Tag Archives: Lisa's Story-The Movie

Keep Circulating The Tapes

I suppose it was inevitable… but I had a fleeting thought that we might escape this arc without anyone bringing up the Lisa tapes. Alas, today’s strip has happened. It was a silly thought, really.

Wait, all Les Cayla sent to Marianne was two videocassettes? (apparently) Didn’t Les ask Cayla to send DVDs of Lisa’s tapes? (yes) But didn’t Les also have all of his Lisa tapes on display on the very shelf he just placed Marianne’s Oscar on? (also, yes) But didn’t Crazy convert all of the Lisa tapes to “digital” (and DVD) years ago, negating the need to send any physical media at all? (again, yes) But didn’t the conversion process require Crazy to bake (and likely ruin) the tapes because of their fragility and deterioration? (it did) Beyond that, why is she only returning these tapes to Les now instead of through a delivery company or at the movie wrap party? (because TB has panels to fill)

I suppose the real question here is, did Lisa make a tape about what to do in the event that an actress won an Oscar for playing her in a major motion picture? That might explain why Marianne wound up giving her Oscar away… everyone obeys the Lisa tapes! Sic semper videocassetta!

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Stolen Valium

In today’s strip Les, appropriately, puts all of his stolen Hollywood paraphernalia in same place.

Marianne doesn’t appear to understand the concepts of opacity and walls.

Cayla plans to monetize this display even though presently no one seems willing to visit the Moore house for free (and people are willing to visit Dinkle!).

Why am I blandly narrating this strip in lieu of hard-hitting commentary and rapier wit? Because I know my limits. Why is Les blandly narrating his actions in the first panel? Because there is no limit to his disdain for even those that worship him.

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Guilt blip

As our sharp-minded posters have already noted, Oscar statuettes cannot be given away or sold without first allowing the Academy the right to buy them back for $1. As such, what Marianne gives to Les and what she keeps should rightly be flopped in today’s strip.

But we’re not in reality (we’re 1/4″ away from it), so what we are left with is a false modesty competition between Marianne and Les that offers nothing we did not already know yesterday. It’s a good example of Les showing his true colors though… If Les really and truly felt guilty about taking the Oscar that Marianne is stupidly and inexplicably giving up, then he wouldn’t wait until she flew across 70% of the country to tell her. I’ll bet he also excuses himself to go to the restroom just before the check comes at a restaurant and then returns to sheepishly offer to pay the bill just as his dining companion is handing their credit card to the waiter. Cue Ben Schwartz saying the thing

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“N”, the bag

Today’s strip marks Summer’s first appearance since… oh wait, yeah, sorry, that’s (Marianne) Winters, not Summer.

Summer actually has appeared in this strip as recently as 7 weeks ago, which is not something you could often say since she graduated high school. Even so, it’s kind of remarkable that Les and Cayla have interacted more over the past few years with a now-Oscar-winning actress than they have with their own children, both of whom (still!) appear to go to Kent State… less than an hour away from where Westview is generally considered to be.

And by “remarkable” I mean 1/4 inch AU from reality. I think I would have found it more relatable and more entertaining had we focused instead on the adventure that must have been Marianne’s efforts to bring an Oscar stuffed in a small drawstring bag through a TSA checkpoint.

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Clap on! Clap off!

Marianne does NOT look like someone who is willing to give away her Oscar in the first today’s strip. No, she’s looking at that Oscar the way most characters in this strip look at comic books.

The rest of this is as rote and pat as an Oscar acceptance speech can be, so let’s have some fun with another crowd shot of “famous” faces. Help me fill in the blanks and fix the mistakes where my corrective lenses deceived me.

  1. A replicant
  2. NO NECK JOE!
  3. Alana Haim deserves better seats than this
  4. Stanley Tucci on a ski trip
  5. David Duchovny’s face
  6. HAL 9000 putting on its best gold
  7. Debra Jo Rupp
  8. General U.S. Grant again
  9. A cumulonimbus cloud
  10. I don’t know, but her body language is appropriate
  11. David Duchovny’s hair
  12. Cousin It
  13. Beldar Conehead
  14. Hogarth Hughes
  15. Maria, from Sesame Street
  16. Cassidy’s sister, Alexus Kerr (see, I can do it too, TB)
  17. Yoko Ono
  18. Harold Lloyd (I mean, if Phil Holt is alive…)
  19. The Chinless Contessa
  20. Given her glare I’m guessing this is either Gretchen Gold or Cordelia Rama
  21. Burt Reynolds (again… Phil Holt)
  22. Jennifer Anniston’s hair
  23. Sid, from accounting
  24. We have General Grant, so why not Robert E. Lee too?

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Hai-can’t with this

Here is today's strip
Is it worse than we all feared
Or simply as bad

If I was popcorn
I would be quite offended
By this portrayal

Les hated this film
Why would he even watch this
Was happy it failed

In this case, "writer"
Would not describe Les as he
Did not write the script

This deserves more scorn
I'm a skink, I can't rant, so
I'm counting on you

Rip this thing to shreds
Kill it with all of the fire
Or just acetone

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Special Enragement

In today’s strip, Marianne is coming off as not simply composed but rehearsed, belying the nerves and words she had just a few days ago. Or maybe Marianne is just that good of an actress and really is worthy of that Oscar… I have to admit, only a great actress could say that Mason and Lisa’s Story deserve Academy Award nominations without breaking out in riotous laughter.

Let’s look at some odds on who this Oscar-worthy “very special person” is:

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Naked and Famous

OK, three weeks until the actual Oscars ceremony, plenty of time to build suspense. Will Marianne beat out Gretchen Gold and Cordelia Rama for best actress? We won’t know for sure until…

The first panel of today’s strip?!

Uh, points for brevity, I guess, though in this case it is most certainly not the soul of wit… or any other word positively associated with writing. In the absence of anticipation as to whether or not Marianne will win the little golden man statuette, we have the ridiculousness of professional actress Marianne (and no stranger to public speaking and media attention) not having any remarks prepared despite having an apparent one-in-three chance of winning. This is compounded by the ridiculousness of her asking advice on accepting an award from a guy whose work outside of Lisa’s Story and Starbuck Jones consisted of Dino Deer, My Dog Pookie, and being incredibly nervous about simply doing a table read (!!!) for the unfinished masterpiece that was Lust For Lisa.

At least Cindy’s shtick is consistent.

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Netbust A Movie

Link To This One

I guess “Blockflix” didn’t roll off the tongue so well. So seriously, what the f*ck has happened to Marianne? Suddenly she’s become the frumpiest leading lady of all time, with that horrific Summer haircut and that bizarre neck/chin deal she has going on. She actually looks more like Rocky’s mom than anyone else, now that I think about it. And Mason’s face in panel three just makes me want to punch things, especially Mason. Those video screen renderings are some of the worst FW drawings I’ve ever seen. Marianne suddenly sprouts some sort of weird pigtails/mullet hairdo and Mason looks like he’s having a seizure, they’re just outrageously terrible.

“Pink Entertainment” sounds like a porn company. Sorry to be all childish about it, but it does. What a cockamamie turn of events this is. The movie was a giant bomb that ended up being relegated to the “art house circuit” even though it’s not a f*cking “art film”, then the pandemic blew that all to hell, at which point one of those horrible internet thingies picked it up, where it became a surprise smash hit. I’m kind of shocked at how much effort BatBrain put into that premise, to be honest. I would have guessed that’d be way, way too complicated for a FW premise, yet here we are.

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