That must be one of those ultra hipster coffee shops that adds CBD oil to the ‘special’ brew, because Mindy in panel 3 is baked out of her skull. And the sapphic undertones come back in full force as Ruby leers at Mindy and confesses she wishes that she were young again, and Mindy, grinning, labels her a ‘girl’, promising to make her fantasy reality.
And it is Batiukian in the extreme that Ruby’s protest of her ‘coffee girl’ duties was passive aggressive and petty. If he wanted Ruby to be a real crusader, she would have flat out refused to fulfill the chauvinistic expectations of the men around her. But no, she was miserable, remained miserable, and now wishes she had been born in a different decade because her own was unabated misery.
I’ve read so many compelling interviews this week, interviews with Lily Renee, Valerie (Violet) Barclay, Ramona Fradon, and Marie Severin. You know what these women wanted to talk about? What they got passionate talking about? Art. Writing. Their Work.
They didn’t want to spend hours complaining about how every man in their life was a miserable bastard. We’ve seen one picture of one character Ruby Lith drew. We know more about all the men who ruined her life than the art that was supposedly her passion.
An interesting interview with Fradon started this way.
Bradley: I suppose one of the first questions you get hit with is: Was it hard to be a woman in the comic industry? Did the guys treat you poorly, etc.? But I also know you haven’t had a negative thing to say about that aspect, and that’s awesome, so let’s skip that part, and talk about the work.
You like mysteries. So do we. Please tell us about working on House of Mystery with Joe Orlando. Is there a standout story for you from that period? Also, what other mystery-type books did you get to work with?
Thanks for not asking me that.
As for the mysteries, I enjoyed working with Joe Orlando. He was a great editor. He was more interested in the art work than other editors I had and he taught me a lot, especially about inking. The mysteries were written very melodramatically and I preferred working on them more than the superheroes.
She enjoyed working with a man. A man who was a ‘great editor’ who pushed her to do even better work. Please stop asking her the same tired questions about her presumed persecution. Ask her about her ART. Ask her about her CHARACTERS. Let her know that you care about her contribution because she is a great comics artist in her own right, not because her sex makes her a curiosity.
Bradley: As cool as Metamorpho is himself, I’m a big Sapphire fan. I really think Sapphire Stagg is one of the hottest chicks in comics. Is there some Ramona in Sapphire?
Ramona: Of course Sapphire was me.
Bradley: Just fun to hear you say it.
Another goofy character you worked on was Plastic Man. Was there any key difference, enjoyment, or advantage between working on Metamorpho vs. Plastic Man?
Ramona: Plastic Man was fun in a different way. His stories were satirical and he was a total goof, while Metamorpho was sexy and involved a lot of interaction among the characters. I enjoyed them both but in different ways.
Bradley: Metamorpho sexy? You really are Sapphire!