Fight The Power!

Today’s TBTrope is about power dynamics. This is a subject I’ve wanted to explore for awhile now.

All fiction runs on Like Reality, Unless Noted. When we are consuming a story, we assume that the story’s world is like our own, unless the story says otherwise. We use our own knowledge to fill in the gaps about how things work. When we’re watching a rom-com, Emma Stone doesn’t turn to turn to the camera to explain to the audience how dating works. We all know how it works, from our own lives. And so it is with interpersonal dynamics.

In a story, one character may hold power over another. In the funny pages, the mechanics of this are often very simple. Adult/child, boss/subordinate, older sibling/younger sibling, aggressive person/timid person, and so on.

Funky Winkerbean used to understand this. In Act I, Bull was a bully and Les was his victim. Harry Dinkle was a hyper-demanding band director, whose students had no power to resist his orders. The characters made sense, even in the comically exaggerated world of Act I. We recognized these situations from our own lives. We understood the power dynamics in play.

By Act III, though, a new paradigm had emerged. I call it By The Power Of Batiuk. “The character in control of any situation is the character Tom Batiuk thinks should be in control of it, not the character who actually would be.”

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The Crankshaft Awards 2023, Part 7!

Okay. Holy Crap. What the heck is going on in this panel? Can someone explain it to me?

This is a non-Euclidian nightmare. Allow me to draw with my mouse, in paint, how it appears this is working…

Okay, maybe this art thing is harder than I thought.

But Crankshaft simply cannot be standing that way, half in the back with his foot sunken through the floorboards, his ass embedded in the side panel, wedged behind the front seat. It looks like the passenger door is open just a crack. Is he flat? Is he compressed like a squid squirming through a tiny gap in a bulkhead? I haven’t seen clipping this bad outside of free to play mobile games.

And if he’s putting the pizza in the back seat, why is he facing the front? It looks like he’s about to slide the box into the driver’s side seatback pocket.

My detailed research on the subject has proven to me that Davis was always a copy pasta king, but he’s gotten abominably LAZY in recent years. Completely unable or unwilling to put together a new scene or layout and have it make sense. Compared to his early days of 2017/2018, it’s night and day.

Is this flawless, or even above average? No. I mean, look at that pony tail, hairline, and hat combo in panel 4! It’s obviously still made of a bunch of clipped out paper dolls with new clothes pasted on. But the art fills the panels without weird crosshatched voids taking up the space where larger speech bubbles used to be. At least the car doesn’t randomly turn into a pickup truck in one panel.

Continue reading “The Crankshaft Awards 2023, Part 7!”