Author: ComicBookHarriet

Passive Patricide

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Is there any character in this strip as thick-skulled as Mindy? She’s been standing outside the Bedbug Hotel with Pete long enough for Masone to drive from the Channel Island Harbor Marina (The nearest marina north along the coast from Malibu) to, judging by the view, the Hollywood foothills.

I know Comics Curmudgeon has been going nuts trying to parse out the geography of this arc, but here’s my take on it:

So, of course, given this map, it was entirely reasonable for Mindy and Pete to stand and wait for the minimum of two hours it would take Masone’s Starbuckmobile to drive BACK THROUGH THE FIRE to pick them up after dropping off Marianne and Les.

Only for Mindy to then remind her friends that her dad was hiking in Griffith Park.

Pete is smiling in relief in panel one, and suddenly worried in panel two. So unless he has the attention span of a goldfish, Mindy is only bringing this up now. And she seems at a complete loss as to what to do next.  So she’s going to let her fiancee and his pal decide if and how they should alert emergency personnel.  Or is she expecting them to go charging through the brushfire themselves?

Truly, dumb as a box of sponges. Because a box of rocks at least has some weight.

Fuel for Thought.

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And here it is. We’ve had to suffer through an entire week of Les whining to Marianne about one woman who died at least 15 years ago in strip time (Edit: twenty-three, ED), while the world is literally burning around them. As day turns to night with nary a word from Cindy, Masone, Pete, or Mindy.

You people have been saying it all week: Marianne has been blandly listening to Les whinge about his manpain, instead of worrying about friends, family, coworkers, or her own property. The girl had more going on for herself when she almost threw herself off the top of the Hollywood sign.

And all so Marianne can watch some video tapes that Batiuk will, no doubt, forget were transferred to digital years ago. So many problems with this. But two stick out in my mind.

One, why didn’t he let her or Masone watch some of the tapes to begin with? It’s implied that some tapes are very private and others are meant for more public consumption, as seen in this strip from Darin’s birthday. Why did you ever think of this as an all or nothing thing?

Two, are you now going to let her watch all of the tapes? Even the tapes that weren’t meant for you? Have you seen the tapes addressed to Summer directly? Or the tape specifically for CauCayla? Are you prepared to override the rights of Lisa, Cayla, and Summer, to have their own private messages remain private?

Who are we kidding? Of course you are. The sum total of everything Lisa ever was or wished is now yours to use, abuse, and change however you see fit. You can tell yourself that you think Lisa would have wanted you to share material that SHE SPECIFICALLY TOLD YOU IN PERSON was private. Anything so Marianne can have important moments like this inform how she plays Dead St. Lisa.

You say it best (when you say nothing at all.)

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Baituk is really desperate to sell some books, eh? First he tells all his Beady Eyed Nitpickers on his blog that in order to truly understand the difference between a ‘retcon’ and ‘direct flashback’ we need to buy and read The Complete Funky Winkerbean Volume 9. Now he’s referencing some obscure bit of titillation, as if to bait us into buying and scouring Lisa’s Story for the infamous ‘Snow Angel’ incident.

I’ve only got the vaguest recollection of Les spilling this sordid tale to someone else before, and I couldn’t find the moment in the archives. I’m crossing my fingers and hoping our Skinkmeister can give some context to the readers who’ve only been able to religiously follow this strip since the end of the Bush administration.

It’s weird that, whatever the dirty little something was, Marianne is flat out refusing to say it on screen. A slice of life drama like this movie, which seems to be going for, ‘A Marriage Story, but ending with cancer and not divorce’ lives and dies on the simulacrum of realism, and if we’re getting the horrible ‘playground closed for repairs’ bit, then this must be something next level nasty.

Batiuk is probably imagining that we’re picturing kinky, like what Pepper Potts whispers into Tony Stark’s ear in the first Avengers movie. But cute and kinky would make it into an adult movie, as an important establishing moment of vivaciousness and young love. There is nothing a Hollywood starlet wouldn’t say or do if she thought it would increase awards potential.

Except something like:

But what do you guys think? I’d love to see some of your takes on Lisa’s forbidden dialogue.

For a given value of save.

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Les, I am going to explain this using short unequivocal statements, that way there is no way for your spotty memory and outsized ego to twist my words.

You. Did. Not. Save. Lisa.

All you did was let her out the door first. That’s not a rescue, that is chivalry so lazy it’s a 50-50 shot if it was intentional.

Wally. Saved. Lisa. And. You.

Wally Winkerbean, that poor sad, pizza baking man has had his wife, his dignity, the childhood of his son, his sanity, and his agency as a character taken from him by Batiuk. Don’t you take one more damn thing from this strip’s number one whipping boy, who took all of that abuse, and survived, without a single legacy foundation to his name.

Les, I don’t know if you could ever lay claim to ‘saving Lisa’. Unlike some, I don’t have an encyclopedic knowledge of all the Act II drama. But you can’t even really take much credit for saving Marianne. You drove shotgun through a fire, and then carried a woman out the door who really should have been able to walk.

Why did I have to be given a Les arc? I would rather have a week of Dinkle.