Calling Darin’s “crustaceous ketchup” comment a “joke” is quite a stretch. And I’m really not sure why Darin’s birth father is something “we” need to talk about, Jessica. Your man’s had a hard day. Butt out.
Tag: Jessica
Mo' Tell
Act III’s most confounding, incomprehensible story arc continues apace. Back at the motel, Frankie discusses with the mysterious Lenny his sinister plot to… to do what, exactly? Help out Fred and Ann Fairgood with their expenses? Assist Jessica in completing the documentary about her father, John Darling? And where does Frankie, who apparently lives in squalor, get the money for an extended stay at a motel (albeit one that still uses actual metal room keys), let alone to fly his partner in for “some back-up”?
Nerve

I may be forced to create a tag
for “baleful expression”!
Darin arrives home from work (that is, walks upstairs) still in a fit of pique following his phone conversation with his long-lost biological father, Frankie. Jessica appears at first taken aback at first by her husband’s display of emotion, mainly because they both spent most of their strip time these past few weeks simpering like morons.
Then she turns on the charm, which makes her eyes look weird…in panel 3, Jess’ whiteless eyes remind me somehow of “Lizz” from the Dick Tracy strips of the 60’s, whose eyes used to scare the hell out of young me.
Book 'em, Frankie
TheDiva
May 2, 2013 at 10:55 pm
I’m getting the subtle impression that Frankie might not be a nice person…
Like the rest of you, dear readers, I cannot even begin to fathom what sinister plot Frankie has in mind. Something to do with besmirching St. Lisa’s immaculate image, I guess. Interesting how TB’s managed to intersect two plot threads, each having something to do with A Book By Les Moore.
Drive By

I don’t know whether it’s “the picture of domesticity” but has Les ever looked douchier that he does in today’s panel 2? I especially like how the Google Earth perspective accentuates his bald pate. Meanwhile, our story’s other two-toned skunk head, well, just plain skunk, arrives on the scene, driving a car with that special windshield tint that makes everything look like it’s on TV. Frankie’s car must also have a sunroof, too: it’s the only way to explain the weird shadows on the back of his head.