Ribbed For Her Pleasure

Speaking of St. Lisa, panel 1 seems weirdly evocative of the cover of the first Lisa’s Story book.

I hope you all enjoyed your nearly three-week respite from Les (I know you enjoyed it). Today he’s back, and if you thought his marriage to Cayla meant he’d finally stop talking about his dead first wife, well– oh, you didn’t think he’d stop? Neither has Les stopped thinking that his wry, nonsense-logic brand of observational “humor” is funny to anyone but himself. What has changed is that Cayla, rather than rolling her eyes at Les’ mentions of his late bride, has taken to physically and verbally abusing him each time Lisa’s name comes up. The fact that we see Les in the bathroom taping his ribs before this action takes place suggests that the abuse is ongoing. Notice in the last panel how he’s gone from a smug wiseguy to a pathetic, cringing little milksop.

 

Little Old Lady Who?


Most
carelessly-rendered
neon sign ever.

Looks like Batiuk plans on letting the Kilimanjaro Saga unfold on an alternate-week basis…

Today we find ourselves in the familiar confines of Montoni’s. I always asssumed that the lettering in Montoni’s window was a neon sign, but the closeup in panel 2 reveals that the letters are not connected. Maybe they’re painted on, or maybe they’re those gummy window clings? Though that doesn’t explain how they light up.

“The Boss”, meanwhile, is finagling with the guy at the car dealership. Stress, strain, killer-shark issues, and two time jumps have beaten down our titular character to the point where he matter-of-factly renounces his very manhood, self-identifying as “a little old lady”.