Link to today’s strip.
Well, those of you who said that Adeela will end up working at Montoni’s–please go to the ticket booth to collect your winnings!
I’m rather surprised that Wally, only a few minutes into his new position, felt that he could go over Funky’s head and hire someone to work–and on someone else’s shift, too. That’s pretty damn bold, and not in his character at all. I kind of thought he’d be all cringey and cowardly, and he’d meekly ask for another favor before presenting Adeela as a possible hire.
I think Batiuk thought we’d all be surprised by this development, but it was honestly pretty inevitable. The only thing he could do with Adeela was either send her back to Miseristan or make her part of the regular cast. And I’m sure he thought that if he kept her around, those awards would start rolling in. I guess she’s not quite as punchable as the worst characters here, but she doesn’t really bring anything to the strip (other than making Batiuk’s thirst for awards even more obvious). She’s just a distaff Wally, a sack of misery pushed here and there by forces she’s decided she cannot fight.
I guess Funky’s dialogue proves that Rachel is quitting–I’m not sure what a “day person” is, but it probably wasn’t Wally. Wally was a dishwasher (and I’m sure that will still be his primary role), and “day person” sounds like someone who actually runs the place…which sounds an awful lot like like Funky, come to think.
Well, there’s no way that Adeela is going to replace Funky, because as a female, she’s incapable of so many things in Westview. But, whatever her role in the restaurant, I’m sure that architecture degree will come in super handy.
Link to today’s strip.
I remember when Dullard left, Funky was worrying about filling his position and Wally volunteered for the job. Funky dismissed the offer out of hand, and now we know why: you can’t be a manager if you don’t have a degree. Why, the absurdity! Being a degree-less schmo is fine if you’re just washing the disease off the plates, but manager? Never!
Apparently, though, someone was hired to manage the place during the night…someone who we’ve never seen, and whose existence has never even been hinted about. (But probably had a degree.) I suspect this being quit so that it could join its fellow cryptids like the Fresno Nightcrawler, the Flatwoods Monster or the Hopkinsville aliens.
By the way, is Funky talking about a closing manager? Because I would think the night would have much bigger crowds than the lunch shift, with that much more responsibility as well. Wally still seems right on the edge of frail, so I don’t know what a large, boisterous crowd would do to him. Ha! I kid…like Montoni’s ever had a large crowd.
A closing manager for Montoni’s would just add up the mediocre receipts, see that the equipment looks clean enough, cage the apes, weep quietly and so on.
Not much else to say about this one…it’s dull, unfunny and the events therein (Wally being a manager) will be ignored in the future anyway, so that boring, poorly-constructed word-play can be made.
Nice to see that continuity is still as much ignored as always. The other day, Tony had a red sweater. Today, it’s black. Either someone in quality control slipped up, or Tony was covered in blood and it has now coagulated.
Link to today’s strip.
So, either Wally is just now being hired at Montoni’s, despite all the history to the contrary, or Tom Batiuk thinks “Welcome” means “You’re still working here, in the same position, but now you have a degree.” And well Tony might add, “A degree you’ll do nothing with, of course, except increase the amount of depression in your life, in that you’re now a dishwasher with a degree.”
I think I’ve figured out a possible reason for Batiuk’s utter lack of continuity: he hates this strip as much as the rest of the world does, and it’s painful to go back and re-read it. All he’s doing is pounding them out until that 50th.
I have to say, Funky’s exercise routine has finally paid off. I don’t think he’s looked this trim in years. Or maybe Ayers gets paid by the number of fat-asses he has to draw, and Batiuk has a budget in place for 2019.
After thinking about it for awhile (a phrase I hate wasting on Funky Winkerbean) it bothers me the way Tony is drawn. Based on Wally and Adeela’s elbows, I can sort of see where the tabletop should be, but somehow Tony looks too tall. So either they’re sitting in kiddie chairs, which would be par for the course for Wally, or Tony is standing on a box.
Why is it that no one involved in the creation of this strip gives a good hot damn about its presentation?
I dunno if Adeela’s resume should get her and H-1B visa or not, but today’s strip should go in her resume if she wants to hang around in Funky Winkerbean.
This is grade A+ sad-sackery. Funky himself would stand in line. And that waddling off? It’s nearly Les-level! Adeela truly is a Westviewian at heart.
Well… today’s strip wades onto the first step of the deep deep pool that is American immigration and guest worker policy. This is what I imagine it would be like if Eeyore was a political talking head on one of the news networks.
I have no idea what Wally is talking about, and I hazard that he doesn’t either.
Adeela is apparently studying architecture, can we assume Wally is doing that as well? That should help him manage Montoni’s really well, better even than Rachel and her decades of experience would… Or will it help Adeela do that? Oh good grief! Are we headed toward Montoni’s sponsoring Adeela’s H-1B visa? *sigh*
Why is Adeela not excited about graduating from college in today’s strip?
The answer may be undeserving awards-bait… Film at 11.
Thank goodness Tony returned in time to set up this silly transition. I don’t know what we all would have done had Funky had to ask Rachel this rote and rhetorical question. Probably donned sackcloth and ashes…
Well, at least Chuck Ayers doesn’t use wavy panel borders for in-strip transitions from one place to another like TB did. I hate that.