Link to today’s word zeppelin.
“[French director] Alain Resnais…was a student of American culture who had learned much of his English from comic books. He was a huge admirer of the Marvel Universe and of [Stan] Lee…Their first project was The Monster Maker, a pop-art parody about a frustrated movie producer who seeks creative and spiritual redemption by making a film about pollution. With gentle direction from Resnais, Lee wrote a full script…The Monster Maker‘s protagonist, Larry Morgan, is an apparent stand-in for Lee himself. Morgan produces schlocky horror pictures that make money and are popular with kids, but he can’t help but feel that he’s reached a dead end. He is despondent about his life and his job, and what he craves more than anything is recognition from an adult audience [emphasis added]. Through a series of story twists, Morgan embarks on a ‘serious’ film project to expose the evils of pollution. There’s some violence, a fire, and then a climactic montage sequence in which a monstrous wave of pollution descends upon New York City, choking the sky, the waterways, and the streets. The true horror, it is revealed in less than subtle fashion, is the accumulation of garbage that we so callously resign to landfills, mindless of the terrible price that we might pay in the future.
“The movie closes with a voice-over:
“…At one point in the movie, Larry Morgan tells his ex-wife, Catherine, about his new, meaningful work. She glows with pride: ‘Larry, you must have known how I always felt about those shallow horror films of yours. I always wondered how you could bring yourself to keep grinding out such juvenile, unintellectual pablum. But now, to think of you tackling a worthwhile theme like pollution—to think of you turning your back on commercialism in order to say something that must be said—Oh, Larry—I can’t tell you how thrilled—how proud of you I am.‘ Unlike Morgan, Lee wasn’t exactly turning his back on commercialism. He and Resnais sold The Monster Maker in 1971 for $25,000. The script gathered dust and was never made.”
Raphael, Jordan and Spurgeon, Tom. Stan Lee and the Rise and Fall of the American Comic Book. 2003
Son of Stuck Funky 
Special Dumblivery
The panel borders of today’s strip are just holding it, just enough to keep it from —
It burst into the frame! Get out of the way! Get out of the way!
Get this Funky! Get this Funky! It’s boring and it’s crashing! It’s crashing terrible! Oh my, get out of the way please. It’s boring, bursting into the frame and it’s — and it’s falling on the boring cast and all the folks agree that this is terrible. This is one of the worst catastrophes in the world.
And oh, it’s…boring, oh, four or five segments into the strip. It’s a terrific crash, ladies and gentlemen. The smirks and the lameness now and the text is crashing into the foreheads, not quite to the boring cast. Oh, the humanity and all the characters smirking around here. I told you. It’s — I can’t even type to the readers whose snark we host here. It – It’s….I — I can’t type ladies and gentlemen.
Honest, it’s completely a mass of smirking dreck. And everybody can’t hardly read it. It’s hard, it’s crazy. Folks, I — I — I’m sorry. Honestly, I — I can hardly read it.
I — I’m gonna step away where I cannot see it. Funky, that’s terrible. I – I can’t….Listen folks, I — I’m gonna have to stop for a minute because I’ve lost my head. This is the worst thing I’ve ever witnessed.
With sincerest apologies to Herb Morrison and humanity… and Count Ferdinand von Zeppelin (who TB should also apologize to).
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