We interrupt your Frankie Pierce Expose to bring you this special presentation.
Ladies and Gentlemen and Friend Fluid people of all ages, the Son of Stuck Funky team is proud to present:
THE 2022 FUNKY WINKERBEAN AWARDS!
The 2021 Funky Awards was our first ever awards presentation, and it was a great success enjoyed by all who attended. At the closing of the 2021 Funky Awards, we supposed that Tom Batiuk had no plans to retire, and hinted that we hoped to bring you many many Funky Awards to come.
A statement, I guess, Mr. Batiuk took as a threat.
But let us not mourn the ending of Funky Winkerbean, but instead celebrate all it managed to accomplish in it’s last year.
TB goes full on meta in today’s strip… could this be a preview of what we’ll see over the next few weeks? Is everything else from here on going to be bizarrely (and blandly) self-referential? Are we in for even more unnecessary acknowledgements that these characters all of a sudden know they are in a comic strip? I suppose we will have to wait and see, though the wait won’t be too long now.
Meta references can certainly work, but are not inherently interesting or funny, nor are they funny in the context of this strip and story arc, or in the context of TB’s real life partial retirement for that matter. What is funny, however, is that Ruby joined Atomik Komix over 3 years ago to much fanfare, specifically to draw Wayback Wendy I might add, and she’s peacing out after drawing the cover of issue #4! And we all thought Phil Holt was a slow worker…
And that’s a wrap for my latest and possibly last time blogging here at Son Of Stuck Funky. No goodbyes here, but I do want to thank some folks. Thank you to TFH and Epicus for running this place for the past 12 and a half years and for trusting me as a guest writer here over the past 8 years. Thanks to my fellow guest writers for keeping this site reliably humming for years and much thanks to all of you SOSFers for coming back and reading day after day in spite of my silly wonderings and regular typos. I’ve written over 500 of these things, believe it or not! But for me these posts are mostly a glorified header, the best content generally comes from you all in the comments. I can only hope that you have enjoyed reading some of my words even 1/100th as much as I have enjoyed being a part of this community.
Pete should leave the snark to us. For one thing, baked potatoes are delicious and this strip suffers greatly in comparison to them. For another, all this damate climage comic business was Pete’s idea in the first place. And above all, Ruby’s given him some prime snark ammunition by drawing some planet that does not appear in almost any way to be earth and he just completely misses it. Leave the wisecracks to the professionals in our comment section next time, Pete.
Today’s strip concludes (we hope and pray and hope and wish) this latest visit from the Ghost of Distress Past. Her Royal Wryness. The VHSaint herself.
Special thanks go out to Summer for being a prop with no impact on the story whatsoever, she has already collected her prize of appearing in a full 3 panel strip this week (panels will not necessarily be consecutive).
Special thanks also go out to Les for having such an insatiable ego and such milquetoast friends and family that he will continue to receive the unearned praise he has been given for decades now.
And extra special thanks go out to Crazy Harry, who demanded nothing but 18 panels of our precious time in return for his brilliant idea of pretending Isaac Asimov invented the concept of recording video using already obsolete technology.
On the subject of 18 panels (well, 16, thanks to a couple of 2 panel strips), this new Lisa tapes origin story actually takes up more column inches than the entire original origin story AND depiction of the recording of the tapes! That took just 16panels in fourstrips. For all its faults, Act II got to the point…
More word zeppelins in today’s strip… Not as bad as yesterday, but still, get your bookmarks out, folks!
You know, this is actually one of TB’s tidiest retcons, probably because it is one of the very few intentional ones he’s ever undertaken. It takes the original scene and changes its context (slightly) by depicting a previously unseen scene. Tidy. The pieces actually fit together. There are no loose ends, deleted original context, or unresolved conflict with the originals scene. See? That’s not so hard.
Heck, as a bonus it even (unnecessarily but adeptly) explains a silly detail from the original scene, why Les has a camcorder and this Hari Seldon story readily at hand as if he was waiting for Lisa to lament about all the things Summer she will never get to experience. Turns out, he pretty much was just waiting on the chance to whip that camera on out.
Tidy as it is, this retcon was no more entertaining or less irritating because of it. In fact, it makes the origin story of the Lisa tapes tremendously off-putting. The focus shifts away from the impending reality of Summer growing up without a mother seen in the original scene to the needs of Summer’s nogoodnik parents… First, Lisa wants to record the tapes so she can live vicariously through Summer’s adolescence in her imagination. Then, Crazy and Lisa hatch this cockamamie plan to let Les take credit for the idea to record the infamous tapes, which only soothes his ego and bolsters his hero complex. These people are awful and I hope I never wind up sitting next to any of them on an airplane.