February 26, 2021 at 11:43 pm
I can’t believe I’m writing this, but I almost want there to be a complete tour of the new and “improved” Chateau Winkerbean tomorrow, just so our six days of sloughing through (apparently) one very repetitive day-long conversation won’t have totally been in vain.
Hate to spoil it for ya, J.J., but I have a feeling that today’s strip is about as close as we’re gonna get to seeing the actual reno in progress. Throwaway panel 1 is a lovingly detailed rendering of a gutted kitchen, chock full of the kind of details–the orange extension cord, discarded sheetrock and wood, exposed studs and electrical–that have me thinking Batty snapped some reference pix during the real-life reno of his own kitchen that inspired this arc.
Also in panel 1, to the left of the FW text, we see Holly’s profile, which tells us that they’re sitting in a room that’s just off the kitchen. Which makes me wonder how she could forget that the ice cream and everything else has been moved to another location.
And we’re back to Les’s cameo in today’s strip. I dunno what that golf thing yesterday was about, but it will probably be awful and unsatisfying if it is ever revealed at all.
Having seen more of this scene, I really hope Les’ fear that his cameo will elicit knee-buckling laughter from his friends, family, and assorted other acquaintances comes true. What better time in Lisa’s Story to bust a gut than this maudlin bit where Les recaps a phone conversation Lisa had with her insensitive doctor? That’s the first and only thing about this Lisa’s Story flick that makes me want to watch it.
This strip is a nice reminder that Lisa’s second battle with cancer was full of bumbling and insensitive doctors: always mixing up important cancer charts and exhibiting awful bedside manner. What timing TB has… I cannot think of a time in my life when fewer Americans would be interested in fictional depictions of incompetent and unpleasant doctors.
And that’s it for me. I cannot say I envy spacemanspiff85, who takes over tomorrow. Good luck to you. You won’t have it, but it seems the right sentiment to express.
Whaaaaaaaaaaaaaaaaaat?! After a week of setup for this cameo and its single, six word line, Les flubs it in today’s strip? Who could have possibly seen this coming?
At least the narrative has inched along despite wasting 14 panels on reusing the most cliche gag about acting in history. Mr. Director himself, Martin Johns, confirms what we all suspected since we first saw that laughable park bench set being put together… this film has next to no budget. Unless he’s just being dramatic about the tire fire that Les has turned this scene into, in which case we’ve gone no where on this story arc in a week and a half.
Today’s strip was not available for preview; I guess that’s a Wednesday thing now. Les is, presumably, still antagonizing over the terrible horrible no-good very bad fate of making a 6 word cameo in a major motion picture. ¡Qué mala suerte!
While we wait on that, why not take another trip in the WABATIUK machine with me and check out a particularly disgusting Act II scene with Les Moore, the Midwest’s greatest monster, and his legendarily thin skin. Here, less than 3 months into their marriage, Lisa made the mistake of offering up some constructive criticism of Les’ in-progress and all-stupid John Darling book manuscript. Les acts like Les and Lisa complains about it downstairs in a conversation with co-worker Funky (EVERYONE in Westview has worked at Montoni’s at one time or another, it’s like compulsory military service in countries that have that). Lisa has Les pegged perfectly…
This rare moment of seeming self-awareness from TB about the monster that Les truly is proves fleeting, though. The very next strip, Lisa regrets not giving Les ten thousand words of well-reasoned adulation. Funky and Tony convincer her to bring him a pizza, and for good measure she stops by Komix Korner on her way home as well. Seriously, Les’ oversensitivity is rewarded with pizza and comic books and… an “apology” from Lisa.
This man must be stopped! This film must be stopped! This strip must be stopped!
Cameras are FINALLY rolling in today’s strip, which is take 3 (why?) of the contents of this Sunday strip from January 31, 1999.
Yep, even when it was actually happening, Lisa’s story was pretty much all about Les.
Les didn’t write the script for this movie, and yet, this scene is almost verbatim what was actually said back in 1999. I guess he had nothing to fear after all as the script writer must have been clairvoyant… or perhaps just too lazy to even try to punch up a bland passage lifted wholesale from the Lisa’s Story book.
If Les cannot live through seeing actors recite his own words, he knows where the door is. Even if he somehow didn’t walk through it to get in the soundstage, maybe he parachuted in or was brought in bound and gagged inside of a trunk (my favorite theory), he saw Marianne do so.
Anybody here seen that old jerk Les Moore,
Can you please tell me that he’s gone?
He annoyed a lotta people, readers chiefly among
Y’know I just looked at today’s strip and he’s gone.
Anybody here seen any act-tion,
Can you tell me when it comes on?
There’s been a lotta panels, but it seems nothing has happened
I just looked at today’s strip and I yawned.
Does anybody here get this movie’s appeal,
Can you care when Lisa’s fate is foregone?
They need a lotta viewers, their wallets must be wrung
But it’s being made for an audience of one.
Didn’t we snark on Lisa’s arc before?
Won’t this movie plot and strip end eventually?
Then we’ll be free,
Someday soon it’s gonna be one day.
Has anybody here seen my old friend Tom,
Can you tell me where he’s gone?
I thought I saw him there WAY over the hill
In denial that he’s been there so long.
Could cameras finally be rolling in today’s strip?! Ha ha, no. Tom “Tell, Don’t Show” Batiuk is living up to his nickname again. Whatever was just filmed was “great!”, though. Not great enough to portray in this strip or to make additional takes unnecessary, but still great!
There’s really nothing here, is there? We’ve seen Mason and Marianne in their costumes… we’ve seen the laughably cheap winter park bench set being set up… Les has already reacted to all of this. Did we really need to see Martin Johns say some cliché movie director things and spout some authentic Hollywood jargon? Can we move on to Les’ inevitable griping about what is actually being shot? The sooner we get there, the sooner we get out of this story arc (I hope).
At the very least couldn’t TB have had Ayers punch this up by giving Martin a clichéd old-style Hollywood director’s get-up? Y’know, stupid beret, sunglasses, jodhpurs, oversized megaphone, etc.? And if you’re gonna have Shermy cameo as a cameraman, at least let us see his face!