Link To This One
Blurgh. You have got to be f*cking kidding me. Not these two tiresome codgers again, it’s just too damn soon. The way this Flash asshole emerged from nowhere to become one of the most-used characters in the strip is one of Act III’s most astonishing developments. Suddenly Flash is pretty much the brains behind the entire Atomix Komix operation, the ever-patient comic book sage who spins his pathetic colleagues’ pitiful ramblings into comic book gold. He just has this undying fascination with this kind of ridiculous comic book creator banter, like this is how people actually work.
The less said about that woeful Type Face gag, the better. I liked Phil better when he was a gruff, surly jerk, as opposed to the moronic buffoon he is now. I liked him best of all when he was still dead, of course, but that ship has sailed.
Oh, so we’re pretending the Atomic Komix crew actually works in today’s strip, are we? I suppose we are also pretending like it is normal for all of these people to fly to San Diego together for Comic-Con (not @home then, I guess)?
We’re pretending like Darin doesn’t have a wife and child to be concerned about? Wait… we’ve been doing that for years.
Well then we’re pretending that Flash has literally nothing better to do in his few remaining years (months? days?) than hang around a comic book company he never worked for? Oh… I guess we’ve been doing that for years too.
At least Chester appearing to care that his employees do their jobs is a new thing here.
May 26, 2021 at 11:11 pm
You know, just spitballin’ here, but this arc kind of makes Ruby the worst person…
This really has been just a whole week of crap, hasn’t it? Start with the recurrent premise: Ruby regales Mindy with her story of life as The Only Woman Who Ever Worked In Comics (h/t batgirl‘s comment from yesterthread).
In fairness to Ruby, “woke culture” are two words that are hard to say together without making air quotes. She’s demonstrated herself to be pretty game when it comes to watching stag films with the guys every week, but Ruby does have boundaries: cross them and you’ll be physically assaulted. She’ll then channel that rage into her portrayal of Miss American socking…Hitler?!? He’s been dead 76 years! Even if Ruby went into the comics industry straight out of high school, she’d have to be midway thru her nineties by now. Tune in next week when Ruby recollects her “King of the World” moment with Cliff Anger on the bow of that tramp steamer.
May 26, 2021 at 10:50 am
Does anyone else think it’s weird that TomBa thinks adult male bonding behavior includes WEEKLY GROUP viewing of porn?…I can imagine guys getting together for drinks at the end of work…but I find it hard to believe that this would happen outside of some member of the group’s office bachelor party.
May 26, 2021 at 12:00 pm
I don’t get it either…. Teenagers and maybe college students is understandable, but grown-ass men in their 30s and older watching erotica all huddled together in a dark office seems creepy as hell…
May 26, 2021 at 9:08 am
The joke’s on her. This week’s feature is “Bambi”.
We can breathe easier knowing that getting together with coworkers to watch porn in the office after work probably isn’t something that happened even in the pre- “Women’s Lib” real world. It was merely a premise to set up Ruby’s little joke on the guys. Ruby’s smug smirk bugs me, but I do like Pipe Smoking Guy. Kind of reminds me of a Thurber drawing.
“Film historians describe stag films as a primitive form of cinema because they were produced by anonymous and amateur male artists who generally failed in achieving narrative coherence and continuity.”
Wikipedia entry on Stag films
Tom Batiuk’s neither anonymous nor an amateur, but narrative coherence and continuity aren’t his strong suits either. Mandy’s persistent questioning of Ruby in itself is starting to border on harassment. Yesterday I was able to dismiss her editor’s “not bad for a girl” remark as harmless. Ruby’s male coworkers inviting her to watch porn after work, well yeah, that’s all kinds of wrong and just, well, ick. Note however that Ruby admits she “didn’t think of it as harassment then.” I’m pretty sure it was, despite what Ruby thinks, but she was able to turn the ridicule back on her would-be tormentors, just like she did that time with Boob, I mean, Bob. Ruby’s had to deal with income inequality, which sucks, but she’s clearly someone who can handle herself, giving as good as she gets. So what’s the point of this arc?