Failure to Launch

I had previously showed and examined the history of Sadie Summers to determine whether or not she lived up to Batty’s assertion that she was his biggest mistake. I, and others it seems, did not really see her the same way her creator did and that her biggest problems were endlessly underused potential and missed opportunities. After all, she did manage a 15 year run and it took a literal decade long timeskip for Batty to finally get rid of the character he so detested. So she was a failure mostly through no fault of her own.

In terms of failed characters in Funky Winkerbean, there are plenty that would hope to be as successful as Sadie was. Today, we’ll be looking at some of these characters and speculating on where things went wrong. This won’t be a comprehensive look at any one character but little snippets of a large variety of them. So let’s get started with the Parade of Failed Characters.

LIVINIA SWENSON: One of the more well known examples of this group. Present in the very first strip, she would appear fairly regularly early on with what seemed to be a few stock gags. First, there was her repeated shooting down of eternal loser Les Moore.

And there was also her being a young feminist.

However, her prominence would very quickly diminish and by the second year or so of the strip she’d quickly become barely better than a generic student. Her appearances would go down in number dramatically, with her final one being a wordless appearance in the Fourth of July 1976 strip.

A rather ignoble end.

Infamously, she would “show up” at one of the many Coming Reunions having been killed offscreen via her name and photo on a board showing Westview High School students who had died, many decades after she’d stopped showing up.

Why She Failed: Likely a case of Batty just not knowing what to do with her. He probably figured there wasn’t a lot of mileage in her young feminist thing and her shooting down Les became redundant once Mary Sue Sweetwater was introduced to fill the same role. Also she was The Girl and we all know how ineffectual Batty is at writing women.

ROLAND MATHEWS: Another character who appeared in the very first strip. He was the radical leftist who didn’t bow to The Man, man, and played by his own rules.

But he was also something of a hypocrite given his denigration of the women’s lib movement (via his antagonism of Wicked Wanda) and fighting capitalism with capitalism.

By 1975, however, he would be gone.

Why He Failed: The likely reason is that Batty probably figured there wasn’t enough to be mined from his shtick. Roland and Livinia both had the problem of being tied to specific cultural moments that were long becoming passé by the time they were being phased out in the mid-’70s. Of course it would be shortsightedness on TB’s part because the hypocritical radical never goes out of style and there were plenty of ways to take Roland’s character after Act I as well. So naturally Batty decided to do the most logical thing and after nearly half a century bring Roland back in the waning months of the strip…

…as a transgender woman named Rolanda and using the first strip posted as justification. It’s easy to say that Batty was simply pulling a contemporary issue out of his ass in a shallow and thoughtless attempt at chasing glory. It wouldn’t be the first time he’d do it with LGBT issues after all. But I’ll give him the benefit of the doubt as in 2025 comics writer Tony Isabella would come out as a transgender woman named Jenny Blake Isabella. Given how close they are, I don’t think it would be surprising if Batty knew about it long before Isabella came out publicly so I’m willing to take it more as a shout out to a good friend… with a little self-aggrandizing back patting on the side.

DEREK AND JUNEBUG: A pair of characters from early in the strip’s run. Derek, being African-American, seemed to exist as an excuse to make race-based jokes. Though they were never at his expense but rather directed at the unintended ignorance of characters like Les and Funky.

While Junebug was… well…

Yeah.

Neither would be written out or completely disappear per se. Junebug would appear well into the late portions of Act I as one of the cheerleaders in the recurring Cheers For Losing Football Teams gag weeks. Although like a lot of similar gag weeks she, specifically, does not need to be there for the joke to work. Derek’s importance would just steadily plummet and not even an attempt to give him a hip new hi-top haircut late in Act I could bring him back to relevance.

This is like a Who’s Who lineup of characters for this entry.

After Act I, both Derek and Junebug would continue to make what amounted to glorified cameos during the various Reunions That Came and Went and poor Derek would later get retconned out of a remembrance of the story where he, Funky, Les and Crazy Harry painting Big Walnut Tech’s school rock.

Where’d he go?

Why They Failed: As said, Derek mostly seemed to be a vehicle for race jokes and perhaps Batty quickly grew to feel uncomfortable with that. But he also seemed to serve the role of straight man having to grudgingly deal with the morons he was surrounded by and that’s still funny on its own. But I suppose Batty didn’t think so. Junebug was pretty much little more than a loud and sassy black woman and I could see Batty probably realizing that what amounted to an eyerolling stereotype wasn’t going to fly.

Of course, the work could have been done to make them into more rounded characters but effectively dropping them is much easier and never let it be said that Batty didn’t take the laziest way out of a given situation.

MARY SUE SWEETWATER: Batty’s Original Cindy, the first Batiuk Blonde goddess and unending desire of Les’ affections and unfortunate victim of his many romantic overtures.

She lasted at some point up into the 1980s but her relevance had massively declined long before then as Batty had other gags for Les and decided to have him pointlessly swoon over a variety of new girls instead, including a story arc with an unseen girl that our own BJ6K utterly despises.

In the later portions of Act III, though, Batty was feeling nostalgic and decided to drag Mary Sue out of mothballs but not before deciding that she needed a little divine punishment for denying God’s Favored Son what was rightfully his.

Ha ha, it’s funny ’cause she’s fat and frumpy now while Les has pretty women throw themselves at him for some reason.

But Batty was not quite done with humiliating Westview High’s formerly most popular girl and in 2022 poor Mary Sue would be unceremoniously Livinia’d, probably of diabeetus or something. But she deserved it for her cruel treatment of famous writer and Oscar-winning actress Leslie Moore.

Why She Failed: She never had much in the way of personality to begin with and as stated it seems that TB very quickly grew bored of her. Once Cindy showed up her fate was sealed.

JEROME: A marching band member who was introduced as a rival to/annoyance for Holly.

He marched out about as quickly as he marched in.

Why He Failed: Incredibly easy to see why. His entire joke was pretty much his posture as part of him taking the band too seriously. It’s not remotely funny and I can imagine that this is one of the few instances where Batty stopped and rightly thought “What the hell was I thinking?” and immediately deep sixed him.

BODEAN: A delinquent introduced during the late Act I story arc where Barry Balderman is forced to go to summer school.

He and Barry connect during the summer, bonding over their shitty parents and Barry helping him discover that he’s dyslexic, which Barry is knowledgable about because he too is dyslexic. Unfortunately literally none of this is ever followed up on and outside of a few small appearances Bodean fades away before Act I even ends.

Why He Failed: I guess Batty really wanted to do a Breakfast Club riff focused on Brian and Bender and once he got it out of his system he didn’t really have much use for Bodean. Hilariously, he’s mentioned prominently in the description for The Complete Funky Winkerbean, Volume 6 (on sale now, BUYITBUYITBUYIT) as a new cast member alongside Cindy Summers so Batty seems rather proud of a character he almost immediately discarded.

CARRIE: Cindy Summers’ best friend and right-hand girl during Act I. Carrie pretty much served the expected role of both enabling her friend but also being one of the only people willing or able to give her a needed ego check once in a while.

She even gets a story dedicated to her late in Act I when she gets caught shoplifting at the mall.

But while she appears right up until the very end of Act I she doesn’t survive the transition to Act II, only getting small appearances during Cindy’s wedding to Funky and Cindy serving as maid of honor at her own wedding.

Why She Failed: Pretty easy to see in this case. Act II and beyond Cindy is such a completely different character from her Act I self that there really wasn’t much of a place for the Alpha Bitch’s Sidekick when Cindy’s attitude had 180’d like that. Maybe she still could have had use as someone for Cindy to bounce off so she has her own circle outside of the Montoni’s Dungeon but really, Carrie mostly filled a role that wasn’t needed anymore.

DUANE: Duane was a slow kid who Les hung out with in the gym a couple of times.

After only a handful of appearances he disappeared.

Why He Failed: Another one that seems pretty easy to see. I’m guessing Batty quickly got cold feet at making jokes about an intellectually disabled person. At least one that wasn’t an evil sporto.

GINNY WOLFE: If the saying “the candle that burns twice as bright lasts half as long” could apply to any single character in Funky Winkerbean, then it would easily be Ginny. She first shows up in 1985 as a mere substitute teacher.

But almost immediately she’d be either promoted or retconned into being a full-time teacher and regular member of the cast, teaching a sort of vague health/family class. Her most notable trait was that she seemed to be just about the only teacher who actually tried to do her job seriously which seemed to cast her in the role of Westview’s Frank Grimes.

She got a rather nice moment near the end of Act I, dancing with Les at the prom in an attempt to lift his spirits after his date stood him up. This friendly relationship between the two would continue into the first year of Act II where Ginny was portrayed as Les’ main work buddy.

She then completely disappears at the start of the 1993 school year, her spot having been taken by new teacher Linda Lopez who is basically just Ginny right down to teaching the same class. Only hispanic and much more jaded. No mention is ever made of why Ginny was gone, not even an off-handed line about taking a job at another school or anything like that.

Why She Failed: I… I don’t know. I really don’t. She’d been a regular and prominent character since the mid-’80s and then poof! There one minute, gone the next with no explanation. The only thing that makes even a shred of sense to me is that perhaps TB wanted to add a bit of diversity to the cast and so decided to replace Ginny with an effectively similar character. But really, out of all the characters in this entry Ginny’s “failure” is the most baffling because she wasn’t really a failure at all.

TRACY: In 1989 it was yet another prom story and Batty decided to actually do something with the strip’s namesake, who’d long been supplanted from his role as central character by Les, and give him a girlfriend. Thus come prom, Funky is one of many boys vying for the previously unseen and newly single Tracy and lucky him, she chooses to go with him.

This isn’t the only shot at “Don’t Worry, Be Happy” that TB would take around this time. I’m guessing he really hated that song.

Funky and Tracy would be an item all the way up until the time jump at which point she’d disappear until randomly coming back for a week in 2005.

“You look better”? Really?

At least I think this is Tracy. I’m pretty sure this is Tracy. Vicky was the name of a girlfriend that Funky had in the first year or two of the strip but seeing as this “Vicky” was Funky’s prom date I assume this is Batty screwing up names or something. Anyway, this led to Funky briefly falling off the wagon which caused some short-lived strain in his relationship with Holly in the lead up to their wedding. Tracy would disappear for good after this but managed to get a small cameo in an Act III strip where Funky is reminiscing about a merry-go-round.

Why She Failed: Even during Act I Batty didn’t seem to have much of an idea as to what to do with her. Her personality largely began and ended at Funky’s Girlfriend. But hey, their relationship lasted longer than the Divine One from Act I.

CLIFF: In the mid-’90s, Fred Fairgood decided that WHS needed a security guard and hired only the best of the best.

Cliff was another character who’d disappear fairly quickly but he makes what is probably the most confusing appearance in the entire strip. During Crazy Harry’s time travel trip back to 1980, he stops by WHS and gets accosted by none other than Cliff as he tries to warn Lisa about The Cancer.

“No wait, wasn’t Cliff not introduced until the ’90s?” you’re likely wondering. “Didn’t you just say he was hired by Fred who wasn’t principal at the time this strip is supposed to take place?” Yes, you’d be correct. Given that only a few months later, the Funky gang would be shown as having graduated in 1972, it’s clear that by this point Batty had long stopped caring about keeping the timeline coherent. So Cliff was somehow a security guard 16 years before he got hired which was 8 years after the gang had graduated high school and nobody thinks anything of it.

Why He Failed: Batty seemed to have a thing for the “old person doing stuff that old people don’t do” gag and Cliff was just one example of that. But his gag wore thin very, very quickly so it’s easy to see why he’d stop showing up. He was an Act I style character in a post-Act I world.

CARLO: It’s 2000, Funky is now co-owner of Montoni’s and decides he needs some extra help so it’s time to hire a dedicated cook. He eventually settles on Carlo whose whole shtick is that he’s a preening prima donna chef, not a mere cook.

As quickly as he showed up he… well, doesn’t not show up but stops having much of any focus. He does inexplicably manage to last all the way into Act III, still an employee of Montoni’s in 2010.

The gang’s all here. There’s Khan aka Kahn, Les, Holly, Funky, Carlo, Rachel and wait; hold up. Who’s that on the far end? It’s… a waitress who randomly shows up for a single strip in 2009 as if she’s been waitressing at Montoni’s the entire time.

Anyway, in spite of Funky’s assurances, that 2010 strip above turns out to be the last appearance of Carlo (and Dark-Haired Freckle-Faced Waitress) as near as I can tell.

Why He Failed: He had one joke and it sucked, simple as. DHFFW standing around and looking sad was more intriguing than him.

JAROD POSEY: Balding moody loner who, as punishment for smoking in the bathroom, gets forced to watch the football team practice.

Shock of all shocks, he actually has a great arm and is quickly press-ganged into being the new quarterback for the Scapegoats. Despite doubts, he leads the team to a win.

You’d figure that this would be an ongoing story. The talented outcast finding success on the football field and gaining the acceptance of his peers, you know? Of course not. Outside of a one-off cameo where he puts the moves on Gloomy Crankshaft Twin he never again shows up.

Why He Failed: Batty is lazy.

While this is not an exhaustive list of characters we’re running kind of long so this is as good a place as any to wrap it up. To run it back to the start of this piece, Sadie is far from the only failed character in Funky Winkerbean and characters can fail for many reasons. Some, like Jerome and Carlo, are shallow and ill-conceived and worthy of all the negatives that Batty (or the reader) can throw on them. But many come down to TB being too lazy to have simply taken a few minutes to think about what could be done with them once he’d seemingly mined all he was going to mine. Some times he just made really nonsensical decisions like memoryholing Ginny or doing nothing with the easy story of outcast jock Jarod’s rise to being the big man on campus.

I guess in conclusion, all I can really say is that Batty should have given more appearances to DHFFW.

Where did she come from? Why is she so sad? Is it because she knows she’s a great design wasted on a piece of wallpaper? Is it because she’s trapped in Westview? I suppose like many of these other failed characters, we can only speculate on what could have been.

Car Season

Newly minted SoSF contributor Narshe here with my first post and I figured what better way to start off my career in Funkology than by diving right in… archive deep diving right in, if you will. Today, we’ll be taking a look at Tom Batiuk’s biggest mistake.

No, not that.
Not that either.
There we go!

That’s right, the subject of our deep dive will be the character that TB has hated and despised like no other. The character whom he considers to be the biggest albatross hanging around his neck: none other than Sadie Summers! But why, oh why, did he end up disliking Sadie so much? Let’s let the man himself explain it.

Cindy, the most popular girl in the school, was coming on like gangbusters at this point, and I felt that I had barely scratched the surface of her potential as a character. I didn’t want to lose all of that, so I did something stupid. I cloned her and created her little sister/doppelgänger Sadie. Flash Fairfield, the editor who way back when had tried to school me on character development, would have been spinning in his grave at that move, and, if he weren’t in his grave, that would have probably finished him. Mea culpa, Flash. It was a totally misguided reason for creating a character. It was dumb, stupid, boneheaded, half-baked, ill-advised, risible, and done for all the wrong reasons. In an effort to not lose big-haired Cindy, I created her big-haired little sister and in doing so brought about character confusion, redundancy, overpopulation, and just about everything else that Flash had warned me not to do. And I paid the price. Sadie would limp along for a while after the time-jump, but she was and would always be a pale imitation of her big sis until she was eventually banished to the Dumb Character Phantom Zone, where she could pal around with the Moon Maid from Dick Tracy and Snoopy’s brothers Andy, Marbles, Olaf, and Spike. 

Yes, in his own words she’s nothing but “a pale imitation of her big sis” but how fair of an assessment is that in reality? My belief, however, is that Sadie does indeed represent failure on the part of Batty but not for the reasons that he thinks but am I more correct than Batty is about his own character? By taking a look at Sadie’s history and with the distance afforded by both time and not being Tom Batiuk, that’s what we’ll try and determine.

Sadie first shows up on September 25, 1991 during a week where Ginny Wolfe has decided that the students in her class should bring in their siblings as part of a discussion on family units. This is basically done as preparation for Sadie showing up in Act II so we don’t skip ahead four years to suddenly see Cindy’s previously unknown and never mentioned sister. I mean look, she was introduced about nine months before the switch over was done so see, she’s definitely a pre-existing character! By the by, Les is in this class as well and there’s a strip way back in the ’70s where he mentions having a sister. You’d think that Batty would have used this as an opportunity to introduce her as well but I guess that obscure callbacks was something he wasn’t interested in until Act III.

Anyway, the Summers girls have the type of normal and healthy relationship all siblings have. Some times they fight…

We’ve all tried murdering our brothers and sisters right?

And some times they mess with one another.

This is largely going to be Sadie’s role throughout her handful of Act I appearances. Less than being a clone of Cindy, she exists pretty much entirely to troll her sister and drive her into near homicidal rages. After her introductory week, it won’t be until December 1 when Sadie next appears.

Good old State U., the Typical Ohio College that TB used before he decided that 99% of the characters would instead attend his alma mater.

A few weeks later she gets a Christmas themed strip on December 26.

Batty will later reuse this strip/joke with Cindy having replaced Sadie.

And… that’s about it for her in 1991. The next time she shows up is on February 10, 1992 for a week of strips where Cindy is forced to bring Sadie along with her to the mall.

In true bratty little sister fashion, Sadie decides to take the opportunity to embarass Cindy in front of a guy she likes.

Cindy, of course, responds to all of this in a manner most calm and rational.

Remember that this woman is going to go on to be a respected (?) journalist.

Sunday gives us the reveal of how Sadie was able to engage in such targeted annoyance.

“The actual writing though? Four thumbs down! It’s as bad as that Three O’Clock High comic in the newspaper!”

The next time she shows up is in March being the instigator in Cindy losing her credit card privileges.

Learning tech simply to screw with your sibling is some high level trollery.

This will also be Sadie’s final Act I appearance as soon after is the prom, Barry’s freak out, Les’s downer graduation speech and the shift over to Act II.

At this point, outside of her actual visual design there’s not really anything about Sadie that I’d say qualifies her for the clone designation that Batty had given her and really, there’s not much of anything wrong with her. Her role is to act as an annoyance for Cindy by flustering and embarassing her and you know what? It works. Sadie’s appearances in Act I are amusing. The mall week is genuinely, with no qualifications, pretty funny. Yes there’s Cindy’s physical abuse but we’re still in the cartoonish period of sentient Star Trek obsessed school computers and Dinkle’s band candy sales propping up the economy. It’s in line with everyone’s favorite running gag of Homer Simpson strangling Bart. Cindy and Sadie’s relationship is typical sibling rivalry stuff but taken to absurd extremes which is what you’d expect from a gag comic so it all works fairly well.

But how will this carry over to when Sadie’s on her own, having to be more of her own character instead of being the person who winds up her older sister? That’ll have to wait until next time when we jump back ahead to the past future present of 1992 and take a look at the first few years of Act II.

How Many Times Did Funky Winkerbean Jump The Shark?

I didn’t mean for that last post to be a poll, but it’s revealing how many individual Jump The Shark moments posters were able to identify in Funky Winkerbean. Here’s a compiled list, in roughly chronological order (because, as you know, Timemop).

Act I (1972-1992, ends with the original class’ graduation)

Act II (1992-2007, ends with Lisa’s death)

  • Lisa’s first detection of cancer (1998)
  • Wally dies in the minesweeping simulator
  • Becky loses her arm
  • The first class reunion
  • Susan Smith’s suicide attempt
  • Wally’s first homecoming (2003)
  • John Byrne’s guest stint permanently alters the artwork (2003)
  • Sadie Summers – not because she was a bad character as Tom Batiuk thinks, but because she was under- and mis-utilized
  • The post office bombing (USA!)
  • Lisa’s cancer returns in 2006, because of a hospital error
  • Lisa’s death (October 4, 2007)

Act III (2007-2022, ends when Funky Winkerbean ends and its characters move to Crankshaft)

  • Tom Batiuk skips ten years after Lisa’s death, throwing away a gold mine of story ideas. Which also prevents Les Moore (and Batiuk) from ever moving past Lisa’s death, when that was the stated reason for the time jump
  • Les screaming at Summer over a dress for the winter dance he was pushing her to attend
  • Les saying “yes you did” and getting pissy with Funky over a mild joke about Les attracting two women at once
  • Wally’s second homecoming, which destroyed the likeable Wally-Becky relationship, and needlessly added to Wally’s suffering
  • Lisa’s Story becomes a thing
  • Starbuck Jones become a thing
  • The emergence of Cayla as a character
  • Funky’s car crash and time-altering coma (2010)
  • casting Susan Smith as the antagonist in the Les-Cayla-Susan love triangle
  • the gay prom story where the gay teens never seen or talked about again
  • Morton Winkerbean’s remarkable but never-addressed recovery from dementia
  • Wally hooking up with Rachel and turning his life around
  • Cayla’s appearance changes
  • Lisa calls in a bomb threat from beyond the grave
  • Darin and Pete become major characters
  • The rise of Atomik Komix as a central location
  • “Where’s father?” – the resolution of the Zanzibar The Talking Murder Chimp story
  • The death of Bull Bushka, which was ultimately insurance fraud
  • Les walking back his earlier forgiveness of Bull
  • Darin makes a toy for his son, out of a handgun that was used to murder his grandfather
  • The entire finale, featuring a long -forgotten janitor who is revealed to be a time-traveling agent, tasked with ensuring Summer’s book gets written
  • “behavior-patterned algorithms that will let us define humanity as our nation” or whatever that drivel was

Act IV (Crankshaft, 2023-)

  • The Funky Winkerbean characters invade Crankshaft
  • The alleged Burnings
  • The Batton Thomas interview arc

And must be a lot more candidates than that… because that list doesn’t mention Dinkle even once.

I Stand Corrected

In my last post, I said comic book week could have been a charming little throw back to Act I, and that Tom Batiuk should do this kind of thing more often.

I take it back.

Last week’s “bus driver shortage” arc in Crankshaft was a perfect example of why Tom Batiuk shouldn’t try doing Act I-style stories anymore. They miss everything that made Act I arcs good.

The best way to see this is to look at the Act I stories Harriet has recently dived into, such as the literary magazine arc, the video games/censorship arc, and The Eliminator’s hacking arc

What did those stories have that last week didn’t have?

  • There were actual stakes. Les was facing criticism, and possible termination of employment, for what his magazine published. Westview faced threats remove to popular video games. The Eliminator was tampering with Crazy’s grade, War Games-style.

A bus driver shortage should have serious effects on a high-school centric world, even if it’s just “hey, none of us have to worry about getting fired for awhile.” That should push Ed and the crew into even more extreme behavior, which is a staple of the strip. Here, of course, there are no stakes, no implications, and nothing that even escalates existing stories. Speaking of which:

  • There was an actual story. In all three examples, any gags were part of a larger story which the strip took time to unravel. For example:

The two strips are jokes, but they’re good ones, and they flow naturally from the story. The strip had spent a good week talking how the literary magazine had offended the community, which drove the easily-upset Les to having nightmares, and the feckless Fred Fairgood into making an actual decision. Then the story moves forward.

Bloom County was good at this:

This is silly as hell, but it was actually a small part of a long, complex story about Oliver Wendell Jones’ hacking misadventures. Which itself was also a longrunning theme in Bloom County. The story supported the joke, and the joke supported the story. Berke Breathed had a talent for writing insane stories, but also making them make sense in context. Which is exactly what’s not happening here:

The bus driver shortage isn’t a story, but just a premise to be restated at you over and over and over. It’s another form of “What are you doing, Dad?” Which as it turns out, Pam doesn’t actually say that much. It’s the Funkyverse’s answer to “beam me up, Scotty” or “play it again, Sam”. But you know what I mean: it’s the stand-in phrase for an overused trope. Even if Pam doesn’t say those exact words, she might as well be.

  • Those stories weren’t contrary to the reality of the world. The literary magazine arc in particular was very consistent with Les’ established personality, Roberta Blackburn’s personality, and the general spinelessness of school leadership in the face of obnoxious citizen critics.

Here, we were treated to a joke about how the school board was so desperate it was forced to hire a Hell’s Angel as an elementary school bus driver. A Hell’s Angel would probably be a way better bus driver than Ed Crankshaft is! They do Toys for Tots, so they must have some degree of altruism, and ability to interact with children. Ed Crankshaft and the other drivers certainly don’t, considering how they routinely blow off children at bus stops, and cause traffic jams to amuse themselves.

  • The jokes were aimed at the right targets. Les’s worry, Fred’s spinelessness, Roberta’s Karen-ness, and the public’s excessive squeamishness about the tiniest hint of sexual content were all on the receiving end of the barbs.

Here the victim is – to the extent there even is one – this Hell’s Angel who did nothing more than show up and apply for a job. Ed gets no guff for being an awful bus driver. Lena gets no guff for making bad hiring decisions. The school system gets no guff for managing its resources so poorly that it gets into this state. The “Tucker Twins”, who’ve never been mentioned before and probably never will be again, get no guff for bullying a grown man out of a job. (Can they please be assigned to Crankshaft’s bus?)

This is more evidence that the “good” characters can never, ever, ever be in the wrong, not even in the tiniest way. Even unseen “main “good” characters.

There isn’t much to say about this week’s “If Amazon drove your kids to school” arc, even though it progresses naturally from a “bus driver shortage” arc. Yeah, the jokes are lame, but a week of formulaic jokes isn’t worth talking about. It’s well above the level of awful that makes the Funkyverse fascinating.

What is worth talking about? The Burnings! And I haven’t forgotten that I owe you all the next installment of the reimagined Burnings story, so that is coming soon!

Leaving Westview

My colleague Epicus Doomus and others have said: you had to like Funky Winkerbean before you could hate it. This was certainly true of me. I was once a genuine fan of the strip. Now I write venomous screeds about it for this blog. (And don’t worry, that book signing screed is on its way.)

I acquired my love of newspaper comics in the early 1980s, from my dad. I consumed them in a particular order, based on the order they appeared in my newspaper, and in descending order of how much I liked them. It was my little comics ritual.

Peanuts was always first, because good ol’ Charlie Brown holds a very dear place in my heart. Garfield, which was still pretty fresh at the time, was second. The true giants of the 1980s comics page hadn’t come along yet, so unremarkable stuff like Drabble, Shoe (hey, I wanted to be a journalist) and the Mort Walker strips were in the middle. Funky Winkerbean was last. It batted ninth in my lineup, but it made the team. I considered it the last strip worth reading, though I did enjoy it sometimes.

But I can pinpoint the exact day Funky Winkerbean lost me as a reader, and only regained me as a hate-reader 30 years later. That day was November 19, 1988.

Continue reading “Leaving Westview”