Here comes more boring BChasm stuff! Sunday’s entry, as usual, was not available before press-time, but I’m sure we’re all craning our necks to look at a comic b0ok cover, with a couple of smirks thrown into a corner. But at least (most of) the artwork should be decent.
I’d like to apologize to Tom Batiuk. In my hasty look at yesterday’s entry, I didn’t see that Holly was clicking along with the rest, raising her bid to meet the rising demand. I thought she was just cringing, and that she won the issue with her initial demand of $10. Sorry about that, Mr. Batiuk.
Last week, commentator Aunt Fritzi noted that I was remarkably boring. The comment got disappeared, but then I Les Moore’d until it was brought back, because Cory Winkerbean. I don’t mind criticism, though I generally prefer it to be helpful or constructive rather than just a flat statement.
Still, I am, believe it or not, human. So while Fritzi’s comment bothered me a bit at first, I soon realized something: she was right. I am boring, especially when writing about Funky Winkerbean.
But let’s face a couple of facts: when a comic strip is deliberately constructed to be as boring as possible, how can one write about it in an interesting fashion? Because I honestly think that’s what Tom Batiuk is doing–making Funky Winkerbean so dull and uninvolving that it becomes critic-proof.
Critic-proof works like this: if you go to see someone’s violin recital, and the musician plays terribly, you can easily say why he was terrible. He was out of tune, he played the pieces too fast, he missed notes–there are objective standards for performance that you can apply. (Unless the performance was intended to be ironic, but let’s not go there.)
Suppose, though, that you’re not watching someone play the violin. You’re watching someone buy a comic book at a drug store. No matter how observant you are…what can you say? “The way he pulled the five dollar bill out of his wallet–that was masterful!” “Yes, but I thought he was too hesitant when he accepted the change–it took all the tension out of it. And when he asked for a bag? My God–talk about getting the fundamentals all wrong!”
See how that works–or rather, doesn’t? Critic-proof, baby, critic-proof.
Besides, Aunt Fritzi, if I may quote a well-known Pulitzer-nominee: “If you don’t like it, then don’t read it!”