I’m going to ignore the “haha, apps are confusing mystical objects that nobody can understand” “humor” here and just focus on Becky. What in the world is her expression about? The raised eyebrows and smirk look more seductive/romantic than anything else (although in the second panel she looks eerily like Pete and Summer, because for some reason only three or four face types exist in this strip). And honestly, if it was revealed that Dinkle and Becky were actually having an affair, it would vastly improve the logic of this strip. Because “deaf band director who retired decades ago is constantly shadowing the current band director for no real reason” is stupid. It was the same thing with Linda and Buck. I think it’s a sign of bad writing when totally unintended subtexts actually make more sense than the actual plot.
Author: spacemanspiff85
Tone It Down
I wonder if the school still pays the cost for Dinkle to attend the OMEA. Oh wait, in today’s strip it’s just “Music Educators Conference”. I wonder if the OMEA didn’t pay enough to be featured on a sign every day this week. Or maybe Batiuk thought it would be nobody would know “OMEA” was a music thing, and they wouldn’t be able to appreciate the hilarity without knowing that.
Apart from the weirdness of the sign, just the format itself of today’s strip confuses me so much. Batiuk does this regularly, where one character makes a “joke” and another character reacts with fury to tell them it’s not a joke. I don’t understand it at all, because it doesn’t add a thing to it. The only thing I see as a possibility is maybe that Batiuk does it to portray anyone who doesn’t appreciate “wordplay” as a jackass? Because I can guarantee he doesn’t have a problem with puns, since 99% of the content in Crankshaft is Crankshaft getting words confused.
I’d also like to know the set up of this joke-did Harry just randomly walk up to someone he saw talking and tell him this?
Why Are Students at an Educators’ Conference?
It’s a very good thing the side of the room on Becky’s right wasn’t already crowded. It would have been very awkward for her to have to point in the other direction.
I had to think about this for several seconds before I realized there wasn’t anymore of a joke to this then the “young people are morons” beat that Batiuk’s been hitting over and over for years now. Although it really is Becky’s fault, since she’s telling them to wait “here” and pointing right in front of the door, apparently.
Also, why is the welcome sign on the inside, so people will only see it when they leave? It’s amazing how often Batiuk does that kind of thing, like having classroom numbers taped to the insides of doors.
Cussing Kiddo
Truly, Wally is the greatest hero of our time, next to Les, since he stared silently at a curb and had a wheelchair ramp built there.
Sadly, he had to pay for it out of his own paycheck, and Rachel won’t be able to get the treatment she so desperately and obviously needs for her hair cancer.
You know what’s legitimately hilarious about this strip? Billy, who I totally forget existed before this strip, has had more dialogue and a bigger role than Summer has had in the past five years or so of this strip.
Thanks for having me, everyone! The amazing ComicBookHarriet will be taking over tomorrow.
Ramping Up
In today’s strip, Wally finally gets around to memorializing his daughter Rana’s (R for Rana) gravesite, her having been buried underneath the Montoni’s sidewalk after she died of Ultra Breast Cancer she caught as a child from a landmine in Afghanistan. This all happened off-panel a few years back when Funky was shown working out in the gym. You can tell how moved Wally is by the thought of his late daughter since his face is literally melting off from sadness.
That is probably not what’s happening here, but gosh, what if Batiuk had used the time he wasted this week on exploring Wally’s relationship with his daughter, rather than his relationship with the sidewalk?
Son of Stuck Funky 
