Tag Archives: Cassidy Kerr

Winters Coming

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This one gets a “cleavage” tag for Cindy, as it’s very faintly visible if you look closely. I know, I know, it’s a problem and I’m working on it. It is kind of interesting how that’s one small detail Ayers doesn’t seem to skimp on.

And there she is, fresh off her unsuccessful suicide bid, Marianne Winters aka Jupiter Moon. Man, Hollywood has aged her terribly. Then again that Food Film arc was like twenty or thirty years ago, so there you go. So now I’m expecting a few days of phony Hollywood banter, a day of Marianne pretending to die as Mason/Les wails “nooooooo!” followed by three more days of phony Hollywood banter, followed by a week of Cindy driving Les back to the airport and telling him she’d have done him in high school. Sigh. I hate Mondays.

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Doo Diligence

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So Mason is insisting on holding a phony casting call just to assure Les that he’s putting every available resource into finding the perfect Lisa, even though he’s already decided who’ll play her? So they’re going to waste thousands of dollars and everyone’s valuable time just to put the smug bearded dick with ears at ease? BatHam’s insane “inside Hollywood” fantasies are spiraling out of control again. This is the most laughable cancer movie premise yet and they haven’t even settled on the cast yet. For anyone else setting your story on the set of a Hollywood movie would have all sorts of potential, but just like with Starbuck Jones he instead opts to focus on the most mundane aspects, like picking up a guy who’ll be sitting in during casting. Yet another fanciful sub-universe full of lore, characters and lingo where absolutely nothing ever happens. Sigh.

Why is Cindy always chauffeuring Les around? Isn’t she some sort of newscaster? It always amazes me how everyone in the Funkyverse always seems to have nothing better to do at any given moment. “The same driver”…he mentioned another arc, albeit a way more recent one this time. He’s suddenly doing that all the time and I find it kind of unnerving.

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The Hook is She Dies

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If you told me Batiuk was somehow writing this crap without even noticing what he was writing, I would totally believe you. Who, after being told the movie was about someone dying of cancer, would ask what the hook is and if there’s a good twist? She dies. That’s the hook, for some reason. What’s supposed to hook you in is watching someone die. And the twist is that she dies.

And Mason’s responses have nothing to do with Cass’s question. Darin wasn’t a twist or a hook, he was a boring time wasting plot device to add more melodrama. And “testifying before Congress” is neither a hook nor a twist

And how many more days of Mason being smarmy for some reason and Les being annoyed are we going to get? I know the answer is “far too many”. It’s funny how after years of being presented as just the coolest actor ever all of a sudden Mason is a Hollywood jackass, for some reason.

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So They Got Drinks After All

today’s strip
Les with his hands where nobody can see them, staring silently at a blonde woman. What else is new?
Really though, what is the point of this strip? Someone expresses condolences to Les, and he stares into space sullenly and silently? Are we supposed to think she’s silly for saying she’s sorry? Is the point that “sorry” isn’t enough, and she should be weeping and rending her clothes at Les’s feet.
You know what I love in this situation? If Cass’s next lines were “I lost my husband to cancer. And also my children.”. Take that, Les.

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If Only, Les, If Only

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Um, Les, that doesn’t really address her question at all. She didn’t ask if you wanted sparkling water, she asked if you wanted a drink. There are many, many other drinks than sparkling water. It really wouldn’t surprise if Batiuk constructed the past two weeks just so he could use “sparking water-boarded” as a punchline.

I do like how even though she says it’s nice to meet Les, Cassidy Kerr is not actually touching him. Her face in the third panel seriously disturbs me, though.

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