Tag Archives: Comics Code Authority

Plumbing the Depths.

As it was foretold in the comments section, today we get a commissioned sideways comic cover. And whadda ya know? The Subterranean looks like if you ripped the spikes off of Doomsday. Or dipped The Hulk in concrete. Or shaved Solomon Grundy and had him running around nude.

Past comments by numerous commenters have been harsh on the Atomik Komix lineup.

There’s not a single AK title that would have sparked my interest back when I was reading comic books. Not a thing. Back then they would have bored me just as much as they do now.

“No new comics to read? Just these Atomix Komix things? Sheesh, I think I’ll go home and do schoolwork.”

Beckoning Chasm

And I would agree. Though I thought the concept and first cover of Stardusters did show some promise with a cast of differentiated characters, a Star Wars-esque grungy space look, and an action heavy tableau. So props to Rick Burchett and Rob Ro on that tip of the Funky Felttip.

But for the rest, all we have is a dumb name, a dumb costume, and maybe a gimmick or a gimmicky backstory. They have to be terrible, right?

Well, yes; because they’re being written by Funky Winkerbean characters, who–in turn–were written by Tom Batiuk. A man who seems stuck in the era of “Why is Superman Forcing Jimmy Olsen to Marry a Gorilla! Twice!”

But if we’re just going off the names, the gimmicks, and facts, the covers…

As we exit this weirdly awful comics arc, and brace ourselves for the blandly awful Les arc that will follow, let me tell you a little story.

Two of my best friends were at a local comic shop picking up Batman, Nightwing, and Transformers comics, when one of my friends saw this.

And I mean LOOK at this! Some kind of smarmy, cocky, swaggering douchebro with a giant star on his chest and a MONEY SIGN in his name.

My friend said. “Who the f**k is Booster Gold?!” And became very offended, (mostly facetiously,) that a character like this: some kind of boring-looking, stupid character, would be worthy of his own DC omnibus collection.

So it was a running joke for us for months that Booster Gold was our friend’s arch nemesis. And to further the joke, I bought her a copy of the first issue of the 2007 relaunch of Booster Gold’s solo title for her birthday.

And we read it. And then the next. And then the series. And you know what? It was great.

Written by Geoff Johns, Jeff Katz, and drawn by Dan Jurgens, it told the story of a time travelling superhero who wasn’t respected by other superheroes. Because for most of his career he’d tried to use his super-heroics to accumulate fame and fortune . But Booster Gold now was a superhero who had recently gone through the most traumatic experience of his life. An experience that spurred growth in him. The death of his best friend, Blue Beetle.

The first major arc involved Booster Gold going back in time to try to prevent his friend’s murder, only for the new future they create to be a terrible dystopia. Eventually Ted Kord (Blue Beetle) decides that the only way to put things right is to go back in time to die again.

The Bromance is real guys.

Look at Blue Beetle, that’s a weird looking costume if I’d ever seen one! And the thing was packed with a million references to old nonsense that we hardly understood, and a dozen weird characters with wacky gimmicks. But that didn’t matter, because the book was funny, the characters were crisp and distinct, and the story was heartfelt, and we ate it up. And then we went back, and read Booster Gold and Blue Beetle’s old adventures in the Justice League International. We started reading ANYTHING with these two. Because their friendship was one of the best things ever in a universe that included BATMAN. One of my friends and I went to a convention dressed as them.

And all because my friend thought that a cover looked stupid.

What I’m saying is that, in the right hands, ANYTHING can work, any name, any costume, any gimmick, any backstory. That fact is born out in comics history again and again and again. Some of the most critically acclaimed books were made up of D-list characters cobbled together from the Scrappy Doo heap. The New Suicide Squad movie is hoping to make a billion dollars on this premise.

But in the wrong hands the tearful reunion of two elderly men and former friends after literal decades apart can be as emotionally thrilling and meaningful as watching paint dry.

It’s called writing.

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It’s just a Flash wound

Well, the week’s comic book reminiscence is, of course, followed in today’s strip by the requisite comic book cover tribute, printed sideways in newspapers across the country to ease the task of deciding not to read it. If you are just now showing up to to read this story arc (for which I envy, but somehow also pity, you), let’s catch you up:

Sad-sack author avatar and comic strip creator Batton Thomas has based his entire post-12-year-old life around reading and re-reading The Flash #123. He has bought a reprint of the issue since his original is worn out, and he is re-reading it again. His 12 year old self has also materialized to re-read The Flash #123 reprint along with him… on the very same porch glider he read the original #123 when his 12 year old self was his only self.

If you, the hypothetical person just walking into this story arc today, is still thinking of going back and re-reading this week’s strips after that recap, save some time and read TB’s veneration of the issue on his blog (and also, previously, in Funky Winkerbean itself). Or save even more time and don’t do that. That’s your best bet, actually.

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Woo goo away, please!

We have Thatsnought Hewmore to thank/blame for today’s strip. Because HE demanded it! And true to his word, Pete didn’t write a crossover until Atomik Komix had more than four titles… they’ve had FIVE since the addition of Wayback Wendy.

The Comics Code Authority is not exactly the heaviest of punching bags in 2020… but it’s an especially odd one for Atomik Komix. This is a company founded on replicating Batom Comics and its Silver Age shlock in every possible detail… Chester hates that non-CCA guided new stuff. Batom Comics is said to have existed pretty much entirely in the CCA era and all of its titles would have adhered to the CCA’s guidelines. Go look at the Batom Comic covers that appeared every other Sunday before Atomik Komix happened, they’ve all got the CCA stamp.

That ends my latest stint writing this pap up. My honest apologies for not noting Son Of Stuck Funky’s 10th anniversary on April 9. I was and am quite honored to have been blogging when this site moved from its first decade into its second. Our esteemed founder, TFH, takes the helm for tomorrow’s certain tire fire and many thanks to him for launching this ship and picking up the survivors of the original Stuck Funky site. This site has picked up so many more folks over the years and has become one of the internet communities I value most. It has survived cease-and-desist letters, Comics Kingdom’s ever-changing strip link addresses, and TB’s best efforts to drive us to madness. I say “here’s to another decade”, because I cannot face whatever this strip has in store next without you all.

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