Tag Archives: misplaced nostalgia for things that weren’t all that great to begin with

Dropping Mad Dimes

Link To Yesteryear

I’m amazed that this tedious anecdote amazes John, who’s literally surrounded at all times by thousands of vintage comic books that have the prices printed right there on the covers. On top of that the whole town is overrun with legendary old comic book codgers who just stroll right on into local comic book businesses and freely share comic book anecdotes with nary a second’s worth of thought. Not to mention the fact that he’s like at least fifty years old himself. Yet there he is, stunned by the buying power of a dime back in 1946 or whatever. Why, if I didn’t know any better I’d have to conclude that this John character is something of a total imbecile.

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Akron Zip

Link To Today’s One

Im·pe·ri·ous

  1. assuming power or authority without justification; arrogant and domineering.

So I suppose that a Rexall pharmacy COULD be “imperious”, I guess. Once again I know exactly what he was going for here but once again it doesn’t make it any less baffling. “My grandparents lived in Akron and there was a Rexall two blocks away”…how hard was that?

“Holy temple”…”sacred texts”…OK sure Thom, whatever you say. Once again we see BatYam venerating the most mundane aspects of things he loves the most, just like last week. I mean I remember where I bought my first copy of “Love Gun” but you don’t see me getting all nostalgic over going to Crazy Eddie‘s. It’s where they sold the records. The store was the facilitator, a means to an end, not the primary focus. Of course I liked going there, as it was where I’d buy the stuff I liked.

But it’s never that easy for Westviewians. They can’t just buy pizza, they have to immerse themselves within a whole complicated pizzeria experience full of old jukeboxes and whimsical band boxes with colorful local characters exchanging wry banter all over the place. And they can’t just buy a comic book, they have to enter a fantastical nostalgic dream world full of holy scriptures and clandestine attic forts full of milk and cookies. They just have to complicate everything, no matter how dumb it is. No wonder they’re all so grumpy.

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It’s just a Flash wound

Well, the week’s comic book reminiscence is, of course, followed in today’s strip by the requisite comic book cover tribute, printed sideways in newspapers across the country to ease the task of deciding not to read it. If you are just now showing up to to read this story arc (for which I envy, but somehow also pity, you), let’s catch you up:

Sad-sack author avatar and comic strip creator Batton Thomas has based his entire post-12-year-old life around reading and re-reading The Flash #123. He has bought a reprint of the issue since his original is worn out, and he is re-reading it again. His 12 year old self has also materialized to re-read The Flash #123 reprint along with him… on the very same porch glider he read the original #123 when his 12 year old self was his only self.

If you, the hypothetical person just walking into this story arc today, is still thinking of going back and re-reading this week’s strips after that recap, save some time and read TB’s veneration of the issue on his blog (and also, previously, in Funky Winkerbean itself). Or save even more time and don’t do that. That’s your best bet, actually.

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Flash has reached end of life status

Today’s strip gives us our first glimpse at a young Batton Thomas… back when he had the hair of a newscaster, the jaw of Rob Riggle, and the neck of something that doesn’t have a neck. Quite a contrast to today’s sad-sack Batton, who looks like he could be Pete’s dad (he’s not, John Darling program director Reed Roberts is). Trading that plaid seersucker jacket for a blue Members Only was a good call, though.

So The Flash #123 inspired Batton Thomas (and, most definitely, one Thomas Batiuk as well) to become a cartoonist, eh? How, exactly did it do that? If we are lucky we’ll get that answer in 6-10 business days. Or just visit the official Funky Winkerbean blog, where TB writes more about The Flash than he does about his own creations… Haha, yeah, you all go do that. I’ll wait.

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Nothin’ But Reruns

Many apologies for the late and short post. Unfortunately, I was in a situation that was unavoidable, much like a Funky Winkerbean strip about comic books…

Today’s strip dares to ask the musical question, what’s a comic book doing in a comic book store? The answer may not at all surprise you.

Many of you beady-eyed nitpickers eagle-eyed commenters noticed that this is not only The Flash #123, but one of a series of recent reprints of the issue. You think Batton Thomas is going to try to pay DSH a dime for it?

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Batton Exchange

Welcome to Son Of Stuck Funky’s week-long 11th anniversary spectacular! Well, it will be tacular, at least, we shall see on the spec… Today’s strip kicks thing off with a bang flash! You can have that one for free, TB. Hey, maybe I’ll even pay YOU to take it.

So, I’m billytheskink, and I am (apparently) contractually obligated to take over the author’s seat here at SOSF whenever Batton Thomas makes his annual appearance. I really should have read the fine print. But really, I covered both of Batton’s previous appearances, April-May 2019 (he crashed DSH’s Free Comic Book Day) and April 2020 (Les invited him to mope in front of his class), naturally. One could argue that he also appeared back in January of this year, moping about Komix Korner mere days before my last stint here started, but one could also argue that old moper was Jff Murdock.

Apparently Batton “used to be famous”. I guess that is why he only started appearing in Funky Winkerbean in 2019.

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Frisket Business

Whew! I am so very happy to report that today’s strip doesn’t take place at the optometrist office, we’ve instead moved to a world where two Northern Ohio-based nonagenarian comic book legends are somehow meeting for the first time. It is, remarkably, a welcome respite.

Are we really supposed to believe that Flash and Ruby Lith, alleged fans of each other’s work, are meeting for the first time? Ruby Lith (hired in September 2019) wasn’t in the office during Flash’s last visit, when he dropped by to kvetch about “Turtle Thompson” (wait, was “Thompson” part of the guy’s nickname?) back in December 2019? Yes, Ruby Lith’s Miss American was a Capitol Comics title while Flash worked at Batom, but these two have both presumably been alive since the Coolidge administration working in the same industry in presumably a similar geographic area… they never met at a convention? Trade show? Art supply store? Comic book store? 3:30 PM dinner buffet?

While the plot seems a stretch, the puns today, however, are… well, they certainly are present. Though I incorrectly guessed her relation, I knew Amber Lith was coming. Really, I think we all knew Amber Lith was gonna be a gag in a Ruby Lith strip at some point. Didn’t see the dog’s related punny name coming, but it feels incredibly uninspired and unsurprising nonetheless.

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It’s not what you thINK

The power is out again at Atomik Komix in today’s strip?! Oh no! That means we have to read a comic about the power being out again

There is a lot in this strip, and it will make your head hurt if you actually think about any of it. So please don’t, that is the burden I have chosen to bear this week.
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Is Atomik Comix in such dire financial straights that Chester didn’t pay the electric bill? Was it because he couldn’t part with any more of his gardening catalog collection?

If the electricity in the old Batom Comics building is so unreliable that it goes out weekly…
– Why doesn’t Chester move his 3 employees to a few hundred square feet of space in one of Cleveland’s many affordable, functional, and maintained office buildings?
– Why is there no generator or other back-up plan to maintain power?
– How does this building pass city inspection? Even Cleveland has standards.

Why doesn’t Mindy know what to do? Not one week ago, she met a deadline while working from a coffee shop.

How does Mindy not know what Dr. Martin’s is? Yeah, I get that the average person doesn’t know what it is (which really weakens the Dr. Martins=Doc Martens joke) but she is paid for her apparent artistic talent and she’s never used physical ink or been into an art supply store?

Does Chester really think that ink he found in a box of unused supplies from Batom Comics is still usable for professional-quality work? For reference Batom Comics shut down in 1972.

How does Durwood’s face manage to get even longer?
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There, I’ve though about all of that for you. I have determined that there are no satisfactory answers and that this whole story arc is asinine, so don’t even think you need to worry about it. Carry on and have a nice Saturday.

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Aunt Alta Vista

Here’s the link to today’s strip. I have only a single comment:

Stop it with “Grandpa Google”! It is not a thing anyone in real life has ever said or ever will say!

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