Tag Archives: Backwards Cap AA Kid

Gut Check Mates

Link to the first almost passable strip of the week.

If Livinia lost her main character status due to being too bland, Roland had the opposite problem. In the very first year of Funky Winkerbean, Roland Mathews had the strongest characterization of anyone. It’s apparent from the second strip he appears in.

He’s an ‘activist’. But unlike Livinia, his activism is vague and almost always played for laughs. The joke is usually Roland’s underlying hypocrisy, or the way he uses his ostensive political stances to ego trip and divert responsibility.

In the first couple years of FW, when he isn’t just rounding out the trio of guys, he has three recurring gags/storylines:

First is his rivalry with ‘Wicked’ Wanda, a student who is a women’s lib activist. These strips invariably lead to a sign smashing gag.

Second is his underground newspaper that Funky often helps with.

And third is his antagonistic relationship with his unnamed father, who is always shown sitting in front of the TV like he is some kind of bald chair-human hybrid.

As was shown in my spreadsheet yesterday, Roland shows up quite a bit in that first year, with 57 appearances. A distant third behind Les and Funky, but handily beating Livinia. He continues to show up regularly in 1973, though it’s clear that Crazy Harry has supplanted him. By 1974, Roland is on his way out. He shows up 10 times that year, 5 times in relation to his dad.

There’s the last mentions of his underground paper.

And, on September 3, 1974, his last appearance at school.

When I first saw this, I thought it was just a joke. Ha Ha! Roland wants to quit school. But I guess he dropped out for real. He shows up three more times after this, but every time it’s in relation to his dad.
Roland’s last (?) appearance (so far) in Vintage FW. 3/8/75.

What is really really weird is that his chair!dad has continued to show up a few times since then, most ‘recently’ on 1/10/76. He seems to be taking a protoCrankshaft role.

Did Batiuk intend to write the topical and tragic story of a passionate teen with an uncaring and emotionally abusive parent lashing out against society, acting out at school, and eventually dropping out? Presumably leaving home with an incomplete education and no support structure, and disappearing into the world like so many hurting and alienated young people of his generation?

I’d put a sizable chunk of change on NO. Batiuk stopped using Roland because he’d decided to stop pulling from the counter-culture so much. On my first read through of 1972, I was shocked at how political it was. Batiuk doesn’t have his characters preaching THE TRUTH from a soapbox, like he does now, but he was constantly referencing politics, social issues, and the environment, usually with a kind of helpless sardonicism. It’s so weird that FW of 2022 feels more ‘hopeful.’ The preachy characters of today are a call to action to fix Batiuk’s pet problem of the week. The 1972 FW characters can’t change anything, and the joke is they try.

FW starts off with this chip on its shoulder, personified in Roland. It references the hippie values and politics because it’s trying to prove that, “It’s not like most strips.”

From the very beginning, I had some definite ideas about how I wanted to approach a teen strip. The crop of teen strips in the early seventies seemed oblivious to the time in which they existed. The enormous changes taking place in the youth culture were quickly making the strips with the jalopies and letter sweaters irrelevant… I decided to avoid the standard teen strip clichés. There would be no teenagers hanging on the phone or parents yelling at them to clean up their rooms; there would be no letter-sweatered football hero trying to decide which cheerleader he wanted to date. Instead, I was going to write about the realities of the school that I knew, from the tedium of being an unheralded and unrecognizable member of the band to the horrors of having to climb the dreaded rope in gym class. Rather than focus on jocks and cheerleaders, I was going to write about everyone else.

From the introduction to The Complete Funky Winkerbean Vol. One

Of course, that quote just shows how willfully myopic Batiuk has always been. He wants so badly to be unique, that he builds up a fake version of something to put himself next to. I’ve never read much Archie comics, but I am sure that it’s not a shallow as he wants it to be. And the irony is his strip relatively quickly morphed into something rife with teen cliches. Crazy Harry steps in with his wacky personality, and omnipresent hat, and apolitical non-confrontational weirdness, and Roland disappears. Roland was angry. Crazy is effervescent, his antics just confuse and amuse those around him.

Wait, how did this picture get here?

As BillyTheSkink pointed out a few days ago, Roland did show up at the 2008 Reunion. He looks like he’d just gotten off work at the hardware store, and has what BTS calls “the haircut my grandfather was given when he joined the Air Force (and kept for the rest of his life).”

So that’s my headcanon now. After dropping out of school, Roland joined the Air Force, where he worked in logistics and communications. Finally getting the structure and support he needed and working in an organization that he felt got things done, he mellowed out. He became a successful small business owner and votes straight ticket GOP every election.

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A Writer’s Crutch.

Link to Today’s Banal Strip. This thing is almost less than nothing.

And now! Back to the Past!

The very first Funky Winkerbean strip is one of the worst introductions of all time. Four chicken-necked, chinless, bobble-heads. Standing in a white void. Staring out at the audience through the fourth wall with their terrifying, black, monodiclops eyes. Smugly telling us their names and attributes with the kind of cringy earnestness I expect from Harry Potter fanfic.

Hi my name is Ebony Dark’ness Dementia Raven Way and I have long ebony black hair (that’s how I got my name) with purple streaks and red tips that reaches my mid-back and icy blue eyes like limpid tears and a lot of people tell me I look like Amy Lee (AN: if u don’t know who she is get da hell out of here!). I’m not related to Gerard Way but I wish I was because he’s a major fucking hottie. I’m a vampire but my teeth are straight and white. I have pale white skin. I’m also a witch, and I go to a magic school called Hogwarts in England where I’m in the seventh year (I’m seventeen). I’m a goth (in case you couldn’t tell) and I wear mostly black.

Apparently the idea for starting the strip in this fashion came from an actual established professional in the biz.

At the Chicago Tribune–New York News Syndicate I ran into another gentleman, Henry Raduta, who spent the better part of the morning with me going over my submission in detail. He offered several suggestions, one of which dealt with a way of introducing my characters that eventually became the very first Funky strip. 

From the introduction to The Complete Funky Winkerbean Vol. One

Who was Henry Raduta? As far as I can find he was a ‘general manager’ of the Tribune who when necessary took over writing for long running strips from the 20’s and 30’s like Little Orphan Annie and Winnie Winkle after their original authors passed. Was he intentionally giving the 24 year old Batiuk bad advice? If so, bravo good sir. (Link to an interesting retrospective on Winnie Winkle.)

Batiuk had planned to start the strip with these four ‘mains’, basing them on people he knew.

The main characters, T.D. (later Funky) and Les, were friends from my Kent State days, Thom Dickerson and Les Meyer. Roland, the hippy/revolutionary, was a guy who lived in an apartment across the street from mine, and Livinia was based on one of my art students with a name taken from a magazine… I used people I knew because the characters then came with established identities that I could immediately plug in and begin working with in the strip. It was a handy way to start things off, and it’s remained my work method ever since. 

From the introduction to The Complete Funky Winkerbean Vol. One

It seems in the initial ‘sales pitch’ for this strip provided by the syndicate, this was also the cast presented, (with the additional mention of the black student, Derek).

Four characters were introduced on that first day. Two remain. And two have disappeared so thoroughly I didn’t even know they existed until I saw the first strip, when TFH posted it as an April Fool’s Joke back in 2016. I immediately asked about the fates of Roland and Livinia. And all TFH could tell me was that Roland was completely MIA and Livinia was confirmed dead.

Shoved to the side by a character not introduced till 1984!

Why? Who were Livina and Roland? Why did Batiuk lose interest with them? What other characters banished to the Phantom Zone populated those first few years?

Tune in tomorrow.

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Repeatedly Relapsing Reminiscence Reliance

Link To Today’s Strip.

ComicBookHarriet reporting in for duty. Normally I would thank Billy the Skink for the lyrical and well tagged two weeks he put in, but I’m sort of seething in jealousy here. He got two glorious weeks of the most amazing trashfire to talk about in his Les-Wins-Best-Actress arc. A beautiful blazing dumpster glowing with Lesplotation goodness. And I’m stuck back in AA with Funky and the ageless former addicts he tempts with donuts to listen to his nonsensical ramblings.

It’s been pointed out before, but it deserves to be pointed out every time it takes place: This is not what AA meetings are for, Funky! He hasn’t talked about temptation to drink since the very first week Batiuk used this gimmick. Since then it’s been weeks and weeks of focus-less blathering about a pandemic that happened ‘in the past’ like it’s open mic night at the TED talk tryouts. Unless this has been turned into a Post-Pandemic-Support-Group, talk about booze or put a lid on it.

Of course Batiuk wants to do material on the pandemic, even if he’s laughably late. All of the inconveniences of the last two years are a motherlode for his favorite brand of observational almost-humor, something to pad out the spaces between his precious prestige arcs. But why the AA meeting? Why couldn’t this just be a conversation between the guys at the disgusting Montoni’s coffee corner? Because Crazy and Les and DSH and Wally would already know this stuff? That’s never stopped Batiuk before.

But no. Funky has to go to AA to tell a group of dead eyed donut junkies his barely amusing, and definitely embarrassing, stories about his wife. If my dad ever pulled something like this in regards to my mom, she would have shit a brick and beat him to death with it.

I have a feeling that this week is aggressively unfunny all across the board. Often I would take this as an exciting challenge in making something out of nothing. But it feels so anticlimactic as we count down the final days to Funky Winkerbean’s big 5-0.

I decided that I wanted more to mark the occasion, and in preparation for the big day, I paid my toll to Comics Kingdom, and read the roughly four years worth of vintage Funky Winkerbean they’ve posted there. A little at a time, off and on, for the last month. I wanted to see what this thing was at the beginning, and I wanted to see enough of it to judge those beginnings as whole ideas. Give the characters time to fall into recognizable patterns. It was fascinating, finding so many fossilized and forgotten creations (Hi Roland!), as well as barely germinated seeds of the future.

So, I hope you don’t mind, but while Funky is reminiscing about a pandemic past that never was, I’ll be pulling up some old strips from a time when Nixon was president, Vietnam was raging, and my grandma was chasing my terrified dad away from the door because my mom wasn’t allowed to go out with boys yet.

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