Tag Archives: pandemic
Link to a strip that is somehow more nonsensical than yesterday’s.
Before we dive into individual characters. I thought we would briefly take a look at 1972 as a whole, just to see the cast of characters at play, and how often they showed up. This list misses out on a few characters that showed up more than once, but didn’t have names, such as an older curly haired teacher, a cashier, and the school librarian. Also, the records on CK are somewhat incomplete, there were strips missing. This is just to give a rough overview.
Below, the trademark CBH nonsense spreadsheet! Funky Winkerbean characters of 1972 listed by number of appearances.
It seems that, from the very beginning, Les and Funky were the main focus. Poor Livinia Swenson never stood a chance.
The second strip she’s in, (which is almost 2 weeks after the launch,) it seems to me that she’s set up as a distaff counterpart to Funky, his equal in averageness. The way their hair is only differentiated by length, like they’re the Wonder Twins or something, only furthers this impression.
But, in the grand scheme, she doesn’t show up that often. Like everyone in the cast, she puts in time as the ‘Person-Who-Asks-Question’ and the ‘Person-Who-Watches-TV-And-Makes-Face.’ Roles anyone and everyone fills, almost always devoid of specific connection between line and speaker that would keep them from being swapped with someone else.
When her personality does manifest itself, she’s opinionated, strong-willed, and socially conscious with a focus on ecology and feminism.
She’s also never afraid to step on someone’s toes or hurt some feelings. She’s got this kind of blunt honesty I really like.
She’s shown to be questioning gender norms, but unlike other political opinions only mined for yuks, hers can be sympathetically presented, where the joke isn’t her question, but the response.
When I put all of Livinia’s strips together, it seems obvious why Batiuk never could muster up much interest in her. She’s built to sit on this intersection between average and activist, and that severely limits her range. Batiuk doesn’t want too many of the jokes to come at her expense. He wants her to be a more or less positive representation of a ‘modern’ free-thinking teen girl. So the only gimmick he gave her can’t be exaggerated too much. And in order to survive Act I FW, if you’re not Funky himself, you have to have a solid gimmick to mine for humor. Despite what Les said above, Livinia was subtle, too subtle to last as a main character once Holly and Cindy were introduced.
Which is too bad. Because she was unrelentingly cruel to Les, and it was beautiful.
Currently on Comics Kingdom Vintage Funky Winkerbean is up to May of 1976, and Livinia hasn’t completely disappeared, showing up on April 21, taking a test.
Her appearances have become few and far between, however. I don’t know when the last time she shows up alive is, but I’m wondering if it’ll be soon. I couldn’t see any sign of her in the strips I found of the Act II class reunions of 1992 and 1998, though what I had to look at via scanned microfiche was pretty blurry. By the reunion of 2008, she was dead.
Farewell Livinia. You were too good for this strip.
Link to Today’s Banal Strip. This thing is almost less than nothing.
And now! Back to the Past!
The very first Funky Winkerbean strip is one of the worst introductions of all time. Four chicken-necked, chinless, bobble-heads. Standing in a white void. Staring out at the audience through the fourth wall with their terrifying, black, monodiclops eyes. Smugly telling us their names and attributes with the kind of cringy earnestness I expect from Harry Potter fanfic.
Apparently the idea for starting the strip in this fashion came from an actual established professional in the biz.
At the Chicago Tribune–New York News Syndicate I ran into another gentleman, Henry Raduta, who spent the better part of the morning with me going over my submission in detail. He offered several suggestions, one of which dealt with a way of introducing my characters that eventually became the very first Funky strip.From the introduction to The Complete Funky Winkerbean Vol. One
Who was Henry Raduta? As far as I can find he was a ‘general manager’ of the Tribune who when necessary took over writing for long running strips from the 20’s and 30’s like Little Orphan Annie and Winnie Winkle after their original authors passed. Was he intentionally giving the 24 year old Batiuk bad advice? If so, bravo good sir. (Link to an interesting retrospective on Winnie Winkle.)
Batiuk had planned to start the strip with these four ‘mains’, basing them on people he knew.
The main characters, T.D. (later Funky) and Les, were friends from my Kent State days, Thom Dickerson and Les Meyer. Roland, the hippy/revolutionary, was a guy who lived in an apartment across the street from mine, and Livinia was based on one of my art students with a name taken from a magazine… I used people I knew because the characters then came with established identities that I could immediately plug in and begin working with in the strip. It was a handy way to start things off, and it’s remained my work method ever since.From the introduction to The Complete Funky Winkerbean Vol. One
It seems in the initial ‘sales pitch’ for this strip provided by the syndicate, this was also the cast presented, (with the additional mention of the black student, Derek).
Four characters were introduced on that first day. Two remain. And two have disappeared so thoroughly I didn’t even know they existed until I saw the first strip, when TFH posted it as an April Fool’s Joke back in 2016. I immediately asked about the fates of Roland and Livinia. And all TFH could tell me was that Roland was completely MIA and Livinia was confirmed dead.
Why? Who were Livina and Roland? Why did Batiuk lose interest with them? What other characters banished to the Phantom Zone populated those first few years?
Tune in tomorrow.
I know I promised you guys the distant past. But first, a brief timeline of the last couple years.
December 2019 to March 2021: Life in Westview proceeds as normal; people self-medicating with comics to stave off the usual nihilistic despair. No mentions of pandemics, lockdowns, masks, or quarantines.
March 2, 2021: Les Moore mentions a previously unrecorded flu quarantine from when Lisa was undergoing breast cancer treatment. A week of retrospective strips on the ‘famous Flu Epidemic of 2007.’
April 2021: Funky Winkerbean attends an Alcoholics Anonymous meeting and begins blathering about ‘last year’s pandemic’. It’s as if from a moment in the future the past has been altered, Flashpoint style, so that a pandemic occurred ‘last year’ but is mostly over.
September 30, 2021: Holly Winkerbean breaks her ankle. During her time in the hospital we see people wearing masks in the present, though no one at the football game was masked. (Consistent with late pandemic trends.) She begins a recovery that sees her using a pair of crutches through at least January.
TODAY: Holly Winkerbean is implied to have broken her ankle at the beginning of the pandemic.
You know, when I did the Funky Award for Most Puzzling Continuity Question, I really figured it would be a one time deal, since many of the continuity snarls had been kicking around for a while. I never imagined that by MARCH 2022, we would already have three or four potential nominees.
But Batiuk is no stranger to continuity snarls. They cropped up in his VERY FIRST month of Funky Winkerbean.
The fifth ever printed Funky Winkerbean strip, 3/31/72 introduces Fred Fairgood as the school counselor.
And yet, the next time we see him, 5/9/72, he introduces himself as if he is just arriving.
And that isn’t the only first month snafu. On 4/5/72, we see first see Les working on the school paper, an early running gag.
And a few weeks later, he announces to Funky that he is applying for the position.
Now, both of these are understandable within the context of trying to launch a strip. You’ve got (I’m guessing) a few months of strips prepared, but then you want to lead off with your best and most easily digestible material. So strips are put out of order.
Batiuk actually has some good insight into why starting a strip is difficult.
Starting a comic strip is a unique proposition that requires a slightly different skill set from the one you’ll hopefully be using a few years later.
When I was just beginning with Funky, I read a Peanuts strip that completely frustrated me. The strip in question had come after a week during which Linus had had his blanket taken away, and he was lying on the ground shaking as he went through withdrawal. In the second panel, Snoopy walks up wearing his WWI flying helmet and scarf. He pauses to look down at Linus shaking on the ground and then walks off saying, “Poor blighter, his kind shouldn’t be sent to the front.”
It was an elegant strip that Schulz had taken twenty years to set up. Twenty years in which he had developed the theme of Linus and his blanket, developed the character of Snoopy and Snoopy’s fantasy world as a fighter pilot in WWI—all so he could create the opportunity to eventually dovetail them into that one perfect strip. Twenty years that I didn’t have behind me in those first few weeks of Funky.
Instead, what you have in a beginning strip is a great deal of expository dialogue trying to establish your characters’ names, personalities, and situations. Oh, and have them say something funny. I’ve often likened it to a stand-up comic who has to win over new audiences each night with a series of individual jokes.
Later, if he’s lucky, he moves on to a sitcom where the situational humor allows him to extend the comic narrative. Finally, if he’s really lucky, he gets to make movies, where there’s room for the subtleties of behavioral humor. It takes a long time to establish your characters and develop their personalities.From the introduction to The Complete Funky Winkerbean Volume One
We can debate all day if he ever established his characters or developed their personalities into something consistent, but the above does, I think, point to one reason that Funky Winkerbean maintains it’s ironic audience. History. Any one year of Funky Winkerbean is mostly unremarkable. If it had only lasted a decade, any decade of its lifespan, it wouldn’t catch our attention.
But 50 years of this? 50 years of the Cronenberg-esq transformations of these strange sad-sack characters within a single universe, generated by a single mind.
When Marianne Winters pulled two VHS tapes out of her purse last week, that was the awful entrancing Funkyverse flipside to Snoopy as the Red Baron pitying Linus. It was a nauseating non sequitur built from years of disdain for a fictional character compounded with decades of facts and moments being referenced incorrectly.
Oh. And Batiuk was already creating inexplicable continuity biffs all the way back in 1973. Only a year after Les announced that he had applied for the position of school paper editor, the entire thing is retconned to being recruited by the school principal.
Never change, Tom. It’s too late to start.
Here’s the story
Of a hack named Batty
Who was busy with two comics of his own.
Both of them had stupid puns
And lots of wordplay
And bad dialog for girls.
Why the f*ck is there a soda can in the header panel? What does that have to do with anything? So BatYarn wanted to parody Zoom, but didn’t really know much about it or have any serious ideas for doing so. Naturally, he decided to plow ahead anyway and this floppery is the result. This is just bad on a visceral level, the kind of FW strip that firmly convinces me that mocking FW every day is indeed the right thing to do. What a hack.
And on that note I am done. What an ordeal that was. There’s been entirely too much Les lately, too much cancer too, at least for my tastes. Stay tuned for a Special Guest Appearance by Our Fearless Leader himself, the SoSF King Of Kings, TFH!!!
Christ, what a bunch of assholes. BatYam’s pandemic garbage dump arc limps toward the finish line today, as we get a rare glimpse inside the WHS teacher’s lounge, aka The Den Of Perpetual Ennui. The always-insufferable Linda is (surprise) once again bitching about her job in that low-key annoyingly wry way of hers, as Klabichnik delivers the “punch line” (as it were) while the useless Dick Facey sits there stupidly. What a piece of garbage. Strips like this actually make a mockery out of making a mockery of FW, which is the only “anomaly” here.
Marianne Winters, the sexy young Hollywood starlet with the small-town morals and a heart of gold, was stricken with breast cancer. But, because she just happened to be starring in a movie about a young woman (with small-town morals and a heart of gold) who was stricken with breast cancer, she understood the importance of early detection and successfully detected the breast cancer she’d been stricken with. What luck!
And, even more fortunately for Marianne, hundreds of thousands of people got sick and died from a horrible virus that pretty much shut the entire country, including Hollywood, down. And even MORE fortunately, a gigantic wildfire roared through the Hollywood area, leaving untold destruction and billions of dollars worth of damage in its wake, thus enabling Marianne to set aside the time to seek the very best medical attention for herself.
So it all really worked out well for her and, even more importantly, it all worked out for the deeply-conflicted Delicate Genius too. Because you see, Les was very deeply conflicted about sharing his innermost pain (that he painstakingly documented in a best-selling book then talked about non-stop for over a decade) with the world, at least until he discovered that his personal courage, fortitude and tremendous artistic gifts were responsible for literally saving Marianne’s life. So like with Marianne, the pandemic and the conflagration, the whole wife dying of cancer and sending him into a twenty-four-year-long cycle of depression and misery thing all worked out great for him in the end. Heartwarming, ain’t it?
BatYam could probably save all kinds of time if he just nailed Les and that f*cking book of his to a big cross, then had the various other characters pass by and genuflect before him, but there probably wouldn’t be as many opportunities for dumb puns and stupid wordplay that way. The fact that he spent years on this story only to have it end up here just boggles the mind. We all should have seen it coming, too, but once again Batty somehow managed to surprise and bore us all at the same time, which is quite a trick when you think about it.
See, he just explained how Funky got his special pizza-themed masks, but nothing can explain how, on the spur of the moment, he suddenly found or made a bunch of tiny masks for the stupid band box. I’m never discussing this arc again so, for the last-ever time, it’s just remarkable how much affection Funky has for his old nostalgia-steeped junk, like his stools, jukebox and (of course) that f*cking band box. The whereabouts of his old revolving beer sign are still unknown, as that plot thread has been dangling for like eight years now.
Coming next week: after briefly acknowledging Morton, Holly, Wally, Rachel, Adeela, Cory and Rocky’s untimely COVID-related deaths in passing, Funky seriously contemplates drinking himself to death after the green pitcher comes out of the dishwasher all faded and teal. His fellow AA members agree that it’s probably the best course of action given the gravity of the situation.