This guy still doesn’t look anything like Bill Clinton, but at least he’s game to help the gang in today’s strip, which means we’re probably closer to the end of this idiocy (and the start of a new idiocy). A President Clinton junk food joke? Really, TB? Did you write this in 1994 or when people stopped laughing at the thought of the President eating French fries (which was 1995, I believe)?
Tag Archives: poor female characters
Stuckfunkian commenter Scott Lovrine guessed last week that Ruby Lith may be based on Ramona Fradon, who worked on Aquaman and Metamorpho. The visual resemblance is very strong both in the past and currently. But from my research Ramona didn’t time in ‘the bullpen.’
I believe that Marie Severin and I were the only women drawing superheroes at the time [50’s]. It’s funny that she was drawing Sub-Mariner while I was drawing Aquaman. People always used to ask me if I knew her, but I didn’t meet her until years later, at a convention. I didn’t work in a bullpen like Marie did so, aside from being uncomfortable with male fantasies and the violent subject matter. I never really experienced what it was like being the only woman working in a man’s world.
Marie, who did work in an office with men, talked more about feeling slightly isolated or left out rather than harassed. The only story I could find her recounting was a male college blowing on the back of her neck.
In that case, comics have always been a rather male dominated field, and you, like Ramona [Fradon] are one of the two reigning queens. How many other women were there at Marvel at the time doing art, and did you ever have any problems with “the Bullpen” or anything like that?
MS: Not really, the guys, they say that women gossip, well networking is male gossip, and they “networked” all the time. But, just like we wouldn’t want a guy when we were sitting around talking about somebody’s shoes, or a certain eyeliner, they weren’t interested in having a woman around, and sure, I’d have lunch with them once in a while, but the conversations were always male; it was just normal. So, you’re sort of out of it. I didn’t have any real problems.
But that brings us to Lily Renee. If Batiuk wants to claim that Ruby Lith is based on any one woman, Lily Renee is the option that closest fits his ‘narrative’. And she also has a physical resemblance.
Lily Renee worked in the 40’s as a penciler and inker for Fiction House. She was Jewish, from Vienna, and had immigrated alone, at the age of 14, first to England then the United States to escape the Nazis. When her parents joined her a couple years later she took up a job in comics to help support her family. The men in the office teased her, tried to teach her dirty words in English, and drew nudes in the margins of the work she was supposed to ink. But she wasn’t the only woman working in the office. There were many women working for Fiction House at the time, and she was on good terms with most of them. She would regularly go out for lunch with Fran Hopper, and at one point, she lived with artist Ruth Atkinson for about a year.
Unlike Batiuk’s fantasy Ruby Lith though, Lily just did it for the money, and after leaving the comics industry in 1949, went to work on other things; illustrating children’s books, writing plays, and working in fashion.
So, big surprise, sometimes it was uncomfortable being a woman in a office predominated by men. Sometimes the women were ‘left out’, sometimes the women were teased. Sometimes it led to much drama that weren’t black-and-white cases of sexual harassment. The inker Violet Barclay, by her own admission, flirted with men in the office leading to acrimonious feelings and love triangles.
Barclay’s complicated relationship with benefactor Mike Sekowsky — who bestowed expensive gifts on her even after his marriage to Joanne Latta — caused friction in the Timely bullpen, which she left in 1949. As she later described the office environment,
“Mike was a very good human being. Everybody at Timely liked Mike. Nobody like me because they thought I was doing a number on him. Which was true. World War II was on and there were no men around, so I just killed time with him. Everybody, Dave Gantz especially, picked up on that. … [Mike] once tried to get me fired over my fling with [Timely artist] George Klein. Mike went to Stan Lee and said, ‘Stan, I want her fired, and if she doesn’t get fired, I’m going to quit’. Well, you couldn’t ever tell Stan Lee what to do. Stan said, ‘Well, Mike, it’s been nice knowing you’.”
Not all sexual harassers got off scott free either. Toni Blum, who worked for Quality Comics in the 40’s, was treated respectfully there except for an incident between two male artists, wherein one punched another in the face. As historian Denis Kitchen wrote, “[George] Tuska, like [Will] Eisner, had a crush on office mate Toni Blum but was too shy to make his move. The actual provocation that inflamed Tuska, Eisner privately said, was [Bob] Powell’s loud assertion that he ‘could f**k [Toni Blum] anytime’ he wanted. After decking Powell, Tuska stood over his prostrate coworker and in a voice Eisner described as Lon Chaney Jr. in Of Mice and Men said, ‘You shouldn’t ought to have said that, Bob.'”
So Flash just randomly dropped by the same time John had decided to randomly drop by. Okay then. Plotting is difficult, apparently. It always amuses me how Batiuk just obviously thinks people know who this random minor characters are and that everybody just immediately recognizes them and is thrilled to see them back. I barely remembered who Flash even was and I have to be in the top 1% of people who give a crap about this strip. I like how Darin is just inviting people to make appearances at John’s store.
It’s fun how the artist made sure to get John’s creepy spiky gray hair and Pete’s eye bags just right, but barely drew a face on Mindy. I’m not even sure if what she has there technically counts as a nose.
This strip is more fun if you imagine Flash’s words as a little Easter egg expressing Batiuk’s desire to be done with all this. It’s totally not necessary though, I mean, the entire strip gives off that vibe.
Mindy continues to play editor in today’s strip. Just think, had she been employed at Atomik Komix from the very beginning then we Chester might not have had to endure the launch title flop that was The Inedible Pulp.
How does Mindy know that Armorilla is not so named because her super power is skin that is as tough as armor? Oh right, because she knows as well as we do that TB, Pete, and Durwood are not creative enough to come up with something like that. Frankly, “Armorilla” sounds more like she should be a clothed gorilla adversary of Atomic Ape and Charger Chimp (ugh) than a presumably human villainess who fights someone called The Scorch. One might think that wearing lots of armor would be easily exploited by a superhero called The Scorch, who surely has heat-oriented powers. None of these characters = “one”.
Montoni’s…the wedding venue of choice for couples who just don’t really give a f*ck anymore. A “99% success rate”??? So Montoni’s has hosted 100 weddings and only one of those unholy unions failed? THAT seems unlikely. As difficult as this is to believe right now I’m actually hoping they get back to the Big Alumni Reunion Band thing or whatever it was, as at least that wasn’t entirely predictable. I like how Rocky still has absolutely nothing to say and no input to offer regarding her own wedding, which would be wildly unrealistic in any other setting but makes perfect sense in the Funkyverse. Obviously she saw her inevitable future and gave up long ago, much like TomHack’s readership did back in ’84.