2022, Lisa.
Lisa, many Lisa 2022.
Lisas?
Lisa January.

Filed under Son of Stuck Funky
Today’s strip concludes (we hope and pray and hope and wish) this latest visit from the Ghost of Distress Past. Her Royal Wryness. The VHSaint herself.
On the subject of 18 panels (well, 16, thanks to a couple of 2 panel strips), this new Lisa tapes origin story actually takes up more column inches than the entire original origin story AND depiction of the recording of the tapes! That took just 16 panels in four strips. For all its faults, Act II got to the point…
Filed under Son of Stuck Funky
Comic Book Harriet, back in action. Ready to dig through the comic muck of this Inedible Pulp to, hopefully, stab at the heart of this horrifying nonsense.
First of all, I want to thank Spaceman Spiff for easing us through the shock and awe of the first ‘back from the dead’ soap opera moment I think we’ve had since Wally Winkerbean came home.
While some of you have been frustrated and angry at just how baffling the decision to retcon Phil Holt’s death is, I’ve actually been relishing the absolute stupidity of this arc. Unlike Batiuk’s biffing of Bull’s Suicide, the morally dubious resolution of the Adeela ICE arc, or the callous insensitivity of the LA Fires, the crazy on display here has no offensive real-world victims unless you find it libelous to Jack Kirby, Stan Lee, or Joe Simon.
And today, I finally get the answer to the most pressing question raised by Phil Holt’s ‘resurrection’: did he fake his death, or have a near death experience? Hanging on this question, was the interpretation of this strip from three years ago.
With the retcon, and the knowledge that Phil was completely fine at the time, there is only one explanation for these ghosts. Darin was imagining Phil and Lisa’s spirits having this conversation as they looked on approvingly at the auction. It was a fantasy that he concocted for his own gratification.
Furthermore, this suggests that every time we see ‘ghosts’ in strip it’s just the daydreaming of a living character, comforting themselves with a lie, roleplaying a no longer possible conversation, or expressing an internal anxiety, sometimes all at the same time.
Like when Lillian was visited by ‘Lucy’ coming back from the grave to lead her on a guilt purging journey of taking an undelivered letter to a demolished building, where Lucy and her old boyfriend Eugene could finally spiritually be together (even though Eugene was still alive at the time.)
Les of course is the worst offender of this. Lisa constantly pops up around him, encouraging him, praising him, agreeing with him, and smiling while watching him make out with his hot new wife.
But even Les seems to realize that this is just him projecting what he imagines Lisa would say. And that Lisa only lives on inside his mind as a fractured reflection of his memory. She sleeps forever, in the oblivion of death.
If I could ask Batiuk a personal question, I would ask if he believes in an afterlife. Because I don’t think he really does. I think he wishes there was something after death, but has been convinced that the only immortality we actually get is the lingering echoes we leave in the hearts and minds of others.
And, in time, those people will pass away, and so then passes even memory. Life has meaning, but only temporarily.
And so all metaphysical experience is really just human consciousness and awareness fractured and reflected back on itself. When we try to conceive of or reach out to God, or dead loved ones, or eternity, the only thing that can reach back is a part of yourself.
Dead St. Lisa was only a part of imagination. She’s no more or less real than that heatstroke robot Funky imagined when running, or Jeff’s Inner Child avatar, or Les’ depression cat.
But, then again, apparently the depression cat is real and crazy old film producers can see it.
And Dead Lisa did call into an airport and talk to customer service, then Les, then called in a phony bomb threat…
Strap in folks! It’s gonna be a fun week!
Filed under Son of Stuck Funky
Everyone else can bring the funny in the comments. I’m going to be talking Srs Bidness.
I wanted to take Saturday to comment on the often noticed elephant in the room: Darrin replacing Ann Fairgood with Dead St. Lisa as ‘Mom’. Because we all know Jess in today’s strip is referring to the Dead St. Lisa looming in the background and not poor Ann Fairgood.
First things first, I don’t think it’s entirely unheard of for adopted people who reconnected in a positive way with birth-parents to go on to call them ‘Mom’ or ‘Dad’, even while they also still call their adoptive parents ‘Mom’ and ‘Dad’. I know Darrin only knew Lisa as his birth-mother for a few weeks or months, but perhaps the ticking clock intensified their re-connection relationship, like some kind of summer camp ending in death. I can buy that they loved each other, and as mother and son. And I don’t think Batiuk really intended to indicate that he loved the Fairgoods less because of it.
So the problem really isn’t that Darrin calls Lisa ‘Mom.’ The problem is that the elder Fairgoods have disappeared into the very background of Funkyverse over the last couple years, while Darrin, Ghost Lisa, and Les have remained center stage. The last mention of the Fairgoods was all the way back in March, when Darrin calls Les up telling him that he’s coming out to visit, “mom and dad.” But we don’t get to see that visit. Instead we get to see Darrin visit his bio-mom’s husband and reminisce about his dead bio-mom, all to set up for the Lisa Trilogy Boxset Special Extended Edition product placement.
Mr. Fred Fairgood had his stroke in January of 2013, and at the time I thought they were setting up for a copy of a FOOB storyline. Anyone remember when Grandpa Jim had a stroke? It was handled with pathos and humor, and his long, incomplete, recovery was shown in detail, and affected the rest of the strip. And when I am comparing a strip negatively to late-run For Better Or For Worse, you know it done messed up.
Batiuk failed to follow through. A close perusal of the archives here and on Comics Curmudgeon sees the Fairgoods taking a very active part in the investigation of Scumbag Bio-Dad in 2013, and being there for some Baby Skyler stuff, and that’s about it. He petered out involving the Fairgoods in anything by 2014. And you know what else happened around 2014? Holly Winkerbean’s Starbuck Jones Collecting Mania.
Now the strip more or less revolves around six or seven characters. Les, Bull, Funky, Dead St. Lisa, Darrin, Pete, Masone, Cindy, and Mutha Fukkin Starbuck Jones. Darrin is important because Starbuck Jones, and Lisa is important because Lisa’s Legacy is Batiuk’s Legacy, and his cash cow. And for Tom pointing out the biological connection between the two characters is easy and obvious. Probably compulsive at this point too. Lisa consumes all.
And it’s why Frankie the evil Bio-Dad showed up, twice, once even in reference to Starbuck Jones. And, most importantly, why he had to be evil in the first place. Making Lisa’s pregnancy the result of date-rape not only allows her to maintain her moral purity, (making Darrin an emotionally ‘virgin’ birth,) but makes it almost obligatory that Darrin and everyone else reject Frankie. There is no simpler way to negate his fatherhood. As a bonus it gives Batty an easy total monster in a strip rather devoid of them. But above all it tosses Frankie out of the equation, keeping the Darrin and Lisa and Breast Cancer connection strong.
If Batty simply wanted Lisa to live on in her children, then he would involve Summer more. But the last few years even Summer has been very intermittent, because she has nothing to do with Starbuck Jones and is stuck in college, which Batiuk couldn’t care less about. He likes Darrin. Darrin is a bland, generally happy, everyman who could hypothetically do anything Tom Batiuk would want story-wise, comicsfanboy-wise. There’s a reason we call him Boy Lisa after all.
Filed under Son of Stuck Funky
Happy Friday Everyone!
You all can dissect this reveal at your leisure. The Cookie Monster bought all the cookies at the Sesame Street Bake Sale and we’re supposed to be surprised. I have no other comment on it.
Mostly I have questions for any artists we have out there.
When do you think was the last time Jess ate? Darrin’s huge sausage fingers are about to crush her rail thin spine.
Darrin’s nose has gotten flatter and flatter as the auction has progressed, almost as if the underlying bone was eroding away. Is the artist trying to indicate he has syphilis?
How long was that auction? Darrin has some pretty serious bags under his eyes.
Are Ghost Lisa and Ghost Phil gonna ghost bang or what?
What is that weird black thing in the bottom right corner of the second panel? Is it a speaker? Is it a top hat? Is it a weird failed perspective shot of the seat of the chair he’s just leapt up from? Whatever it is, why does it appear to be joining Maniac Grabby Hands Dr. Phil in shouting at the ceiling?
Why is Chester’s shadow red, when the floor is beige? Did the colorist think it was a red carpet that The Chiseler rolls out behind him wherever he goes like in Guardians of the Galaxy 2? Or is it a pool of blood from the victims he viciously clawed to death to keep them from bidding up the covers? And if that’s the case, why doesn’t he have gore all over his hands? Censorship?
And finally, please please please, for the love of Dead St. Lisa, can someone Photoshop some Pokéballs into Chester the Chiseler’s hands?
Pokémon League Expo hat is optional.
Filed under Son of Stuck Funky