Recently, the comic strip Luann has been irritating me almost as much as the Batton Death March, which begins its 11th week today. Luann‘s tedious story arc is about a “Career Paths” class, which seems to be the only class the title character is taking in her 27th semester of junior college.
I decided to improve both stories, by crashing them into each other.
Text that appears in the standard Crankshaft or Luann font is unedited from the original strip, except for minor rewording, and sometimes being paired with different artwork.
Warning: The parody story text contains lots of foul language.
This is Part 2 of our deep dive into Max and Hannah. Part 1 is here.
Max and Hannah bought the Valentine Theater from Ralph Meckler in 2016. October 10, 2016 was their first week of ownership. It was a disjointed mix of them fixing up the place up, receiving their first customers (Jeff, Pam, and Ed) and Max being tired from the stress of working two jobs.
Citing burnout, Max quits his job at Channel 1 on January 12, 2017 to run the theater full-time. Both Pam and Ed Crankshaft point out that Channel 1 is paying the better part of his salary (even though Max gripes about being underpaid), so this may be an unwise move. Nobody ever points out that Hannah has been working the same two jobs, and is not depicted as being fatigued, despite her having the more physically demanding Channel 1 job of camera operator.
I never noticed it until now, but women are much expected to be much tougher than men in the Funkyverse.
Again, I was a broadcast journalism major in the 1990s, so trust me on this: those live TV-grade cameras are heavy. But Max is the one who’s falling asleep on the job, Peppermint Patty style.
On January 25, 2018 during a blizzard, Ed Crankshaft brings a busload of school children to the Valentine, who have to spend the night there. The incident gets positive coverage in the Centerville Sentinel, back when it still published news stories. July 26 is another round of Pam and Jeff helping to spruce up the theater.
On March 31, 2019, Jeff visits an apartment and says “I appreciate you two having me over for dinner,” implying that Max and Hannah are now living together. This apartment building isn’t the same one Max moved into in 2008. It’s probably another real-life building Tom Batiuk and his wife lived in at some point.
June 3, 2019 is almost identical to last week’s arc. Hannah and Max go to Pam and Jeff’s house with a major announcement: they’ve decided to incorporate! Which, combined with the last week’s strips, and the “we’re buying the Valentine” announcement from 2016, means they bait-and-switched a marriage announcement three different times. And I guess they never incorporated either, because incorporation was a declined option on March 6, 2026.
But it doesn’t end there. In October 2019, they invite Pam and Jeff to the theater with yet another surprise: Hannah is pregnant!
There’s teasing a big reveal, and then there’s just being jerks. When it’s the fourth time you’ve done this, and you order custom printed balloons before you’ll tell your own mother what’s going on, you’re just being jerks. Smirk your heads off, you smug bastards.
That story ends on October 20, 2019:
And we have the answer to the question many of you have been asking! Yes, Max and Hannah having a child out of wedlock is established Funkyverse lore. As Pam explained it at the time, they wanted to “focus on more important stuff.” Given the bizarre priorities of Funkyverse characters, you’re welcome to guess what those might be. Lord knows Tom Batiuk doesn’t tell us.
On February 10, 2020, Ed Crankshaft and Mary Marzipan show up for a Butter Brinkel marathon during a blizzard, necessitating a second overnight stay. This was also the very beginning of the real-life global pandemic. Why do people in this town insist on going to shows during life-threatening conditions, like COVID and blizzards? Remember Dinkle’s “Christmas Messiah” near the end of Funky Winkerbean?
It is during this second overnight stay that Hannah gives birth to Mitch. Infamously, Ed Crankshaft helps with the delivery. Which may be the most unrealistic thing in the history of the Funkyverse. I’m not a woman, but I think that if Ed Crankshaft offered to help me give birth, my immediate reaction would be DO NOT LET THAT MAN ANYWHERE NEAR MY HOO-HAH FOR ANY REASON.
Especially if he’s going to make that face about it.
Mitch is first seen and heard on February 27, 2020. Jeff “covers for” Max at the theater for a week while they adjust to parenthood. On July 27, the Valentine is showing The Phantom Empire. Max takes Mitch to the theater “because it’s never too soon to introduce a child to culture.” Even though that child is five months old, and his irregular aging hadn’t started yet.
May 9, 2021 is the first sign of trouble at the Valentine. Max tells Hannah not to bother disinfecting the seats, because “their draw was an older audience that doesn’t want to go out to a movie theater now.” By May 21, a strip club is interested in buying the place. Here’s my version of that story:
“Why was there placenta on my seat?” may be my favorite sentence I’ve ever written for this blog.
On May 27, Pam and Jeff visit. Max calls them “the biggest crowd we’ve had since we re-opened.” They’re the biggest crowd we’ve ever seen, even before COVID, other than the night Ed brought a busload of school children.
They start vacating the theater. On June 4, Pam offers to let Max, Hannah, and Mitch move into the apartment over the garage. Oh well, at least it’s not the apartment over Montoni’s for a change. This move happens in September 2021. January 17, 2022 is the first time we see Max, Hannah, and Mitch around Pam and Jeff’s house. They would start appearing as background characters at that location, much like when Max was staying there between his 2006 graduation and 2008.
On August 1, 2022, Max and Hannah go back to Channel 1. This is what 17-month-old Mitch looks like now:
Apparently they were playing Jumanji, and Mitch aged ten years while he was trapped in the game board. That’s quite a screw-up, even by Crankshaft’s standards.
Amazingly, Channel 1 hands them their old jobs back. One wonders what happened to the cameraman and director of yesterday’s show, roles that must have been filled by someone. Which is another highly unrealistic depiction of media jobs. Max and Hannah are about as replaceable than fast food workers. Year after year, universities are still cranking out dozens more journalism graduates than there will ever be jobs for again. Not to mention the scores of self-made content creators thanks to YouTube, and affordable consumer-grade video production tools. So Channel 1 would have plenty of qualified applicants on file.
August 2022 saw the ransomware attack on Channel 1. It was Hannah who had the brilliant idea to air old John Darling episodes, since they were stored on physical tapes that weren’t held hostage by the ransomware. This kept Channel 1 on the air without having to pay the ransom of…
August 31, 2022.
Next month, a Deus Ex Comic Books arrives to save Max and Hannah from their own passive idiocy.
Mason got all his money from making the Starbuck Jones movie, so this qualifies as a Deus Ex Comic Books.
It’s Mason Jarre and Cindy Summers! Note that the Valentine livery and movie theater entrance is still up, even though it closed down a year ago, and a strip club existed there in the interim. Timemop must have been a regular.
Mason immediately offers to buy the building from unlicensed guest character Lois Flagston from Hi & Lois, looking like a deranged psycho the entire time.
What, me worry?
Ed Crankshaft happens to wander by during this conversation. Like most American small towns, Westview/Centerville has no concept of privacy, so they discuss this celebrity couple’s financial business right in front of this complete stranger. Ed conveniently mentions that his grandson and his wife once ran the theater, so Mason wants to take them to dinner. Of course, they go to Montoni’s. Mason tells Max and Hannah he wants them to run and manage the theater “based on their experience there.”
Which is even more ludicrous than them being re-hired at Channel 1. At least they were competent Channel 1 employees, which is more than can be said for their management skills. They’re the ones who ran the Valentine into the ground with their endless Phantom Empire screenings, and insistence on remaining open during blizzards. Once again, the story acts like they’re the only two people on earth who could possibly do this job.
On October 1, they get their first paycheck from Mason. Of course, it’s gigantic.
And the Funkyverse business cycle is complete!
Be from the remote outskirts of Cleveland.
Have Tom Batiuk-approved opinions on How To Do Media Things Correctly.
Find a rich person who shares those opinions.
Wait for the rich person to throw money at you to manage it for them. Because rich people have zero interest in ever making a profit, or in hiring people with any useful skills.
Mason became to the Valentine Theater what Chester Hagglemore was to Atomix Komix, what Pink Productions was to Lisa’s Story, and what Mordor Financial was to the Centerview Sentinel. They’re the faceless entities that exist solely to swallow huge losses, so Batiuk’s beknighted small-town yokels can have mainstream media careers with complete creative control. And, of course, be paid big money themselves.
In spite of their new-found tax bracket, December 2022 shows Max and Hannah are… still working at the TV station?
Despite getting huge paychecks from Mason Jarre to do their dream job, and a Channel 1 paycheck on top of that, they were never seen moving back to an apartment. And they continued to make walk-on appearances in household stories. Which implies that they’re still mooching off Pam and Jeff to this day.
In 2023, Skip Rawlings shows up to ask about the theater’s reopening, which happens in May 2023. His interviewing skills weren’t any better then. The next month, Mason flies in for the grand re-opening. And we all know what the main attraction is!
This may be the most Funkyverse panel ever created. Especially if you don’t know who’s asking the question.
The pandering continues. Mason also wants to premier Starbuck Jones III: The Rise Of The Disney Lawsuits Bandelorians at the Valentine. And he wants to meet with Harry Dinkle, because he wants to use Claude Barlow music in the movie.
Which is mind-bendingly stupid, but isn’t worth any further deconstruction. Because Max and Hannah were never constructed in the first place.
Max and Hannah are the same as Atomik Komix. And Les Moore. And Lillian McKenzie. And Skip Rawlings. And Mason Jarre. And Harry Dinkle. And Batton Thomas. They exist to fuel stories about small town people who run a media empire the way Tom Batiuk thinks it should be run, and be handed ego tongue baths and piles of money for it.
Despite this couple’s obvious purpose as story enablers, Tom Batiuk has decided that their marital status was a loose end that needed to be tied up. He made a similar decision that near the end of Funky Winkerbean, that Cory Winkerbean and Rocky Rhodes needed to put a ring on it.
But that was justifiable in the context of Funky Winkerbean ending. Weddings are a great excuse to get all the characters in one place, so we can see them one last time. As stupid as that arc was, it was also the final appearance of characters like Keisha Williams, Maddie Klinghorn, and Rocky and Cory themselves. That’s not the case this time, though.
Would it be possible to have a post on this blog that does a deep dive into Max and Hannah’s relationship? At least the highlights, like when they met, started dating, started living together, and had a baby. Mostly, I’m trying to figure out if we were supposed to know that they weren’t already married.
And, just for fun, I’ll give everyone a chance to guess each major story point as it arrives. The answer to each question will be revealed right after the poll question. So, to avoid spoilers, don’t scroll past each question. And I’d appreciate it if you did avoid spoilers, because I’d love to know how well our visitors collectively can guess Tom Batiuk’s intentions.
Our deep dive begins in 2003, because that’s the earliest Crankshaft archives are available at GoComics.com. Max’s first appearance in this time frame is November 2003, when Max arrives for family Thanksgiving. Mindy is still in high school, and Rose is still alive, as is Lucy McKenzie. Max is wearing his college sweatshirt. Which is question #1:
Seriously, answer the poll question before reading on. Try to guess!
In a stunning upset right out of March Madness, Max graduated from Wilmington College in Wilmington, Ohio. The college sweatshirt he often wore at the time said those exact words. So we know it’s not a school with a similar name like UNC-Wilmington, or a fictional school like Bull Bushka’s Enormous Midwestern University.
Also, Max’s graduation photo on June 3, 2006 resembles the entrance to the real-life school. And let’s be honest: the Ohio-based school was always the favorite.
Bear in mind Max’s graduation photo is 20 years old, so it’s not exactly the same. But apparently you can still major in red brick. (Courtesy of Google Maps.)
The “Max is in college and Mindy is still in high school” era continued until 2006. Max would sometimes appear at the family home, and in flashbacks, but he didn’t get his own stories. During the week of January 29, 2004, Pam reminisces about a family trip to “Mouse World.” On July 5, 2005, Pam and Jeff revisit Max’s fourth birthday. Interestingly, he requested a clown:
Well, Max asked for a clown, and he got what he asked for.
Pam was pregnant with Mindy at the time, making Mindy about four and a half years younger than Max. This isn’t a Mindy deep dive, but we’ll mention her from time to time. Max and Min’s sibling relationship is unremarkable. They’re not close, but they seem to get along just fine. During this time, Mindy was being urged to get a job. (Unlike, for example, Luann.)
Just as March Madness is full of upsets, it’s also full of games where the obvious choice has a 98.75% chance of being correct. Mindy was hired by Montoni’s on June 29, 2004, and was seen going to work there as late as December 2007. The question included the “full-time” caveat, because Mindy also served as one of Santa’s elves during Ed Crankshaft’s then-annual portrayals of Santa Claus. She was seen in this role on December 15, 2003.
Max attended family Thanksgiving again in 2006. On December 17, 2007, Max is seen leaving for a date, but we don’t know with whom. On February 11, 2008, Max seeks romantic advice from Ed Crankshaft, but no potential partner is named. Both of these were throwaway strips rather than being part of an arc.
Max gets his first real story on March 25, 2008, when he moves into an apartment. Pam says she realized that Max would “move out”, implying that he lived in his parents’ house after college graduation. Max’s random appearances were a little more frequent in 2006-07, so this checks out. Hannah isn’t a part of Max’s life yet. And she won’t be anytime soon.
On September 8, 2008, Jeff says:
We never learn whose wedding this was, because this was just to set up a week of complaining about getting your car serviced.
December 1, 2008 is our first look into Max’s career. Max announces tells the family he “has been given a show to direct”, even though this is the first we’ve heard of him having a job in television. The show airs at 4 a.m, and is called Living With Nature, starring Channel 1 veteran Phil the Forecaster.
So we can add yet another name to the list of Funkyverse characters who instantly became professional content creators. My own college degree was in broadcast news, and getting your own TV show at age 25-ish would be very, very unusual. Even for this kind of ultra-cheap local public affairs show that runs at 4 a.m. You have to pay your dues more than that.
Mindy graduated high school in summer 2009, and she would go to Kent State that fall. Her parents planned a high school graduation party, but oh no! The caterer got the days mixed up! What can they do?
The #1 seed wins again. Ed fired up his grill, but you can guess how that went. Mindy ordered from Montoni’s. No mention is made of the fact that Mindy worked for, and maybe still did work for, Montoni’s.
In June 2009 we learn that Max has a history of smoking. Rose takes up smoking at this time, and it is revealed that she found some old cigarettes that were once Max’s.
On December 1, 2014, Ralph Meckler laments that he has to close the Valentine Theater “after this week”, setting up a predictable bunch of moping about how good things never last. Of course, this is the same Valentine Theater that Max and Hannah have operated the past few years.
We’ll answer this question in a moment…
…but you can probably guess from this next piece of information. Hannah’s first mention in Crankshaft wasn’t until February 15, 2016.
Max reveals that Hannah is “someone he’s seeing from work.” We see her for the first time two days later.
So they met at Channel 1.
The following week, they go on a date to the Valentine Theater. They meet Ralph Meckler, who is still running the place. Which means the correct answer was “Not 2014.” And not in a pedantic way, as if the theater held out a couple more weeks and closed in early 2015. After a week of gloom and doom for the Valentine, it must have survived under Ralph for 14 more months.
Ralph is seeking a buyer, which Max and Hannah are independently interested in. On March 7, 2016, they tell Max’s parents this. Pam’s reaction:
This is the first explicit mention of Max and Hannah’s marital status. Max and Hannah went to his parents with “something we’d like to tell you.” So Pam and Jeff were making a reasonable guess about what it was.
Max and Hannah raise enough money through crowdfunding to buy the Valentine Theater. Rose finally died in May 2016 – the day Jeff was about to forgive her, of course, when she’s been feeble for well over a decade. Which also gave us this indelible flashback image:
Any comment from me would just be piling on.
October 10, 2016 was the first week of Max and Hannah fixing up the Valentine Theater. And that’s where our story ends for now, because this is already a long post. Part II is coming soon.
Let’s revisit the quiz questions. Two times Batiuk took the blindingly obvious path, and two times he took the story in a bizarre direction. As if this year’s Final Four will be Duke, UConn, Long Island University, and Central Arkansas. Yes, lesser teams can, and often do, go on deep runs in the NCAA Tournament. But there’s a point below which this has never happened, and is laughably unlikely.
Which is the best analogy for Tom Batiuk’s writing I will ever come up with. Half the time the story is going somewhere stupidly obvious. Half the time it’s going in a completely random direction that defeats Batiuk’s own claims to realism. Which is which? Your guess is as good as mine.
Why are we talking about baseball necrology? Because former Major League Baseball player Johnny Lucadello was born on February 22, 1919. Lucadello was also the youngest player on the 1940 Toledo Mud Hens, the real-life baseball team which Ed Crankshaft canonically also played for. (Ed also has a real-life retired jersey number.)
For that reason, I view today as Ed’s birthday, because it’s the latest possible day he could have been born. And I think Lillian McKenzie was in his high school class – because this is the Funkyverse – which makes her well over 100 as well.
Ed’s baseball career, with its early integration experiences, and winter ball in pre-revolution Cuba, fits this time frame. So does Lillian, Lucy, and Eugene being young adults whose lives were interrupted by World War II. So does Pam’s life, centered around the 1970 Kent State shootings. Ed would have been about 30 at her birth.
I want to stress that 107 is the youngest Ed Crankshaft could reasonably be in 2026. The average player in the 1940 American Association, and on the Mud Hens themselves, wasn’t 21 years old: he was 27. If Ed was 27 in 1940, he’d be 113 today. Which would almost make him the world’s oldest man. (Unless Walt Wallet from Gasoline Alley also counts.)
We can’t move Ed’s birthday much later than 1919, because then he’d be too young to be drafted into the military. What if we gave him Joe Nuxhall’s backstory (pitched briefly in the majors at age 15, making Ed’s birth year 1925)? Ed would be way too young to join the military legally, much less be drafted.
Which would have made Crankshaft extremely likely to reach the major leagues, no matter how illiterate he was. MLB teams in 1942-1945 were eager to employ players who weren’t subject to being drafted. And since some were already missing, the standards were lower. A player too young to be drafted, who was also good enough to pitch in AA (the top minor league level at the time), would have been given plenty of chances. Especially on a mediocre team, which the Detroit Tigers and Cleveland Indians (both implied to be the Mud Hens’ parent club at some point) and St. Louis Browns (now the Baltimore Orioles, who was Toledo’s real-life parent club in 1940) were.
The optimal birth year seems to be 1922. That would make Ed 20 in 1942, which is the youngest that would have been drafted that year. So maybe he’s only 104 now. Which would also make him extremely young for AA baseball, and by definition a phenom. But let’s solve one problem at a time here.
So how many inches from reality is Ed Crankshaft’s life?
Out of 35 players on the real-life 1940 Toledo Mud Hens, only two lived to see 2003! They were Jake Wade (1912-2006) and Harry Bailey (1918-2014). Six others made it to the 21st century: Armond Payton (1917-2000), Daniel Scudder (1916-2000), Tommy Criscola (1915-2001), Lucadello (died in 2001), Hal Spindel (1913-2002), and Robert Jones (1916-2002). A ninth player, Harry Kimberlin, died on December 31, 1999 at age 90. Kimberlin was the last former Major League Baseball player to die in the 20th century.
Bill Mazeroski’s famous home run was in 1960. He was born in 1936. He was 89 when he died this year. Ed Crankshaft is 15-20 years older than all of those standards. Look at the photos of Harry Kimberlin and João Marinho Neto in the above links. That is what a very old man looks like.
So, Ed, since you like gardening so much, why don’t you dig a 6′ x 3′ x 3′ rectangular hole in the ground? I’m sure we’ll find something useful to do with it. Oops, I mean “you’ll” find something useful to do with it. Happy birthday and many more!
Voting for the 2025 Crankshaft Award is Still Open!
The Funkyverse has a new corporate sponsor: Yondr!
I previously called this kind of product placement “egola.” It’s like plugola or payola, except that you get paid in self-actualization instead of money. Usually, these are about Tom Batiuk’s weird fandoms (The Phantom Empire, Chad & Jeremy); events that met his ludicrous standards for treating him like a big shot (Ohioana Book Fair, Comic-Con); or both (Winnipeg Blue Bombers, “Montoni’s” pizza).
Yondr doesn’t appear to be any of those things.
Interestingly, Batiuk describes the product correctly. You define a phone-free zone, and instruct visitors to put their phones in the special pouches. The pouches can’t be unlocked until you leave the area, or use the “unlocking base.” You can still hold the phone, hear it, and see it well enough to know if the screen lights up. You can understand why certain institutions, like schools, would use such a thing.
But why would the famously anti-technology Tom Batiuk, fresh off a week of trashing the long-established standard of online payments, portray a technology product in a positive light? Especially one that hasn’t stroked his ego, as far as we know?
I think this image from Wednesday’s strip is the key:
I hid the text, because it’s not important. Look at the child’s face. Compared to the usual faces in the Funkyverse, that child is very upset. This isn’t the devil-may-care smirk or the resigned acceptance we usually see. That is the face of someone in mourning. Even Ed Crankshaft is going above and beyond in this shot. He looks genuinely irritated at this behavior. And unless I’m way off base (which I often am), these are both new drawings.
Why would Tom Batiuk be excited about a product that lets parents take cell phones away from children? Does it maybe… relate to his life experience, somehow? Oh, yes, it does. And we all know how.
This is Tom Batiuk telling the world he’s still upset that his mother tried to take away his comic books. It practically screams “See? See what it’s like when mean grownups take your precious thing away? Let’s see how you enjoy living without your precious phones!” He gets to make that point again, and slam something that didn’t exist before 1991!
And another thing: Ed is totally the wrong character build a Yondr arc around. What Funkyverse character (1) has a job where it’s reasonable to ask children to put their phones away, and (2) demands to be the center of attention at all times? Come on, you know who it is!
The star of Yondr Week should have been Les Moore.
Batiuk pulled Les out of mothballs to make him the star of The Burnings, even though Les almost single-handedly caused the entire problem. So there’s no real obstacle to using him here. Having Les – or at least, a teacher – be the ringleader of the Yondr Enforcement Team makes much more sense than having bus drivers do it.
Using Les in this role would (1) fit his long-running characterization, and (2) poke a little fun at the character, something the Funkyverse desperately needs.
The Funkyverse is full of unsympathetic comedy protagonists, but it doesn’t use them properly. Characters like Les Moore and Ed Crankshaft need to get pushback every once in a while. A week about Yondr is a perfect opportunity to take Les down a peg. Not in an overly mean way, but in a way that tells readers “okay, I get it, this character is a little overbearing sometimes.” And other characters get to acknowledge it too.
But Tom Batiuk is so enamored with his interpretation of Lisa and Les as The Greatest Tragedy In Human History and Her Long-Suffering Heroic Disciple that he’s blind to things like this. But here’s what I’d do:
Monday Panel 1: Principal Nate: “The school board is mandating we use Yondr, which requires students to put their phones in these special pouches during class. We need volunteers to help us with the roll out.” Panel 2: Les, in a group of bored-looking teachers sitting in meeting room chairs, enthusiastically raises his hand. Panel 3: “Okay, I think we all saw that coming. Anybody else?”
It’s not hard to imagine a situation where Les is a little too overzealous about enforcing the rules, or enforces them in selfish ways. And the kids call him out on it. Here’s what I would do with the above panel:
Son of Stuck Funky 