Hi, folks! The Crankshaft Awards are still under construction, due to some nasty cold here in the upper Midwest. (My hometown was minus 6 degrees on Monday.)
So in the meantime, I want to document the entire Batton Thomas interview. Boring, I know, but I really don’t know how else to respond to it. I can’t use Batton to mock Tom Batiuk, because Batton already does a spectacular job of that without my help. And I think we’ve all wailed and gnashed our teeth in the comments about what an inane, boring, self-serving ego trip this all is. But it just keeps going.
I thought the best way to document it would be to put it all in one place, to illustrate how much nothing there is in what has now been nine weeks of strips.
August 5, 2024: Skip seeks Batton to do an interview, so he immediately heads to Komix Korner. Batton saunters in on cue. He quotes Dorothy Parker for some reason, probably to show off his writerliness.
August 19: Skip needs to do another interview for a “longer and more in-depth” piece. He asks “what sparked your interest in comics?” Of course, it’s comic books. Batton traveled to New York and failed to be hired by either DC or Marvel.
January 27 ,2025: Batton sucks at being an art teacher, so he badgers the local paper into letting him draw a cartoon. He meets with a syndicate, NEA, which gives him some advice on how to turn it into a comic strip.
March 17: Batton talks about what inspired him to become a cartoonist. Spoiler alert: it was comic books.
May 26: Batton comes up with the name for his proto-strip Rappin’ Around, and annoys Roger Ballon, the creator of Animal Crackers. Roger says “just because I visited the syndicates in New York doesn’t mean you have to.” Batton immediately announces his plan to do this, rejecting Ballon’s advice right to his face.
July 14: Skip visits Batton in his studio. Batton takes his second trip to New York, eats at Howard Johnson’s, and gets rejected by the syndicates. But he returns home to find an important-looking letter in the mail, despite having spoken to no one. After telling a friend about it, Batton realizes that he is now better than everyone else.
September 1: Skip asks “So what happened after Publishers-Hall offered you a contract for your own syndicated comic strip?” Batton mostly whined about how difficult it was.
September 29: Batton is sitting with Skip for yet another interview when he meets Jeff, his “dopplegänger from the comics shop.” (The umlaut was Batiuk’s.) Ed Crankshaft then rips into Batton over the diminished presence of “Grandpa Wrinkles” in the comic strip.
January 19, 2026: Batton and Skip visit Batton’s first apartment house, Elyria High School, and syndicate president Dick Sherry visits. Batton says Sherry’s was “thoughtful and considerate”, but “it felt like we weren’t on the same page” as Sherry looked at some new strips. This anecdote is never resolved, as Batton talks about the apartment house some more instead.
To be continued, no doubt…
Today’s Crankfuckery
Day 3 of Dinkle Week
(The crowd starts jeering Crankshaft and Dinkle with chants such as “You’re the biggest fucking asshole we know” and “you two are the biggest clowns in the entire state of Ohio”)
Minor correction: The cartoonist who was Batton’s/Tom’s mentor was Roger Bollen, not Ballon.