I suppose it was inevitable… but I had a fleeting thought that we might escape this arc without anyone bringing up the Lisa tapes. Alas, today’s strip has happened. It was a silly thought, really.
Wait, all Les Cayla sent to Marianne was two videocassettes? (apparently) Didn’t Les ask Cayla to send DVDs of Lisa’s tapes? (yes) But didn’t Les also have all of his Lisa tapes on display on the very shelf he just placed Marianne’s Oscar on? (also, yes) But didn’t Crazy convert all of the Lisa tapes to “digital” (and DVD) years ago, negating the need to send any physical media at all? (again, yes) But didn’t the conversion process require Crazy to bake (and likely ruin) the tapes because of their fragility and deterioration? (it did) Beyond that, why is she only returning these tapes to Les now instead of through a delivery company or at the movie wrap party? (because TB has panels to fill)
I suppose the real question here is, did Lisa make a tape about what to do in the event that an actress won an Oscar for playing her in a major motion picture? That might explain why Marianne wound up giving her Oscar away… everyone obeys the Lisa tapes! Sic semper videocassetta!
In today’s strip Les, appropriately, puts all of his stolen Hollywood paraphernalia in same place.
Marianne doesn’t appear to understand the concepts of opacity and walls.
Cayla plans to monetize this display even though presently no one seems willing to visit the Moore house for free (and peoplearewilling tovisitDinkle!).
Why am I blandly narrating this strip in lieu of hard-hitting commentary and rapier wit? Because I know my limits. Why is Les blandly narrating his actions in the first panel? Because there is no limit to his disdain for even those that worship him.
But we’re not in reality (we’re 1/4″ away from it), so what we are left with is a false modesty competition between Marianne and Les that offers nothing we did not already know yesterday. It’s a good example of Les showing his true colors though… If Les really and truly felt guilty about taking the Oscar that Marianne is stupidly and inexplicably giving up, then he wouldn’t wait until she flew across 70% of the country to tell her. I’ll bet he also excuses himself to go to the restroom just before the check comes at a restaurant and then returns to sheepishly offer to pay the bill just as his dining companion is handing their credit card to the waiter. Cue Ben Schwartz saying the thing…
Today’s strip marks Summer’s first appearance since… oh wait, yeah, sorry, that’s (Marianne) Winters, not Summer.
Summer actually has appeared in this strip as recently as 7 weeks ago, which is not something you could often say since she graduated high school. Even so, it’s kind of remarkable that Les and Cayla have interacted more over the past few years with a now-Oscar-winning actress than they have with their own children, both of whom (still!) appear to go to Kent State… less than an hour away from where Westview is generally considered to be.
And by “remarkable” I mean 1/4 inch AU from reality. I think I would have found it more relatable and more entertaining had we focused instead on the adventure that must have been Marianne’s efforts to bring an Oscar stuffed in a small drawstring bag through a TSA checkpoint.
Marianne does NOT look like someone who is willing to give away her Oscar in the first today’s strip. No, she’s looking at that Oscar the way most characters in this strip look at comic books.
The rest of this is as rote and pat as an Oscar acceptance speech can be, so let’s have some fun with another crowd shot of “famous” faces. Help me fill in the blanks and fix the mistakes where my corrective lenses deceived me.
Here is today's strip
Is it worse than we all feared
Or simply as bad
If I was popcorn
I would be quite offended
By this portrayal
Les hated this film
Why would he even watch this
Was happy it failed
In this case, "writer"
Would not describe Les as he
Did not write the script
This deserves more scorn
I'm a skink, I can't rant, so
I'm counting on you
Rip this thing to shreds
Kill it with all of the fire
Or just acetone
Uh, points for brevity, I guess, though in this case it is most certainly not the soul of wit… or any other word positively associated with writing. In the absence of anticipation as to whether or not Marianne will win the little golden man statuette, we have the ridiculousness of professional actress Marianne (and no stranger to public speaking and media attention) not having any remarks prepared despite having an apparent one-in-three chance of winning. This is compounded by the ridiculousness of her asking advice on accepting an award from a guy whose work outside of Lisa’s Story and Starbuck Jones consisted of Dino Deer, My Dog Pookie, and being incredibly nervous about simply doing a table read (!!!) for the unfinished masterpiece that was Lust For Lisa.
When I first saw this one I just stared at it for minutes on end, unable to decipher or make sense of it at all. For the first time ever, I seriously considered asking my fellow SoSF hosts for help with figuring out what the hell this is supposed to be. Was Mason saying “COVID 15” or was he saying “COVID is”? I had no clue.
But eventually I figured it out. “COVID 15” is one of those clever little turns of phrase BatYam makes up when he’s trying to capture the way people talk in “real life” and, as usual, it fails spectacularly on every conceivable level. What Mason needs to do now is to pack on another COVID-75 so he can play Funky in the movie adaptation of “Singed Hair”. After that, all he needs to do is play Crazy Harry, at which point his life’s work will be complete.
Obligatory artwork critique: check out that photo on Marianne’s wall. My, such attention to detail. I mean, why even bother drawing it at all?
“I’d like to thank everyone, but especially Lisa Moore, whose untimely death made all this possible. Thank you, Lisa, wherever you are, for inspiring me and an entire generation of young women by, you know, dying and stuff. You like Lisa…you really, really like Lisa!”.
Oh brother. The last time we heard about “Lisa’s Story-The Movie”, Les was disinterestedly shrugging it off as yet another bothersome nuisance he didn’t have time to care about one way or the other. But, after overseas distribution and yadda yadda yadda, Les’ masterpiece is being dragged back into the spotlight yet again. Unlike Lisa, it just refuses to die and, just like Lisa, it just keeps coming back, over and over and over again. Sigh.