Tag Archives: tiny hands

Trombone Morty

Yesterday, Dinkle’s concern was whether people will “actually show up;” not whether or not an approaching winter storm would force him to postpone or cancel “The Jazz Messiah.” Those wouldn’t be options for the guy who regularly subjected his high school band students to extreme weather conditions. Dinkle is no less demanding when it comes to his orchestra of elderly folks, not only making them risk their lives driving (at night!) in the snow, but urging them load up the van and leave early. Well, it’s a good thing they were already loading up the van and leaving early! Meanwhile, Mort Winkerbean–we can tell it’s him and not Funky by the extra facial lines–reminds us where his son gets his penchant for “jokes” that nobody else finds amusing.

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Meta-mucil

TB goes full on meta in today’s strip… could this be a preview of what we’ll see over the next few weeks? Is everything else from here on going to be bizarrely (and blandly) self-referential? Are we in for even more unnecessary acknowledgements that these characters all of a sudden know they are in a comic strip? I suppose we will have to wait and see, though the wait won’t be too long now.

Meta references can certainly work, but are not inherently interesting or funny, nor are they funny in the context of this strip and story arc, or in the context of TB’s real life partial retirement for that matter. What is funny, however, is that Ruby joined Atomik Komix over 3 years ago to much fanfare, specifically to draw Wayback Wendy I might add, and she’s peacing out after drawing the cover of issue #4! And we all thought Phil Holt was a slow worker

And that’s a wrap for my latest and possibly last time blogging here at Son Of Stuck Funky. No goodbyes here, but I do want to thank some folks. Thank you to TFH and Epicus for running this place for the past 12 and a half years and for trusting me as a guest writer here over the past 8 years. Thanks to my fellow guest writers for keeping this site reliably humming for years and much thanks to all of you SOSFers for coming back and reading day after day in spite of my silly wonderings and regular typos. I’ve written over 500 of these things, believe it or not! But for me these posts are mostly a glorified header, the best content generally comes from you all in the comments. I can only hope that you have enjoyed reading some of my words even 1/100th as much as I have enjoyed being a part of this community.

And so, I will close this post the same way I wrote my entire first week of posts…

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Excre-mint

Here is today’s strip. You all go ahead and tear into it. Not sure I could do much better than the post title anyways.

Sorry, two days to go on my stint and I’m already running on fumes. Even WordPress knows this, somehow. It’s kind of creepy, to be honest… I’ll press on these next two days, but I’m going to set a spell today and see you in the comments.

Speaking of running on empty (and burying the lede, for that matter), Tom Batiuk dropped some news late yesterday that may or may not be relevant to this story arc, the last several months of speculation in the comments, and the future of this website. Some of you all commented on it yesterday. I have plenty of thoughts on this, as I am sure many of you all do. As with today’s strip, I’ll see you in the comments to discuss.

I’m guessing this will get more ink than the strip…

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Scorched Earth

Well, at least today’s strip made it easy to choose a post title. I don’t feel like I had any other choice.

As far as the strip goes, is this really more feminine and more hopeful than Atomik Komix’s previous climage damate covers? (Eh and Eh are my answers) More importantly, is this the kind of cover Chester can be deadly serious about? Yeah, probably. Chester, introduced as an unscrupulous and unpleasant wheeler-dealer, is pretty much the most laid back boss ever these days.

Pete should leave the snark to us. For one thing, baked potatoes are delicious and this strip suffers greatly in comparison to them. For another, all this damate climage comic business was Pete’s idea in the first place. And above all, Ruby’s given him some prime snark ammunition by drawing some planet that does not appear in almost any way to be earth and he just completely misses it. Leave the wisecracks to the professionals in our comment section next time, Pete.

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The Les He Knows, The Better

More word zeppelins in today’s strip… Not as bad as yesterday, but still, get your bookmarks out, folks!

You know, this is actually one of TB’s tidiest retcons, probably because it is one of the very few intentional ones he’s ever undertaken. It takes the original scene and changes its context (slightly) by depicting a previously unseen scene. Tidy. The pieces actually fit together. There are no loose ends, deleted original context, or unresolved conflict with the originals scene. See? That’s not so hard.

Heck, as a bonus it even (unnecessarily but adeptly) explains a silly detail from the original scene, why Les has a camcorder and this Hari Seldon story readily at hand as if he was waiting for Lisa to lament about all the things Summer she will never get to experience. Turns out, he pretty much was just waiting on the chance to whip that camera on out.

Tidy as it is, this retcon was no more entertaining or less irritating because of it. In fact, it makes the origin story of the Lisa tapes tremendously off-putting. The focus shifts away from the impending reality of Summer growing up without a mother seen in the original scene to the needs of Summer’s nogoodnik parents… First, Lisa wants to record the tapes so she can live vicariously through Summer’s adolescence in her imagination. Then, Crazy and Lisa hatch this cockamamie plan to let Les take credit for the idea to record the infamous tapes, which only soothes his ego and bolsters his hero complex. These people are awful and I hope I never wind up sitting next to any of them on an airplane.

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