davis have decided to bless us with another entry in the current passionate epic that’s been the main romantic focus of the post-Funky Winkerbean Funkyverse; a love that burns hotter than the stairs outside of Lizard Lil’s bookstore. I am of course referring to the love story between comic book writer-turned-screenwriter-turned-pizza shop owner Pete Roberts-Reynolds and Mindy Murdoch, granddaughter of Ed Crankshaft. The tale truly told of these two and Pete’s new pizza-serving robot has really showcased the chemistry they have. Just look at what has basically been Mindy’s default expression in most of the strips focused on the compelling and hilarious antics of them and their new robot pal.

You can really feel the love.

Much like Stu Pickles dealing with his bratty niece, Mindy has spent most of the time — as indeed she spends most of her appearances — looking like a woman who’s lost control of her life. She seemingly regrets every single choice that she’s made that’s brought her to this point and undoubtedly is hoping that her fiance’s pizza serving robot will go berserk, and leave her with a fat insurance payout. BJ6K talked at length about just why Batty’s relationships don’t work and today I’ll be reinforcing the idea that he sucks at writing them by exploring the awful one between a woman who has at least nominally reached adulthood and her idiotic manchild boyfriend.

Mindy’s crossing over from Crankshaft into Funky Winkerbean happened late in Act II when she’d shown up to take the now open waitressing spot vacated by Becky Three Limbs. There she hung around as part of the Montoni’s scenery until she rather inexplicably became interested in sick twisted firestarter Mooch Myers. As ComicBookHarriet wonderfully documented this led to a story where Mooch discovered Lucy McKenzie’s comic book collection that, after some shenanigans, DCH John would use to fund the Komix Korner’s continued existence. That’s about all that’s really done with that relationship and by the time Act III rolls around Mindy and Mooch have broken up. So the relationship seems to have been simply to set up a story to explain how John’s shoddy business is still running after the timeskip in a story that was likely pawned off onto Crankshaft because between Lisa’s cancer and Darin’s search for his bio-mom, Batty had no space for it in Funky Winkerbean.

For the purposes of this entry, it also sets up that Mindy apparently has terrible taste in men. Possibly because her main examples of what a man are happen to be a self-absorbed old bus driver given to wanton acts of destruction and a nebbish Tom Batiuk self-insert.

After hooking up with Mooch, Mindy disappears back into the pages of Crankshaft and since I’m not really as familiar with that strip I’m not going to pretend to know what if anything she got up to over there; instead we’ll fast forward to 2017. Production on the Starbuck Jones film had wrapped and it had been decided to hold the premiere — as well as the Mason Jarre/Cindy Summers and Cliff Anger/Vera Nash double wedding that comes with it — at the Valentine Theater in Centerville because of Jff’s Starbuck Jones fandom. Pete, the film’s writer, is sent to scout out the Valentine for some reason (shouldn’t that be someone in the studio’s marketing department?) and comes across Mindy, showing up in Funky Winkerbean for the first time in a decade.

Pete’s immediately smitten and because for some reason he has tons of unearned confidence he decides to ask her out within seconds of meeting her.

For whatever reason Mindy accepts and unsurprisingly the date is at Montoni’s. Batty also cruelly subjects readers to the second of two vertical strips in a single week.

Well why don’t you just date Jff then, Pete?

Already Mindy seems to be regretting agreeing to do anything with this geek that’s not calling the cops on him for harassing her. But alas, she quickly gets over it when she detours from driving Pete to the airport to drown him in Lake Erie take him to Bedside Manor to meet her grandfather who is a quantum entity, simultaneously existing as a rotting husk in a Westview retirement home and a doddering, but still lively, old annoyance in Centerville.

Why does she really like him? Who knows. She only just met the guy, he acted like an ass and made bad jokes and took her to a crummy middling pizza joint that is an objective failure given what happened to it in Act III. None of it really matters of course. Batty loves using the red string to lasso his characters together so what need is there to explain it? Just accept it you terrible nitpickers!

In March 2018, Chester Hagglemore makes his non-anticipated return to the comic in order to announce that he’s reviving the “spirit of Batom Comics” by starting a new company called Atomic Comics — later chaged to Atomik Komix. As part of it he wants to recruit superstar (used very loosely) writer Pete to be his flagship (and seemingly only) writer, as well as Darin to do art. Pete tags along on Darin and Jess’ trip back to Westview and Pete laments the whole long distance relationship thing.

Of course it’s not helped by the fact that Pete basically blows her off for days at a time and she’s apparently just supposed to accept this as an amusing little quirk of his.

My girlfriend wants me to pay attention to her!? Needy, needy, needy!

He also claims that they’ve been moving so slow and old-fashioned that they’re still only emailing one another which is immediately shown to be a lie when Mindy texts him.

Now the context is, as said, that they were taking things slow and old-fashioned and given that third panel, the implication that what was sent is anything but. So that to me reads like Mindy is sending him some pretty naughty stuff which means either she’s sending Pete erotic pictures of herself or some pretty spicy texts, like erotic roleplaying. Either way, the heavy implication is that she’s sexting her boyfriend who then shows it off to his own friend for… what? To brag, I guess, because look how goddamn smug Pete is in that third panel.

Seriously, what a rotten little creep.

Since he’s in Ohio, Creepy Pete naturally takes it as an opportunity to see Mindy again taking her out to a show at the Valentine (because they can get everything comped and he’s a cheapskate) and dinner at… well, guess. They’re celebrating their seven-and-a-half month anniversary and Pete is so excited because this is “usually” when he gets banished to the Friend Zone.

You can see the interest die and regret settle in in real time.

Mindy, of course, is not amused by this at all since the implication is that Pete is a terrible boyfriend which… yeah, no shit. He’s Pete. But the natural urge to devour his head as if she were a praying mantis passes and Mindy stays with him, apparently cool with the fact that he’s giving up his Hollywood job to move back to Westview and write comic books.

Maybe she just takes pity on him. Perhaps that’s the secret, she looks at morons like Pete and Mooch as if they were the person version of a stray animal and feels compelled to take them in and fix them up. But perhaps the real answer is that she’s a pretty (per the standards of this fictional universe) blonde which means that charmless dorks are deserving, nay entitled, to her. Whatever the reason, she deigns to give him a goodbye kiss before he flies back to California. No doubt she’s also secretly hoping that his plane crashes into a mountain on the way back.

Pete and Darin take the job of course which means that he and Mindy are able to see each other. Pete shows more of his trademark charm and once again Mindy must fight back the understandable urge to toss Pete and his eyebags into Montoni’s pizza oven.

“Well Min, I’ll tell you that mine is 69420.”

With Atomik Komix now up and running — taking months to produce nothing but covers — Mindy decides to pay a visit to Pete at the studio. Pete proceeds to respond to her knowledge of comic book minutiae by acting like a patronizing dickhead.

Why is Pete surprised? He’s been talking to Mindy for about a year at this point. Mindy knows he writes comic books and likes comic books. Wouldn’t her knowing and liking comic books too be something that’s brought up early on as an interest both share and a common point of connection between them? Maybe Mindy just decided to hold that back otherwise Pete would have been proposing to her on date #1 ala DCH John and Becky. Or maybe it came up and Pete, being the unaware cretin he is, just ignored it because getting to know his girlfriend isn’t something he actually cares to do. He’s too busy creating bizarre fantasy scenarios in his head where he self-inserts into the lives old comic book creators after all.

Pete had been doing this thiking/fantasizing on the replica Cosmic Treadmill that had been lugged over to the studio and while Mindy waited for him to actually acknowledge her existence she’d also idly decided to color in an unfinished cover which Darin is flabbergasted by and lands her a job as Atomik Komix’s official in-house colorist thus proving that she has slightly more talent than her useless boyfriend.

Doubling down on being more useful than Pete, she comes up with the name Atomic Ape for the publisher’s trademark character after the boys have been tearing their hair out coming up with one. She also casually comes up with a sidekick for the character — Charger Chimp — when Chester suggests “the Lone Ranger needs a Tonto.” Pete responds to this like an absolute baby, throwing a giant bitchfit over her having the temerity to try and create a “cute and cuddly” sidekick for Atomic Ape (even though his boss is the one who suggested it) because he hates sidekicks.

May as well have added a “You dumb broad!” somehwere in there.
“Wow, this guy is a total nitwit,” she thinks; stunned by his complete childishness.

Mindy once more overcomes her urge to shove the stupid little hobgoblin out of the window and the two continue on as normal. The next big moment in their relationship occurs in the summer of 2019 when Pete takes her to the county fair but fails to win Mindy a prize. Showing that he’s not allowed to suffer any setbacks, the carny (a folk known for their kindness and honesty) gives Pete a giant stuffed tiger out of pity.

It’s at least better than a ring made out of an I.O.U. paper?

How the hell did Pete blow through his savings at a stupid carnival game? God, what a dumb putz. Anyway, after the first of their engagements the next year Pete invites Mindy and Jff out to Los Angeles for the premiere of the new Starbucks Jones movie. The urge to drop Pete out of the bucket of one of the helicopters helping to put out the giant fire that Pete has kindly invited her to see likely crops up once more when she has to remind him that instead of visiting caves where they film old B-movie quality pulp serials, they should be spending the day together. Like adults in a relationship tend to do.

Yeaaaaah. Okaaaaaay. God I really wanted to see those rocks.

But somehow, like usual, she’s able to push down her disgust at the fact this idiot nearly got her father killed (her idiot father’s own stupidity not withstanding) and continue with the relationship. By this point, Mindy has also become the protege to Golden Age has-been Ruby Lith who’s regaled Mindy with stories about what a sexist hellhole the comic book industry is. Thus when a beady-eyed nitpicker wanders into the Komix Korner and begins to criticize the work of her and Atomik Komix as a whole (in a story that is totally not Batty venting), Mindy is ready to push back while Pete stands around like the useless turd he is.

Jumping ahead to the next major stop on the Pete & Mindy Romance Express, it’s now late 2023. Funky Winkerbean has been done for just about a year but Batty has decided he’s not quite done with one aspect of it. Thus Batty inexplicably has Pete decide to get out of comic books, where he’s paid by an immature man with infinite money to do nothing but come up with characters and ideas for terrible covers, in order to resurrect the Sacred Temple with Pizza Box Monster helping to foot the cost.

Yes, Batty fills this storyline with muliple “raising the dough” jokes. Of course he does.

Mindy, naturally, is so thrilled at the prospect of Pete leaving behind his relatively stable career for the notoriously easy business of running a restaurant, a business that is not at all prone to failure. Really, why the hell would she stay with him after this? He quit his job and decided to take his savings, their savings really at this point, and buy into a pizza restaurant that closed due to bad business. All without consulting her about it beforehand. He just does it, then tells her after the fact.

Mindy should have left him then and there but she at least does immediately point out how stupid and poorly thought out the whole thing is.

I-I… make-a the pizza?

Pete decides to spring one more surprise on her when he proposes to Mindy. Mindy, of course, accepts (despite already having been engaged for four years at this point) but inwardly she knows she made a mistake. Apparently she’s trapped in her own body, unable to control her own actions and thus is unable to stop herself from marrying the eyebagged munchkin. How terrifying for her.

So terrifying she’s apparently suffering some kind of psychotic break.

With Montoni’s successfully (?) reopened, they do what all young (??) couples living in Westview are expected to do and move into the apartment above Montoni’s. Once more, Mindy realizes that she’s got her work cut out for her with this doofus.

That more or less brings us up to the present. Most of Pete and Mindy’s appearances in Crankshaft basically fall into this category. Some crap happens at Montoni’s, Pete looks like a jackass, Mindy looks as if she’s hoping to come back as something other than a blonde woman surrounded by jackasses in the Greater Akron area in her next life. For a romantic couple they’re not even doing much coupley things as they seemed confined entirely to the space in and around Montoni’s — as if some kind of magic barrier has been erected that prevents them from leaving the immediate area — to engage in whatever wacky BS Pete’s dreamed up this week.

Pete and Mindy’s relationship is just really bad even by the standards of all the other bad relationships Batty’s forced readers to endure over the decades. There’s is nothing to show why she likes him and half their interactions are Pete being an annoying asshole while she contemplates if the negatives of a jail sentence will outweigh the relief of a little “accident” lifting the gun-wielding chimpanzee off of her back. And then in the end she swallows it down and resigns herself to having to play mommy-wife to an idiot manchild who may or may not even be able to tie his shoes without her help. Mindy herself doesn’t even seem to know why she’s going along with all of this half the time, it’s as if she has some vague awareness that her actions are being guided by outside forces and that she’s merely an action figure to be moved around to enact the childish scenarios this god has dreamed up for her.

It’s a truly awful relationship the embodies all of Batty’s worst traits in writing them. No reason for the characters to be together, no actual romance or chemistry or anything. The guy is a man who is broken or deficient in some way who’s essentially taken care of by the woman who somehow puts up with all of his crap. It’s like a whole “women are wiser” thing or the cliche sitcom set up of a schlubby moron and his pretty and smart wife but done in a way that feels even more outdated and lame. As if Mindy’s (or Rachel’s, Cayla’s, Lisa’s, Holly’s, etc.) role is to be a minder more than an actual wife or lover. Pete is just such an unlikable manchild even by the standards of the other manchildren in Batty’s work that it really makes the whole thing even worse than normal.

Really, if it’s possible to feel bad for a fictional character then I feel bad for Mindy. She’s not really all that interesting but she’s also fairly inoffensive which, for the characters occupying the Funkyverse, is usually the most postive thing that you can say about them. She doesn’t deserve to be shackled to such a failure and she herself seems to know it. Pete is not just an annoying twerp, he treats her like garbage by ignoring her, talking down to her and engaging in major life altering decisions that affect both of them without once ever talking to her and making sure she’s actually okay with any of it. Never once does he act like someone who’s actually in a relationship with another person who may have her own thoughts and feelings on things. He’s a selfish bastard who treats Mindy as someone who just kind of hangs around and who he occasionally gets to sleep with (unless she hopefully shuts him out when it comes to that) and for some reason Mindy is forced to go along with all of it, beholden to the whims of an immature moron because Batty has decided that she is to be Pete’s reward.

On the bright side, all of that regret and doubt that she’s forcing down into the deepest recesses of herself will eventually morph into cancer and allow her to ascend to sainthood. But as we’ve seen, not even death will free you from being trapped in Westview.

That about wraps it up for this timely little interlude into current Batiukian events. I’ll be getting back to the main event after this because there’s still so much more of Summer to see.

Pizza, Actually

Link To Today’s Strip

Or it might be when you give your oldest childhood friend your treasured copy of “Contrivance Man Vs. The Zanthian Blorks” # 1 so he he can complete his collection even though you could have easily gotten $125 for it on FleaBay. It depends on where you are in Westview at the time. Unless these are characters I am unaware of, this is an extremely rare example of BatYam devoting an entire Sunday strip to random anon-o characters, which doesn’t happen a lot in the Funkyverse. Ditto actual customers in Montoni’s. That certainly doesn’t happen every day either.

I assume that maybe this is an homage to something, maybe those old “Peanuts” strips or something. And it’s harmless enough, I suppose. I guess sometimes FW is just plain deeply weird as opposed to deeply weird and highly annoying like it usually is.