October 30, 2018 at 1:25 am
…I have no idea what “RRRRRRRRRR” is supposed to represent. A turboprop airplane? A siren? A lawnmower?
Other readers of this blog have suggested it could be a tornado alarm or a pirate…but at any rate, because this is Act III Funky Winkerbean, the big reveal is a few days away. WhateveRRRRR it is, it’s got both parties, the non-hand-shaking locals and the GI’s, scrambling for cover. While we wait for the inevitable anticlimax, your typophile host would like to point out that the RRRRRR sound effect appears to be typeset in ITC Pioneer, most famously used in posters for the blaxploitation film classic Shaft.
Whatever the terrible RRRRRRRRR sound is, it reminds Wally and Rana, uh, Jinx, uhh, Adeela of something really scary from back in the day.
I suppose today’s strip indicates that Adeela was the mother and not the child in last Sunday’s strip, which makes her fairly close to Wally in age.
No, that wasn’t obvious. Wally has been back in Westview for 9 years now. He was taken hostage in late 2007, BEFORE the time jump*, so he hasn’t patrolled an Afghan street in about two decades (heck, it is still a decade plus if you ignore the time jump). Adeela easily could have been that child and, oy… piecing together this strip’s timeline makes my head hurt. Still, I gotta say that Adeela has aged better than anyone in this strip except for maybe Cindy.
* Back in early Act III when Wally had apparently disappeared from the strip after the 10 year time jump, TB stated in a blog post (the infamous “it’s called writing…” post, in fact) that a “clue” in regards to Wally’s whereabouts appeared in the October 11, 2007 strip, in the immediate aftermath of Lisa’s death and just before the Act II to III time jump. That clue being the newspaper in the newspaper box that Les slumps past before he is pickpocketed by a couple of hipsters. It reads, muddily, “Soldiers Taken Hostage”.
Wally remained a hostage until July 2009…
Adeela finally gets to use the photo album corners in today’s strip. I think so, anyways. Is that her as a child or is that her with the child? Or is that her at all?
Wally was in Afghanistan long enough ago that a young child then would be old enough to go to college now, especially when TB treats his 10 year time jump as that, a time jump, and not just an age jump to make his Act I and II characters older (well… Cindy in mind only, not body). HA! OK, scratch that last part then, the “time jump” has never been more than excuse to age his characters.
Still, the story of a Afghan war veteran and an Afghan refugee struggling to feel comfortable enough around each other to complete a college project could well prove interesting. Now, if only we could find someone to write that story… If only.
Wally goes full-on “Doug Funnie talking to Patty Mayonaise” in today’s strip because… that’s what this story arc requires?
Adeela is not exactly winning Miss Manners’ stamp of approval here either though. She also seems to think she has already introduced herself to Wally (or expected him to eavesdrop when she introduced herself to Professor Forehead, I guess). Is she just not a Three Stooges fan or is she one of those people who prefer Shemp to Curly?
Fair or unfair, the military briefing-college class parallels continue in today’s strip. Wally and Adeela are bad at engaging others in conversation. Professor Forehead makes Ralph from Sally Forth proud by assigning a group project on day one so he doesn’t have to spend any time at all lecturing these students. Buddy may have disappeared… I’m sorry that I am just recapping the strip, but I don’t know what else to say here.
What will happen when Wally and Adeela finally speak to each other (presumably) three and a half weeks from now? The suspense is mildly irritating me.
It is not really fair for me to question the comparison of a military briefing to first day of an unidentified community college class as in today’s strip. While I have my suspicions about how appropriate the comparison is, I have only experienced the latter situation.
I will, however, point out that both Colonel Crew-Cut and Professor Forehead are awkwardly stating what both their audience in the room already know and what newspaper comic strip readers could reasonably infer without such clunky exposition. It is like TB leading off each strip with a drawing of him saying:
The following is a comic strip I wrote. It carries the weight of substantial ideas. Silver Age Flash is also important literature.
Uh, maybe I shouldn’t have thrown that idea out there…