Oh boy, more unwelcome guests in today’s strip… and also Bingo. Bingo can stay, he’s cool.
Hopefully Bingo will take his claws to the new choir robes in the back after these yutzes leave.
This, right here, is why everyone hates getting a Dinkle arc. Dinkle and/or band directing just grinds this already glacially-paced strip to a dead, still halt. As astoundingly bad as last week was, you had Makeover Summer gawking around, Boy Lisa being in the wedding for some reason, a possible love triangle, technology gags, comic books AND pizza. But this week? Total Dinkle flatline. I’m not even sure what the gag here is supposed to be. I really hate it when he shamelessly panders to band directors like this.
Today’s strip is pretty inoffensive, as these things go. It might border on “nice” if we liked a single one of these characters.
Not sure why Funky and Holly look so surprised to see Morton playing the trombone. They know Morton is in this band. They know the band is playing at St. Spires. They walk into the Christmas Eve service hearing the strains of “Silent Night”. Put two and two together…
OK, sure, most of the churches I’m familiar with place both the choir and orchestra in front of the congregation rather than behind, but such a slight difference wouldn’t floor me like a character from the late They’ll Do It Every Time.
Finally! Dinkle and the alumni band show up in today’s strip… though Jerome T. Bushka A&L Automotive Stadium looks suspiciously like St. Sprires church and the alumni band doesn’t have any instruments (though they all look to be about the age I would expect). Weird.
After the throwaway panels, you almost could have convinced me that a computer wrote this. Former marching band director plays music from famous composer. You could generate this gag, such as it is, with a UNIVAC… though I think the UNIVAC would spit out dialogue with a little more flair.
And with that, I’m out. Tackling tomorrow’s tantalizing strip and taking to task the next two weeks will be the incomparable Spaceman Spiff.
Hey SOSFers, thanks for doing my job for me on today’s strip! Very much appreciated.
Now I’ll give Dinkle this, he’s historically been quite honest in his assessment of himself in regards to retirement being hard for him. Harriet, on the other hand, is really the one who should “pick a lane“. She was the one who arranged for him to unretire in the first place.
Oh sweet Sousa, it’s HIM! I guess we all knew his appearance was inevitable after Holly brought up band alumni yesterday, but I think we were all hoping he wouldn’t show up as soon as today’s strip. But now he is involved AND he is tossing around comic book/video game terminology like he‘s DSH or the other guy in this strip named Harry, making this story arc go from insufferably bland to straight up insufferable in three panels flat. And now we know Holly wasn’t the only majorette he routinely maimed…
Holly really shouldn’t be surprised he remembers her, though. After all, he named his shoe brand’s majorette marching boots after her. I guess that means he is being sincere then telling her she was the best majorette he ever had, though I’ll also bet he‘s been keeping her royalty checks from the sale of those boots for the past 29 years too.
So this group really is a “Gospel” choir? That wasn’t just a set up for last month’s “gossip choir” joke? Look, I’m not saying that a choir of interchangeable old white midwestern women in what appears to be a staid mainline Protestant church cannot sing a genre of music that is most strongly associated with (often) male feature performers in southern evangelical or (particularly) Black churches. Unexpected as it might be, of course they can. What I’m saying is that I don’t think TB has any idea that Gospel music is an actual genre of music itself and not simply another term for “hymns” or “church music”.
Unfortunately for TB and for us, music is not like a choir loft. It can’t be researched by taking a photo of it and e-mailing it to Chuck Ayers.