“Done something about” what, exactly? Smoldering futuristic cities? And how does Atmos hovering in the air help the situation in any way? Why didn’t he act BEFORE his planet was consumed by climate damage? Why doesn’t he ask Oceanaire to splash some water on it? What the hell do the other The Elementals do, anyway? They’ve been working on this for months and THIS is what they came up with?
Tag Archives: Comics Code Authority
For this one, Pascoe’s softened the character’s looks, compared to her first cover and especially compared to the Elementals Force cover, where she appears to be throwing up. As clumsily composed as that cover was, at least it depicted action. While her posture is one of repose, her fists are clenched, and the Oceanaire gazes intently at the viewer. For an artwork created by a nonagenarian cartoonist, on a drawing board under a floating fluorescent lamp, this sure looks…digitized. Everything surrounding The OC’s face is soft and blurry. Is she standing underwater? Or mostly submerged, lying on her back on a vast bed of garbage?
To answer Phil’s question: the cover doesn’t need more trash, just for the trash to be realistically drawn. These floating bottles and cans are rendered in such odd shapes and sizes, so generically as to be almost abstract. And I don’t even wanna know what those white blobs are floating around her collarbones.
Billytheskink takes over the reins with Monday’s strip. Thanks for reading! Stay Funky and stay tuned for news about a couple special events!
I mean, sure, why not? Why not, apropos of nothing, have a Atomik Komix cover on a random Sunday. No lead in. No follow up (spoiler warning.) Just a one-off cover.
I can’t help but wonder if this was supposed to be part of an Atomik Komix storyline that Batiuk cancelled or moved in order to squeeze in some of the pandemic arcs we’ve gotten this year. He first teased these covers more than two years ago, back in April 2019.
“Here’s a rather deep dive into the pipeline for a premature peek at a preliminary sketch for a Rip Tide comic book cover done by Bob Wiacek. Let me caution that this will eventually appear in Funky, but it’s going to be awhile.”April 17,2019
“I know I already showed these cover sketches once, but the actual cover/Sunday kept getting pushed back further and further on the schedule. It’s a beautiful Bob Wiacek cover, and I wanted to reconnect with what led up to it as the actual piece is about to see print on Sunday October 24th.”October 12, 2021
So, after putting off this commissioned cover for months, all we get from it is a fairly obtuse and hard to spot Transformers joke. Transformers, an IP that peaked around 2010, and has been gradually on the way down ever since. Bumblebee Tuna is a name brand, so if used, he might have been sued by a fishmonger. And the ‘Octopus Prime’ joke is going to go over people’s heads because the villain name is in a bland looking text box, and the aquatic robot is a uniform grey. Make him look like this, then there would be no mistake!
As one of the Transformer collecting masses of Hasbro devotees, I can inform you that we have yet to see a Transformer with an octopus alternative mode. But we’ve had our share of cephalopods. Many of were even released under multiple colors and names.
As it was foretold in the comments section, today we get a commissioned sideways comic cover. And whadda ya know? The Subterranean looks like if you ripped the spikes off of Doomsday. Or dipped The Hulk in concrete. Or shaved Solomon Grundy and had him running around nude.
Past comments by numerous commenters have been harsh on the Atomik Komix lineup.
There’s not a single AK title that would have sparked my interest back when I was reading comic books. Not a thing. Back then they would have bored me just as much as they do now.
“No new comics to read? Just these Atomix Komix things? Sheesh, I think I’ll go home and do schoolwork.”Beckoning Chasm
And I would agree. Though I thought the concept and first cover of Stardusters did show some promise with a cast of differentiated characters, a Star Wars-esque grungy space look, and an action heavy tableau. So props to Rick Burchett and Rob Ro on that tip of the Funky Felttip.
But for the rest, all we have is a dumb name, a dumb costume, and maybe a gimmick or a gimmicky backstory. They have to be terrible, right?
Well, yes; because they’re being written by Funky Winkerbean characters, who–in turn–were written by Tom Batiuk. A man who seems stuck in the era of “Why is Superman Forcing Jimmy Olsen to Marry a Gorilla! Twice!”
But if we’re just going off the names, the gimmicks, and facts, the covers…
As we exit this weirdly awful comics arc, and brace ourselves for the blandly awful Les arc that will follow, let me tell you a little story.
Two of my best friends were at a local comic shop picking up Batman, Nightwing, and Transformers comics, when one of my friends saw this.
And I mean LOOK at this! Some kind of smarmy, cocky, swaggering douchebro with a giant star on his chest and a MONEY SIGN in his name.
My friend said. “Who the f**k is Booster Gold?!” And became very offended, (mostly facetiously,) that a character like this: some kind of boring-looking, stupid character, would be worthy of his own DC omnibus collection.
So it was a running joke for us for months that Booster Gold was our friend’s arch nemesis. And to further the joke, I bought her a copy of the first issue of the 2007 relaunch of Booster Gold’s solo title for her birthday.
And we read it. And then the next. And then the series. And you know what? It was great.
Written by Geoff Johns, Jeff Katz, and drawn by Dan Jurgens, it told the story of a time travelling superhero who wasn’t respected by other superheroes. Because for most of his career he’d tried to use his super-heroics to accumulate fame and fortune . But Booster Gold now was a superhero who had recently gone through the most traumatic experience of his life. An experience that spurred growth in him. The death of his best friend, Blue Beetle.
The first major arc involved Booster Gold going back in time to try to prevent his friend’s murder, only for the new future they create to be a terrible dystopia. Eventually Ted Kord (Blue Beetle) decides that the only way to put things right is to go back in time to die again.
Look at Blue Beetle, that’s a weird looking costume if I’d ever seen one! And the thing was packed with a million references to old nonsense that we hardly understood, and a dozen weird characters with wacky gimmicks. But that didn’t matter, because the book was funny, the characters were crisp and distinct, and the story was heartfelt, and we ate it up. And then we went back, and read Booster Gold and Blue Beetle’s old adventures in the Justice League International. We started reading ANYTHING with these two. Because their friendship was one of the best things ever in a universe that included BATMAN. One of my friends and I went to a convention dressed as them.
And all because my friend thought that a cover looked stupid.
What I’m saying is that, in the right hands, ANYTHING can work, any name, any costume, any gimmick, any backstory. That fact is born out in comics history again and again and again. Some of the most critically acclaimed books were made up of D-list characters cobbled together from the Scrappy Doo heap. The New Suicide Squad movie is hoping to make a billion dollars on this premise.
But in the wrong hands the tearful reunion of two elderly men and former friends after literal decades apart can be as emotionally thrilling and meaningful as watching paint dry.
It’s called writing.
Well, the week’s comic book reminiscence is, of course, followed in today’s strip by the requisite comic book cover tribute, printed sideways in newspapers across the country to ease the task of deciding not to read it. If you are just now showing up to to read this story arc (for which I envy, but somehow also pity, you), let’s catch you up:
Sad-sack author avatar and comic strip creator Batton Thomas has based his entire post-12-year-old life around reading and re-reading The Flash #123. He has bought a reprint of the issue since his original is worn out, and he is re-reading it again. His 12 year old self has also materialized to re-read The Flash #123 reprint along with him… on the very same porch glider he read the original #123 when his 12 year old self was his only self.
If you, the hypothetical person just walking into this story arc today, is still thinking of going back and re-reading this week’s strips after that recap, save some time and read TB’s veneration of the issue on his blog (and also, previously, in Funky Winkerbean itself). Or save even more time and don’t do that. That’s your best bet, actually.
We have Thatsnought Hewmore to thank/blame for today’s strip. Because HE demanded it! And true to his word, Pete didn’t write a crossover until Atomik Komix had more than four titles… they’ve had FIVE since the addition of Wayback Wendy.
The Comics Code Authority is not exactly the heaviest of punching bags in 2020… but it’s an especially odd one for Atomik Komix. This is a company founded on replicating Batom Comics and its Silver Age shlock in every possible detail… Chester hates that non-CCA guided new stuff. Batom Comics is said to have existed pretty much entirely in the CCA era and all of its titles would have adhered to the CCA’s guidelines. Go look at the Batom Comic covers that appeared every other Sunday before Atomik Komix happened, they’ve all got the CCA stamp.
That ends my latest stint writing this pap up. My honest apologies for not noting Son Of Stuck Funky’s 10th anniversary on April 9. I was and am quite honored to have been blogging when this site moved from its first decade into its second. Our esteemed founder, TFH, takes the helm for tomorrow’s certain tire fire and many thanks to him for launching this ship and picking up the survivors of the original Stuck Funky site. This site has picked up so many more folks over the years and has become one of the internet communities I value most. It has survived cease-and-desist letters, Comics Kingdom’s ever-changing strip link addresses, and TB’s best efforts to drive us to madness. I say “here’s to another decade”, because I cannot face whatever this strip has in store next without you all.