It’s great to be back here for one last time (maybe, unless Batiuk is just tricking everyone). I really, really do not understand the point of this arc, unless it’s Batiuk kind of giving a middle finger to his critics and trying to say that actually he did have a plan all along, and every insignificant thing was part of the beautiful tapestry that led to Summer. But even just a really casual reading makes things super baffling, since:
- Harley did nothing to prevent the bombing, which I’m pretty sure injured and killed people other than Lisa.
- If Lisa hadn’t been at the post office, I guess Harley wouldn’t have given a crap.
- Harley had to somehow alter dozens of people’s minds in order to get them to help after a tragedy.
- Could he not have “nudged the mind” of the bomber to prevent the bombing?
I’m also curious how he “made sure” the physician was in charge of Summer’s care. Did he have a second job as a hospital director, or did he bribe someone? Did he kill Westview’s previous lousy neonatal physician, ensure the top neonatal physician (in the entire world, I guess) lost his job in such disgrace that he had no choice but to come to Westview? And if he cared so much to get involved in Moore family health care, could he not have done something to help Lisa? I’m seriously waiting for the strip where he reveals he intentionally messed up Lisa’s paperwork and nudged her mind so she’d die in order for Summer to write her book.
Great Moments in FW Arc Recap History
I totally forgot this classic part of one of the lamer bombing related storylines in fiction:
Les was going to go to the post office instead of Lisa, but she forced him to get back to work, because she existed to make him happy. And apparently she didn’t have anything to do that day, nothing as important as whatever stories Les was writing.
I just love Les’s expression in the second panel. I’m not entirely sure if I prefer CBJ’s ponytail or skunk hair, but they’re both awful.
The “USA!” panel is definitely in my top five favorite FW panels. (Especially know that you know that somewhere, the high school janitor is smiling to himself and thinking “Yes, all is proceeding according to the grand design”.)
And here we have a strip where Bull appears to be a decent and selfless guy, which he did for most of Act II, but know we know it was actually Harley who nudged his mind, I guess, which takes away from Bull’s character and is totally in line with how he’s been treated in this strip for all of Act III.
Oh, and in strips like this, where a medical professional is mocking someone who is literally helping save lives for being fat.
I’ll just end with this strip, because it’s extra funny now. Your fate was not in your own hands, actually, it was in the hands of the janitor who probably stared at you and Lisa an awful awful lot.
The rest of the arc recap is totally worth reading. It’s one of the weirder arcs Batiuk has done. Even so, after reading it again now, I was struck by how much better Act II was compared to the last five to ten years of this strip. It definitely had a lot of flaws, but things happened. If Batiuk did this kind of story now, it would’ve just been a week of Les and Tony listening to the radio and then back to an Atomik Komix arc.
While jogging with Les, the Funkman notices a derelict house on a hill, and he returns later, by himself, to explore. This week long, standalone arc accomplished nothing in the way of plot or character development. But it exemplifies a couple hallmarks of post-Act I Funky Winkerbean: glacial pacing and the futility of human existence. The strips from Monday to Friday are almost completely void of verbiage: Funky pulls his car over, treks up the hill, and wanders through the abandoned house. 
Son of Stuck Funky 
