Three panels, three places, and no answers in today’s strip.
So Phil Holt created The Subterranean, demanded ownership of the property, didn’t get it, left in a Les-level huff… and then hated Flash for the rest of his life? Was it Flash that denied Phil ownership of The Subterranean? Should I submit this to CIDU? We’ve gone from classic TB “tell don’t show” to “tell, but not really”.
One assumes then that Phil took The Subterranean to Marvel, where the concept was reworked into Subterranea. The butterfly effect of this decision ultimately resulted in the greatest Spider-Man story in recorded history, so let us all be grateful for that.
Well there is nothing that says “Happy 4th of July!” like today’s strip, where Crazy and DSH take turns playing one of Scott Adams’ most/least beloved tertiary Dilbert characters. It’s got everything you would want to celebrate America’s birthday: a close up of DSH’s gaping maw and blackhead-pocked nose, bricks, people not working, Domo, people complaining about having to get out of bed at a reasonable hour, a store with not a single customer shopping… Like I said, everything!
Have a safe and happy 4th everyone.
“Really good news” for Ruby and Flash in today’s strip! We learned the “really good news” yesterday, of course, and Ruby and Flash will have to wait to learn it until… well, hopefully sometime this week. Please let them learn it sometime this week!
“What is the point of this strip?” is a question that could be asked about Funky Winkerbean almost daily, yes, and it is a question that is never going to lead to any satisfying answers… but let’s pontificate anyway on today’s long panel of pointlessness. Is there really any reason at all to not have Durwood, Mindy, and Mopey Pete tell Ruby and Flash in this strip that they will be honored at Comic-Con in a month? Not revealing the news to them today does absolutely nothing. There is no suspense for the reader because we all learned the news yesterday. There is no suspense or anticipation for the characters because they have barely expressed the need or even want to be recognized for their work. Ruby and Flash have been glorified props in nearly every strip they have appeared in, existing almost solely to help Atomik Komix’s hard-shirking employees shirk even harder. Why wouldn’t Comic-Con and the Eisner Awards reach out to Ruby and Flash directly instead of relaying the news to Pete? Why wouldn’t these three wait for the Eisner folks to inform Ruby and Flash even if they got the news first? Why would Ruby offer her sad-sack take on the state of the comics industry as a response to the question “guess what?” posed by a coworker? Shouldn’t everyone who works at Atomik Komix be well aware of the sales of both their titles and the titles of their competitors? And what is Flash even doing here? He doesn’t work for Atomik Komix. Please tell me he’s not going to become a fixture, the Dinkle to Pete’s Lefty…
All this is doing is padding out the week worse than I padded out the preceding paragraph by asking hopeless and rhetorical questions. Oh, silly me, the point of this strip was in front of me the whole time!
Well, we aren’t reviewing individual pages of The Flash #123 in today’s strip, I guess we’ll pick that up next week. I’m kidding about that last part, let’s not actually pick this up next week, please. Please…
I’d admire Batton’s commitment to enjoying reading his favorite comics to the point that he’s essentially worn out what is now a very valuable comic book in good condition… but willingness to appreciate consumable art in a consumable way instead of foolishly betting on a longbow retirement plan is not what this dead snail of a story arc is about. It is, ostensibly, about drawing inspiration from The Flash #123, but we have seen no evidence of that. Batton just keeps saying nice things about the issue in increasingly dumb and boring ways. There is barely a hint of how or why #123 was such an inspiration, just the vague reference to “a plan”. Speaking of… are we ever going to hear about Batton’s plan? Do we even want to?
No, and no. So, what am I complaining for?
Link To Today’s Strip
Good. I was worried I wouldn’t get to have any Les Moore action during my stint this time.
That was sarcasm, in case you were wondering. If I’m ever actually happy to see Les Moore, I’ll let you know so I can be transferred to the appropriate facilities.
At least he’s keeping his smug stupid mouth shut.
And Funky’s so unimpressed to see him, that he’s not even bothering to get his ass out of his chair.
In fact, this entire strip has a weird manic energy to it. Les just…smiles. While Funky, apropos of nothing, grimaces and waves his arms, and rants about seeing through walls. You could edit Les out of the strip entirely. He’s just a prop for Funky to use. He could have been anyone. Swap him with Harry, Holly, Corey, Garfield. It wouldn’t change a thing.
It’s almost like…like Les Moore isn’t there at all. And Funky is ranting at an imaginary Les he conjured up in his delirious need to have someone smirk beatifically at his stupid joke the very moment it entered his mind.
Maybe Funky fantasizes a silent Les Moore a lot.
It would be at least one thing we have in common.
Today’s strip was not available for preview; I guess that’s a Wednesday thing now. Les is, presumably, still antagonizing over the terrible horrible no-good very bad fate of making a 6 word cameo in a major motion picture. ¡Qué mala suerte!
While we wait on that, why not take another trip in the WABATIUK machine with me and check out a particularly disgusting Act II scene with Les Moore, the Midwest’s greatest monster, and his legendarily thin skin. Here, less than 3 months into their marriage, Lisa made the mistake of offering up some constructive criticism of Les’ in-progress and all-stupid John Darling book manuscript. Les acts like Les and Lisa complains about it downstairs in a conversation with co-worker Funky (EVERYONE in Westview has worked at Montoni’s at one time or another, it’s like compulsory military service in countries that have that). Lisa has Les pegged perfectly…
This rare moment of seeming self-awareness from TB about the monster that Les truly is proves fleeting, though. The very next strip, Lisa regrets not giving Les ten thousand words of well-reasoned adulation. Funky and Tony convincer her to bring him a pizza, and for good measure she stops by Komix Korner on her way home as well. Seriously, Les’ oversensitivity is rewarded with pizza and comic books and… an “apology” from Lisa.
This man must be stopped! This film must be stopped! This strip must be stopped!
Anybody here seen that old jerk Les Moore,
Can you please tell me that he’s gone?
He annoyed a lotta people, readers chiefly among
Y’know I just looked at today’s strip and he’s gone.
Anybody here seen any act-tion,
Can you tell me when it comes on?
There’s been a lotta panels, but it seems nothing has happened
I just looked at today’s strip and I yawned.
Does anybody here get this movie’s appeal,
Can you care when Lisa’s fate is foregone?
They need a lotta viewers, their wallets must be wrung
But it’s being made for an audience of one.
Didn’t we snark on Lisa’s arc before?
Won’t this movie plot and strip end eventually?
Then we’ll be free,
Someday soon it’s gonna be one day.
Has anybody here seen my old friend Tom,
Can you tell me where he’s gone?
I thought I saw him there WAY over the hill
In denial that he’s been there so long.