Rival Fools

It’s been another overly hot summer and where I am, we just got out of a heatwave. I’m sure plenty of readers know how muggy summers in the Southeast tend to be so compound that with even higher temperatures and a poor A/C that’s already not much of anything and the last week or so has been rather brutal.

And yet while summer is entering its end stage (come on, we all know that once the calendar switches over to September, it’s fall no matter what The Man says), Summer continues to roll on. When last we left her, she was spying on dear ol’ dad to see if he was putting the moves on that hot new secretary that replaced boring cat lady Betty. For the start of 2009 we pick up with her hanging out with Jinx in a strip which sets up a story where Rana spends a week freaking out over the fact that guys are going to be added to the cheerleading squad.

Yeah, it’s obvious Batty never had a clue what to actually do with Rana.

The next week starts the story arc that will be Summer’s big focus for the first quarter of the year.

Summer gets Dikembe Mutombo’d and is all out of sorts as she wonders just who could have done that to her. She’s surprised to see that it’s none other than her new teammate Keisha.

Asserting dominance.

Summer seems kind of surprised by this and quite frankly so am I because look at that previous comic; that shot blocker was whiter than the audience of a Dave Matthews Band concert. If I found out that my teammate was a shapeshifter or racebender I would be pretty shocked too. Naturally this whole thing leaves Summer completely out of wack and she complains to Les about how Keisha made her look like a joke.

At the game the next night (?) Les and Cayla talk about how Keisha was the star which presumably has left Summer in a bad mood. Les decides to take Cayla out to eat at Westview’s fanciest restaurant. Not Olive Garden fancy, mind you, but close!

Rachel then contemplated slugging Les for making her recite such a stupid motto.

Les, by the way, is still doing this stupid song and dance of “Oh, uh, we’re totally not dating,” even though they went to the Winterfest together and he’s now taking Cayla to the holiest of Westview’s temples. We’ve seen this crap, we know how it goes. By bringing her to Montoni’s Les is practically proposing to her. But no, we’ve still got the world’s stupidest love triangle to deal with.

Back to the main, Keisha’s presence on the team has completely sapped Summer of her confidence and led to the team playing badly. So far, the Williamses are a complete net negative on things both in and out of universe.

At this point, Summer is a complete disaster and winds up being benched while Keisha continues to get all the praise.

Which then leads to this complete nonsequiter.

Now suddenly bringing up Dead St. Lisa could just be a sign of Summer’s depression, like she’s going to off herself over basketball or something. But no, it’s simply an excuse to then transition into yet another example of Les insisting that he and Cayla are NOT DATING SO BACK OFF AND SHUT UP SUMMER, GOOOOOD YOU’RE NOT MY MOM YOU HAVEN’T EVEN THROWN AWAY MY COMIC BOOKS!

Summer’s on-the-court woes continue and even at home she’s bricking shot after shot when she’s greeted with a surprise that’s pleasant to her but not to the readers.

Darin, unfortunately, makes another appearance to dazzle the readers with his sparkling personality and memorable traits like… uh…

Summer takes the opportunity to vent about how things have been going for her since Keisha transferred over and gives us a nice little Batiukism in the process.

Darin naturally does what any loving brother would do in this situation and gives his baby sister some advice on how to fix her shooting woes.

It’s a nice little moment, I guess, except for one tiny little insignificant nitpick: why is Darin giving Summer basketball advice!?

Darin, as established throughout basically all of Act II, is a grade A geek. He was a low-on-the-totem-pole loser and the closest he ever got to any athlete was whenever Jessica would throw herself at him. He was never hinted at having anything in the way of athletic ability so why, WHY, is he telling a basketball star who is light years beyond where he ever was what to do? And why is Summer even listening to him? I mean sure, okay, in real life you don’t necessarily have to play a sport or be an elite athlete to have some knowledge of things but typically those coaches who weren’t athletes were at least around the game all the time in other capacities, that’s why they’re good at what they do. Darin never been any closer to athletic competition than mocking it in his and Pete’s dumb comic strips.

Well whatever, I guess in the end it doesn’t matter because aside from showing up at her next game that’s really about all we see out of Darin. For as important as he was in Act II and as much as he’ll take over the strip in the 2010s, in the first few years of Act III Darin barely exists.

Anyway, it’s the final game of the season which of course is against Big Walnut Tech and Keisha’s former teammates are showing her how they deal with traitors while Cayla also shows the reader that she has her daughter’s raceswapping properties in what retroactively turns out to be a genius bit of foreshadowing of Cayla’s eventual visual evolution. Bravo Tom!

Summer decides she’s had enough and pretty much inserts herself into the game.

And then swoops in when Keisha’s in trouble.

Westview loses but Summer’s back to her old self and her and Keisha are now on the same page and bonding over their dads. Well, one of them has a dad anyway.

Which of course transitions into more Les insisting he’s not dating Cayla nonsense.

Which I think gets into the core of what Batty was actually doing with this storyline. It wasn’t about Summer per se and lord knows it wasn’t about Keisha who doesn’t have much of a character to speak of. It was mostly just flavor, giving Summer something to do, in service of the real story which was Les, Cayla, and the world’s lamest love triangle. That said, it at least is a story about Summer that’s based on something she’s into and that’s important to her and doesn’t end with her becoming the trophy for a lame nerdy male character like so many other female characters in this comic. So she’s got that going for her.

That love triangle is also where we’ll be detouring to for a little bit as well. After a month of shenanigans focused on Dinkle, Cory, and Funky’s suicide inducingly bad day, Dinkle’s comic opera (because it’s laughably bad you see) The Magic Flutophone is set to open and Susan decides that this will be a great date for her and the hunky English teacher of her dreams. Unfortunately, Cayla’s snapped him up first.

Summer teases Les over the fact he’s still insisting that going to a concert with Cayla is not a date and that he and Cayla aren’t dating.

Cayla comes by to pick up Les, because if nothing else Les is consistent in being a lazy jackass and making his girlfriend drive him around everywhere, and proceeds to have a little schizo break.

Cayla apparently doesn’t mind dating a lunatic who talks to the ghost of his dead wife and the two go to Dinkle’s undoubtedly awful concert and somehow enjoy themselves. At this point Les finally stops dancing around things and acknowledges that he and Cayla are indeed dating. The two lovebirds share a kiss in what is surely one of the most infamous and unintentionally hilarious strips in the history of Funky Winkerbean.

With Lisa the Ghostly Cuckquean’s approval, Les and Cayla are official.

As for the main subject of this series, Summer shows up for the requisite random installment of the Dead Lisa Tapes and also makes an appearance during Cindy Summers’ (who insists she’s going by Cynthia now but that doesn’t last long) return to Westview.

She also shows up for an insipid story where Cory attempts to cheat by writing his answers on his water bottle. Now that I think of it, I feel like the only times in Act III where Les is shown actually teaching his class is for these stupid “a student has cheated and Les puts them in their place” stories.

We then get another summer story of Summer and Jinx’s softball shenanigans.

But this was all light fare to relax the reader for most of the rest of the summer after this is taken up by what is undoubtedly the most infuriating story in the entire strip. Wally comes marching home to find DSH John has cuckoo birded his way into his nest, beady-eyed nitpickers complain, Wally walks off into depression. It’s called writing.

Batty bookeneds that story with another Montoni’s Softball one.

He seems to have quickly grown bored of this setup though for this is the last we’ll see of the softball team and poor Jinx’s relevance to the strip disappears with it. Her spot as Summer’s best friend (I guess? She sure seemed to be) has by now been usurped by Keisha and eventually Jinx will disappear so thoroughly from the strip that she won’t even make it to the St. Spires Christmas concert which features damn near every other Act III character.

By this point Summer has just turned 16 and drops the news to her dad that she wants to get her license and that Bull is teaching driver’s ed.

Les spends the next week fretting over this showing that everything Bull has done for him since high school has been for naught. And with school starting up again, Batty also begins seeding the post-Summer class with the first appearances of Funky and Les IV: Owen and Cody.

In October, Keisha learns the benefits of being “part of the family” when it comes to the Moores: acting as free labor for Les’ ego stroking charity event.

Summer also engages in some practice driving and Les acquiesces to her desire to stunt all over Maddie.

Summer also wants to be able to get a car once she has her license and Keisha pushes her to get a job. Oh no. Summer and Keisha are female. They are young. They want jobs. You know what that means…

Say hello to the newest residents of Westivew’s Home for Wayward Young Women. Because Pete sure as hell is about to.

Just in case he wasn’t clear enough…

Yes, here is Pete trying, like the creepy little dweeb he is, to flirt with Les’ daughter and the half-sister of his best friend. Let’s ignore how awkward and nonsensical his flirting is and focus on what’s important. He knows, he fucking knows how old Summer is and still he’s trying to put the moves on her. Let me reiterate this: Pete Roberts is a man of around 30 trying to flirt with an teenage girl roughly half his age. A girl that he undoubtedly knows is underage because she’s the half-sister of his best friend.

What the hell was even Batty’s intention with these two strips? Was he trying to make Pete come off as cool and confident? Because he not only failed, he backfired in spectacular fashion. Pete looks like a giant tool. He looks like a creep. He looks like someone who buys a lot of Mike’s Hard Lemonade.

I hate Pete. I really, really detest him. Darin is the world’s most boring person to be sure. Les is a punchable smug douchebag. Dinkle is an unbearable egomaniac. But Pete is something else entirely. He’s an annoying gnome who gets constantly rewarded for no real reason. At twentysomething he was the top writer in the comics industry. He bounces around from publisher to publisher, being given opportunity after opportunity and when he inevitably fails out of this or that one — because he’s a talentless hack — he fails upwards into better jobs. And it’s not just jobs. By the end of Act II he has Chien interested in him though thankfully Batty jettisoned her before he could shackle Pete to her.

Later on he’ll have poor Mindy enamored with him because… well, I don’t know. And how does he treat Mindy? He whines and berates her for daring to create a character he doesn’t like for his stupid comic book. He quits his well-paying and seemingly dependable screenwriting gig to force her to help him run a pizza restaurant and live in the shitty small apartment above it. There’s a strip later on in Act III where it’s heavily implied that Mindy is sending him erotic photos of herself and what does Pete do? Like the giant irredeemable asshole that he is, he shows them off to Darin as some kind of flex.

But it’s okay because Pete is a wish fulfillment self-insert for Batty in a way that not even Les is. He can never fail even when he objectively does and he can never, ever face a negative consequence for any action he undertakes. He can do stupid and despicable things, he can be the shittiest writer of comics this side of Chuck Austen and for some reason will be rewarded for it. He can be a giant creep and still get women way out of his league and everyone treat him like he’s just such a lovable cool guy.

Calling him a tool would be understating what a rotten ugly little troll man Pete is. I hate him. I loathe him. And I can only hope the end of Crankshaft is a nuclear missile striking Montoni’s after Mindy has finally wised up, grown a spine and locked him and his precious comic books inside.

Moving on to actual matters, we close out the for Summer with a family gathering.

That will likewise close out this entry. But while 2009 may have been a down year for our budding little savior, 2010 will be a year that’s looking much brighter. Probably because I won’t have any more reason to rant about how much I hate Pete.

But You Don’t Really Care for Music, Do Ya?

The Duck of Death
December 19, 2022 at 8:22 am
Guys. Guys, is he gonna have the whole freakin’ cast from both comics in this church and pan over the crowd while the ensemble sings the Hallelujah Chorus?

Is this how it’s all gonna end?

baeraad
December 22, 2022 at 1:52 am
I… think Batiuk thinks he’s going for a heartwarming all-the-lovable-goofballs-come-together-in-a-church-on-a-snowy-Christmas-night sort of thing for his ending…

Sourbelly
December 22, 2022 at 10:56 pm
Batdick has spent days establishing the fact that every Westview citizen who matters is driving to the Jazz Messiah Nonsense in dangerous weather. He has spent zero seconds explaining why.

As confounding and confusing as this strip has been over these final months…you can’t say that a lot of effort wasn’t put into today’s strip, the last-ever Sunday panel of Funky Winkerbean. Nearly seventy people (and one cat) are packed into St. Spires. I was even able to recognize most of them…but there are a couple head-scratchers. Continue reading “But You Don’t Really Care for Music, Do Ya?”

To The Bore-a-torium! And Step On It!

today

Real impressive snowplow there, Pulitzer (nominated once fifteen years ago, did not win) Boy. That thing looks like a death trap. Given the five months of total whiteout blizzard conditions in that town, you’d think they’d have a few real trucks. And why is Cayla screaming? Les is going to totally ruin his $1500 car by plowing through that snowbank. And for what? Christmas jazz played by elderly dementia patients? Bah, humbug, I say. Cayla’s reaction is all out of proportion to what’s actually happening here, which is a whole lot of nothing.

Great Moments In FW Arc Recap History

March 1-7, 2020
Dinkle shares with Becky that he has been reading a book about squirrels.

The instantly forgotten, one week, totally random arcs, now those were the real challenge. Anyone can snark on Bull dying or Marianne getting cancer while playing Lisa in a movie, but the arcs like these, those were the ones that put you to the test. By Wednesday you’re totally out of squirrel and/or nut puns, but there’s a post to do, and you gotta come up with something. And it’s tough, because Becky and Dinkle are still talking about squirrels. Every SoSF guest host, and the regular commenters too, know exactly what I mean. Sometimes it was like he was daring us to just give up and stop reading the strip altogether.

This Ain’t The Summer Of Love

Link To It

Now THIS one is just totally, wildly out of nowhere. The odds on EVER seeing a daily strip where Maddie and Keisha interact, only with each other, had to be a billion to one…until today, where Maddie (!) grills a recalcitrant and oddly hostile Keisha (!!) over Summer’s love life. This will undoubtedly fuel speculation over Summer and Keisha’s relationship, whether intentionally (I seriously doubt it) or otherwise. Until proven otherwise, everyone will still assume that Summer was the prom scenery of “uncertain sexual orientation”, let’s call it. And Keisha’s bitchy fronting over Maddie’s seemingly harmless query will do nothing to squelch that theory.

There’s a non-zero chance that this is the last time we’ll ever see either of these characters, which makes the whole thing even more mysterious and wildly random. And speaking of bitchiness, why are Westviewian women so notoriously catty? They’re fine while they’re in the background, setting up punch lines for the boys or making observations re: how dumb the men are, but get a pair of Westviewian women together and the claws come out. Someone obviously hurt BatYam a long time ago, but the less I know about it, the better off I am.

But anyway, circling back to the strip again, yeah, this seems to be a real sore spot with Keisha, for some mysterious, never-to-be-resolved reason. And why is BatNutz doing a strip about Summer’s love life (or lack thereof) anyhow? Was anyone clamoring for this? Has anyone ever clamored for this? What is it about single characters that makes him so uncomfortable? Why the incessant need to pair everyone up? Huh?

To His Coy Mistress.

Today’s glurge filled festival of pathological coddling gives me the opportunity to delve into something I’ve been wanting to examine for a long time. But it’s going to be a challenge to talk about, because I swore that I wouldn’t talk about CERTAIN CHARACTERS by name this week.

Let’s talk about Cayla.

For the last several years, whenever she’s appeared Cayla has been the target of a strange mix of pity and ridicule in the comments. And it’s earned. Because Cayla’s presentation in strip is the most conspicuous manifestation of just how twisted and weird the enshrinement and cult of Dead St. Lisa has become. She is a consolation prize. A tacked-on coda. But rather than be resentful of her situation, she has become a priestess and mouth piece of her glorious predecessor.

The external reason for Cayla to be this way is that she’s been written to be a benign gift to the author avatar. She’s built for comfort, not conflict.

But it is so strange to follow Cayla’s journey, and try to imagine a real, flesh and blood woman choosing a similar path. If there was such a woman as Cayla Williams, who would she be?

What do we know about her personality and her history prior to her entering the strip? She comes from an athletic family, who cared enough about her to attend her wedding, but whom she hasn’t seemed to worry much about since. She has completely adopted Funky, Harry, Holly, and crew as her circle of friends, so must have had no close friendships extant before her move to Westview. She worries about her financial matters, while being a shopaholic. She’s class conscious, and seems to want to buy the good opinion of rich people. Current insecurities and prior blows to her ego seem to have hampered her confidence. A previous romantic partner left her with a daughter to raise alone.

Soon after moving to Westview she saw what she wanted and she pursued it. Of a hundred different seats that were open with no asking, she had a particular one in mind.

And from very early on, she knew that she would be jostling for position with a corpse in a race she might never win.

But she went after it anyway, even duked it out with a younger woman. She was pretty bold with her intentions.

Why? What did Cayla want?

Well, one thing she seemed to want was financial security for herself and her daughter. She was looking for someone to ‘pool resources’ with.

Who do we think brought more money to this pool?

Second, she seemed to want people that she could care for, that would be emotionally dependent. She seems to genuinely enjoy being needed. This would fit with her underlying lack of confidence.

In fact. She enjoys being needed so much, that she seems to put herself in a position to both be needed, and remain needed. She wasn’t just looking for someone who appreciates a kind heart. She wanted something to prop up, because when something is leaning on you for support, your position is secure. They can’t leave. And the type of support she offers often promises future financial or social gain on her part.

So of course she is willing to jump on the Dead St. Lisa bandwagon. Her affection for her predecessor might even be genuine. That dead woman is the source of all her current and future security. And it could be she is content to have a decoy and mirage to distract her meal ticket. Some people find too much romantic attention smothering, better to shunt some of that off on a ghost. Let the feelings you elicit be lukewarm, safe, and necessary. Keep feeding the muse of pathos by offering those threesomes from beyond the grave.

Because. Let’s be real for a minute Cayla. You don’t care if you’ll never live up to Lisa any more. You only cared for a moment, when you were worried she’d keep you from scoring the prize that matters. Lisa’s dead. And the helpless withering worm left in her wake needs you. You’ve made sure of that. Yeah, sometimes he’s annoying and insufferable. But he produces, and he provides. You can give him pleasure, and you can give him pain, according to your whims. And either way, he’ll wake up needing you tomorrow just the same. What you really get off on is the control. You like watching him fawn, but you love watching him squirm.

And that is my headcanon for Cayla. She didn’t want a healthy and whole husband to love only her. She wanted a meal ticket just broken enough so it wouldn’t run out on her. And she’s carefully cultivated the relationship, keeping her victim just neurotic enough to maximize her comfort, security, and enjoyment.

Canon

It’s been an interesting two weeks folks. Hope you enjoyed! Beckoning Chasm will be in on Monday. I’m interested to see how he handles Batiuk’s upcoming homage to ‘The Day the Clown Cried,’ we’ve seen presaged in the banner.