I’d argue that today’s strip is the product of an AI tasked with generating images for the word “wistful”… but that’s an insult to artificial intelligence and I don’t want to be responsible for unleashing Skynet. This is just completely sad, but in the stupidest way.
Mindy is the one that really punches up the stupidity here. First, “when” Ruby retires is essentially right now, it doesn’t need to be discussed as if it is well in the future. Second, Mindy also draws a paycheck from Atomik Komix… so does she dramatically underestimate the financial resources it takes to travel extensively or does Chester really pay that well?
And if Chester pays that well, why can’t he spend some money on an office that doesn’t look like a dungeon crawl game being played on a vintage grayscale Macintosh? Maybe everything in the office is made of stone. So that’s why they called him “Chester the Chiseler”!
Les continues to set Funky up for this tiresome Crankshaft schtick in today’s strip. Why? Why is he doing this? Is.. is he enjoying this? He’s even more monstrous than I thought!
The real story behind the name of pickleball is (not-widely) debated, though all of the purported origins clear the low bar of being more interesting than the one put forth in this strip. I’m surprised, actually, that pickleball has not caught on in Westview, given that it was invented by a guy* who died of cancer…
Hip hip hip hip hip
Today's strip more of the same
It just never ends
Chipmunks to Springsteen
Crazy's music tastes cover
Only now Crazy?
How hip did you feel during
The last 40 years?!
"You can become hip,
Just listen to new music"
- Captain Funkvious
Funky's bald advice
Somehow smartest thing in years
In this comic strip
Crazy's, not so much
Listening to this
No wonder no customers
Are at Montoni's
Make it stop make it
Stop make it stop make it stop
Make it stop oh please
Yeah, Les, it has to be Lisa’s ghost. To paraphrase Peter Venkman, no human being would be able to fill the bird feeder like that.
We all have our pet peeves about what we hate in this strip. I, like many of you, hate the restatement of the previous strip as a question. I know it’s a holdover from when comic strips were exclusive to newspapers, thus someone might miss an episode and need to be brought up to speed, but to quote John Howard’s clumsy phrase, “Those days are long gone in the rear view mirror.”
When I first saw today’s strip, I thought, ‘Isn’t that kind of racy for kids to be playing?’
But that is, of course, because the song ‘Unchained Melody’ has for more than 30 years been chained to a certain famous, and much parodied, pottery making scene in the movie Ghost. To the point that playing the first few notes of the Righteous Brothers cover of the song instantly cues many brains to expect slow motion montages of wet, spinning clay.
But the song was created 35 years before Patrick Swayze ever slid his hands over Demi Moore’s while Bobby Hatfield crooned. American composer Alex North, (most known for scoring Spartacus and the jazz infused soundtrack to A Streetcar Named Desire,) wrote the melody that has no bonds for the movie he was currently scoring. A completely forgotten 1955 prison pic called Unchained. (Which was based on a real experimental reform prison in Chino, California.)
North asked lyricist Hy Zaret, (famous for later writing children’s educational songs such as ‘The Sun Is a Mass of Incandescent Gas’) to write the words. The producers had requested that the word ‘unchained’ be used in the lyrics. Zaret refused, so instead the whole song was called ‘Unchained Melody.’
The first singer to record ‘Unchained Melody’ was African American opera singer and actor Todd Duncan, who had a bit part in the movie as an unnamed prisoner singing a shortened version of the song.
Since then “Unchained Melody” has reached number one on the UK four times with four different recordings. It is currently one of the highest grossing royalty earners for it’s copyright holders of any song.
Was that a great musical education? Maybe not. I mean, I stole most of those facts off of the internet and I knew NONE of this before I looked it up today. But I guarantee you it’s a better musical education that Lefty usually provides. And I suspect Batiuk doesn’t care at all about the song, its history, or if it would be appropriate, or even possible, for a high school band to play an arrangement of it. He just heard a song title and thought, ‘Heh, I can make a quick band joke outta this.’
Thanks everyone for the warm reception to the Funky Awards! Tell your family! Tell your friends! Voting will continue through January 16th. VOTE HERE!
A very Merry Christmas to you all, SOSFers! Your Christmas will likely be merrier if you don’t read today’s strip, but linking to the latest Funky Winkerbean strip is kind of what we do here. Apologies.
I guess the jury is finally out (citation needed) on Morton’s “moves” (citation needed) and “charm” (citation needed). Bedside Manor needs to change the locks.
Apologies for today’s short post, but this story arc has gone about as well as my week at work has… And today’s strip doesn’t do much to improve matters. It doesn’t do much period.
The insurance companies Dinkle may have put a stop to the flaming baton trick, but don’t you dare think he is losing his touch. He has happily proposed maiming senior citizens with fire in recent years.
Today’s strip goes beyond TB’s regular “tell, don’t show” philosophy into, well, “tell, don’t tell” territory I guess. We get a couple of 35 cent metaphors and learn NOTHING. Not a thing. In fact, you could swap the order of yesterday’s and today’s strips and it would make exactly as much sense as the present order. The Flash #123 made this big impact on this author avatar who went on to become a cartoonist… yeah, we knew that yesterday (or, 12 years ago, if you’ve ever read TB’s blog). Shouldn’t we be on to the why? The how? No, don’t bother with that, we need to hear a few more flowery words that restate what has already been restated ad nauseam.
This is beyond Herb and Jamaal‘s dopey non-specificity, which muddied the gags but didn’t keep the reader from recognizing that they existed. This glacial garbage muddies a complete lack of any substance to begin with. There is nothing here. Nothing. At all. No conflict, no suspense, no character development, no dispensation of information real or fictional. We’re waiting for a man to pay for a comic book. WE ARE WAITING FOR A MAN TO PAY FOR A COMIC BOOK. I’ll put up the $5.99 or whatever the #123 reprint costs just to get Batton the heck out of there.
Does today’s strip really take place right after yesterday’s? Amicus and Wally left the box office window presumably just a few minutes prior to go bother the supervisor and in that short time Adeela has already been put on the 3:45 AM flight to Baghdad? I see nothing that really indicates otherwise except for Adeela’s speedy departure, so I guess we’re still in the middle of the night of Adeela’s arrest.
I suppose this was inevitable, though. Westview has seen several immigrant refugees move to town over the years, and none have wound up ultimately staying. Let’s look at their fates:
Lu Lin and Zhang Li – escaped detention in communist China for their role in student pro-democracy protests and opened The Jade Dragon, a Chinese restaurant, next to Montoni’s:
Kahn (or is it Khan?) – immigrated from war-torn Afghanistan, founded a deli, and even became a US citizen (despite having been a known Taliban-affiliated arms dealer):
Rana – orphaned by a roadside bomb in Afghanistan and the adopted by Wally and Lefty and raised in Westview by Lefty and DSH:
This ICE supervisor has got to be quaking in his Johnston & Murphy’s, Amicus Breef is finally breaking out the lawyering talk in today’s strip! And he’s doing it with righteous indignation too! What a lawyer this guy, keeping supervisor Ed O’Neill off of his Facebook feed for 4… maybe even 5 minutes by threatening to do something that would have been more useful had he done it before he showed up at the detention facility.