After a six day stretch of Montoni’s pizza ‘n’ coffee with a side of band candy, Batiuk serves up a palate cleanser in the form of a sideway Sunday Atomik Komix kover. These Sunday treats typically consist of artwork by Batiuk’s comics buddies (this one’s the third or so from “America’s [and northeast Ohio’s] Thom Zahler” and colorist Rob Ro). Batiuk’s contibution, if there’s any, is what our Epicus Doomus dubbed a “reality bubble”: a little vignette of one or more FW characters doing or saying something that provides context for perplexed Sunday-only print readers of Funky Winkerbean.
“Reality bubbles” in most cases are inserted at the bottom of the vertical frame, almost as an afterthought. Today’s bubble in at the upper right hand corner, and is so large it renders the comic’s title as “KY KERBEAN” (what a silly name for a comic strip). All this real estate so that Batiuk can throw shade at Trump, with a jab vague enough that he could write it a year in advance and folks would still smirk knowingly like Ruby is smirking here. As for the Wayback Wendy cover itself? It pretty much gives away the resolution of the story, doesn’t it? Looks like successfully delivers the speech (written on an envelope, natch) to Honest Abe in time not to disrupt history.
Link to today’s strip
If this is how Batiuk imagines the comic book creative process, then it’s no wonder he couldn’t get a job writing them. Pete is constantly spewing new characters based on whatever wanders through his field of vision. Even going back to his time being harried by Lord of the Late, some word association would lead him down a nightmare pun hole to a new asinine character.
I don’t need to tell any of you that compelling and exciting stories are built on conflict and plot. Maybe, in the old days, you had Plastic Man and Matter Eater Lad wackiness every month. But that was when comics were mass produced to be consumed and disposed of by children. Kids have YouTube unboxing videos to watch now. Comic books are for a niche market of teen and adult readers who will mock relentlessly stupid gimmick characters made from dumb word associations.
Speaking of stupid gimmick characters made from dumb word associations, have you guys seen Marvel’s ‘The New Warriors’? I guess morons like Pete CAN get jobs in comics.
Link to today’s strip
Except he wasn’t named for a sandwich, Pete. According to the ever reliable Wikipedia, Hoagland Howard “Hoagy” Carmichael was named after a circus troupe called the “Hoaglands” that had stayed at the Carmichael house during his mother’s pregnancy.
And we keep slipping further back in musical history, because ‘Stardust’ was recorded in 1927. I expect tomorrow we’ll be referencing ‘Maple Leaf Rag’, and by June Ruby will have pulled out a phonautograph to listen to the 1860 recording of ‘Claire De La Lune’.
At least Stardust has become something of a timeless classic, with famous covers by Sinatra, Louie Armstron, Bing Crosby, Nat King Cole, Willie Nelson, and Fred Flinstone.
So don’t besmirch the Hoag for his weird name dear Pete. Then man wrote hundreds of songs, over decades, including ‘Georgia On My Mind,’ ‘Stardust’ and ‘Heart and Soul.’ HEART AND SOUL, Pete! The only song other than ‘Chopsticks’ passed around from one unlessoned kid to another via church basement pianos and children’s keyboards for decades immemorial. The song 70% of the population would try to plunk out if tied to a piano and told to play something under pain of death.
You will never, in your entire life, do anything that could even come close. Stardust was chosen by Library of Congress for the National Recording Registery. All you’ve done is come up with a handful of pathetic comic characters with even stupider names than Hoagland flailing their way through inane plots, barely earning you a footnote in history, Tom.
Um, I mean, Pete.
Link to today’s strip
Wow. Ruby is listening to some GOLDEN oldies. When I first saw the label, I wondered if it was a Batiuk pastiche of some kind of folksy Byrds rip off. But sure enough, panel 3 is a loving detailed recreation of an actual record label.
Kids, that there is no LP. That is a 78 RPM record. If Ruby had this on her turntable she’d be clocking lots of steps on her fitbit, because each side of has a single song, less than three minutes long. According to 45worlds the 10″ record was pressed in 1941. As in, the record is older than than the 73-year-old man who put it in this strip.
Which begs the question, how old is Ruby supposed to be? Her flashbacks looked to me like they could have been from any time from the 40’s to the early 60’s. Is this her parents’ record? I have my mom’s old Michael Jackson’s Off The Wall album in a box somewhere. Maybe she just kept her parents stuff. Or decided she really liked music from the same year as Pearl Harbor. Or she is literally in her nineties, and Tom continues salving his fear of aging with an ever expanding cast of limber and active nonagenarians.
If any of you want to hear the charming song ‘Ev’ry Little Thing’, sung by Don Lawrence with The Ramblers on instrumentals, I found it on the internet archive. It’s a cute lounge band type number that really took me back to watching Lawrence Welk with my grandma on Saturday night.
The song on the other side…um… Always Too Tired. Which is a joke song full of double entendre. Really. REALLY. If you’re only going to listen to one dirty song from the 40’s, you owe it to yourself to click that link and listen to the whole glorious thing. And then imagine it playing loudly in the office.
From one temporal non-sequitur to another. Because if Ruby is inexplicably stuck in the 40’s, then Pete is definitely stuck in the Aughts. An I-Pod? In 2020? MP3 players have been around for nearly 20 years. They peaked 12 years ago and have been on the way down ever since. Why don’t you just suggest she get 8-tracks of her favorite records?
Link to today’s strip
Pete has totally declared himself forever stuck in the nineties, the only decade when a child might not recognize a box of LPs on sight. “What are these?” There’s a record player on the friggen desk you dunce! With music coming out! Ruby has worked in the same office with you for how long? Pete comes across as a amnesiac toddler pointing to things he has to have seen a million times before and asking, “Wat dat?”
And all to cover the limitations of sloppy artwork. A more natural beginning to the conversation would be. “Hey Ruby, why did you bring your old record player in?”
The strip is nonsensical all across the board. Every panel has something either inane or baffling.
Everyone likes to listen to music while working. Find me a person who enjoys working in complete silence and I’ll have another name to add to my list of suspected pod-people.
And the record player is ON HER DESK, she might not even need to stand to flip that LP over. Does standing register steps on a fitbit? I’m guessing that Batiuk wanted to give an interesting juxtaposition of old and new technology to show that Ruby is hip with the times. But for THIS joke to work the record player would need to be on a separate table a few feet away. Which would have been doable, but Batiuk and Ayers didn’t even bother.
Strap in folks. It’s going to be a bumpy week.
February 21, 2020 at 2:13 pm
…I FINALLY FIGURED IT OUT!! Chester the Molester is supposed to be Bruce Wayne, but instead of fighting crime through an alter ego, his mission is to right all of the wrongs of the comics industry while saving the entire genre for posterity singlehanded…
Well that would make at least as much sense as whatever has gone on around here this week! Bought off his conscience? Chester’s really not guilty of anything, aside from being a rich nerd. Unless the guilt he feels is over having built his entire fortune on all those comics he stole from the drugstore as a kid. In which case it’s going to take more than selling off one rare comic–which he owns in triplicate–to truly fix his karma.
I right away had to look up “pantload;” not as a prerequisite for moving it to the Batiuktionary, but because I understood it to be a pejorative. It’s what you might call someone who’s clueless and unpleasant: “Chester’s a real pantload.” Indeed, over at urbandictionary you can find some pretty colorful definitions. More um, sophisticated reference sources, however, support Ruby’s usage: a nicer way to say a “metric shit ton” of a given thing.
Sensing that Ruby isn’t going to be an easy lay after all, Chester resorts to a combination of flattery and bribery. Ruby’s mistrust of the Chiseler is on display again. For him to attempt to ravish her or shake her down for money would be more plausible than him (awkwardly) handing over the Miss American cover art for which he’d paid big bucks.
Maybe Chester recently learned he’s only got a few weeks to live? Why else would the one they called “the Chiseler suddenly acting so generous? If we’re talking about this particular cover, by “rights” it belongs to neither of them: Ruby admitted to having smuggled it out of her old place of work. I guess posession is nine tenths of the law.
“First time in a limo, Ruby?” “In a limo this small.” How squicky is today’s strip? Only when Chester’s tiny Town Car pulls up to the gates of his mansion does Ruby realize that they’ve taken a detour. Rather than just explain his “reason for stopping here first” (preferably before they get there), Chester turns even more creepy than usual, sitting thisclose to Ruby in what is supposed to be a big car. The sight of his O.J.-like black gloves do nothing to put her at ease.
February 17, 2020 at 12:59 am
I really wonder if Batiuk overheard something about Me Too in the news about a year ago and thought “Inappropriate workplace advances? I bet I can get a week’s worth of strips out of that!” and thus this strip was born.
There are tons of ways that TB could have wrought a chuckle out of this setup without invoking #MeToo. But he goes there, naturally, and in the most hamfisted way imaginable: as if the #MeToo movement had a switchboard with operators standing by to take your call.