You know, if somehow you’d made it this far reading this strip and still expected some level of quality and for it to make sense, today’s strip would confuse you. Like, Mason is a star because of comics. Harry helped him prepare for the biggest role of his career. Interacting with his fans would be good for his image. But sure, let’s have Mason be the sole person in this strip who isn’t obsessed with comics, all for the sake of hilarity. Wait, something’s missing . . .
Tag Archives: Cindy
I’m a little more shocked that Crazy apparently has all of Butter Brinkel’s films on CD/DVD stacked up in what look to be jewel cases. And he’s just handing these rare treasures to Cindy stacked haphazardly, and not in a box or anything.
It’s pretty hilarious to me that Cindy is swearing Crazy to silence. I mean, why? You would think she’d want to build hype and buzz around her documentary. Is she afraid someone else is going to steal her idea? (Ha.) Or is she afraid this is going to damage her reputation? (Again, ha.)
By far the best/dumbest part of this strip, and the storyline as a whole- these “films” were apparently burned onto a CD or DVD. Meaning somehow Crazy either made digital files of them from the original film, or maybe a VHS release himself, which seems unlikely, or downloaded them off the internet somewhere. Meaning there’s literally no reason he couldn’t just have sent the files to Cindy directly, or barring that, made copies of the discs and mailed the discs to Cindy. I thought for sure it would turn out he somehow had the original theatrical reels of the movies, that would understandably be fragile, which would explain why Cindy had to spend thousands of dollars to fly cross-country. But yet again, I was giving Batiuk too much credit.
Well, I never! Cindy called Harry! Someone better stop all this hilariousness, before it’s too late.
So many of the story lines in this strip lately have started this way. Somebody needs to go back to Westview because somebody there has something old timey that apparently nobody else in the world has and can’t be shipped or sent digitally. And even though apparently it’s so rare and forgotten that it only exists in Westview, somehow people will end up being wildly passionate about whatever old crap it is.
Here’s Batiuk’s writing process now:
“Gosh, I sure like old comics/movie serials/decoder rings/silent movies. If only I didn’t have to write this stupid strip, I could spend all my time reading back issues of Old Timey Junk Quarterly. I know! I could do a four month arc where someone in Westview has silent movies, and somebody else wants to see them, for some reason!” (runs the bases in his mind)
Also, am I crazy, or should it not be Cindy Jarre now? I don’t know if this is just Batiuk not giving a crap about his strip or “She was Cindy Summers in high school and that’s the only period of her live that matters”, but either way it’s dumb.
“So what’s the catch?” “I want to produce a documentary!” How is that a catch, exactly? I stopped wondering if Batiuk actually proofreads his own work a long, long time ago, since it’s incredibly clear he barely gives his work a passing thought anymore. Like, I’m pretty sure it’s supposed to be “tried for THE murder of Valerie” and not “tried for murder of Valerie”, because nobody talks like that.
I would love to see Cindy’s job description. I think he saw her sitting in front of a camera once, but since then she’s basically just made documentaries and done whatever she feels like for her job, somehow. I mean, I know Batiuk gets paid for doing whatever crap he feels like, but most people don’t.
One of my least favorite things about Batiuk’s writing (I feel like I type that on a weekly basis) is his “funny” names. Butter isn’t in quotes, so I’m guessing it’s not a nickname, and some guy born in the late 1800s was actually named Butter by his parents.
It took me a little while to realize that’s supposed to be Cindy, what with the prominent bags under her eyes and the abrupt change in hair color, much grayer than it used to be. I wonder if the artist realized that Cindy and Jess, visually, were both basically just “hot young blonde” and realized Cindy needed to look older for some reason.
What is Jess even doing in Hollywood anymore? Is she still working on the stupid documentary about her dad? I think if she missed her family so much, she could do the work back in Ohio, since apparently all it consists of is sitting in front of soundboard and computer monitors with no mouse or keyboard in sight next to a Buddy Blog “journalist” for some reason.
And why does Jess think there’s some catch? The people in this comic fly back and forth between Ohio and California at the drop of a hat.
As usual, Sunday’s strip is not available for preview and I’ve got too much to do tomorrow to wait up for it.
I’m of two minds–on the one hand, it sure seems like we were building up to something starring Cliff Anger…but we haven’t really built anything enough. I mean, one mention of “Butter Brickle” hardly constitutes a leaping-off point for a Cliff Anger comic book tribute cover, but then this is Funky Winkerbean so absolutely anything is possible, as long as it isn’t even slightly interesting.
The second, and I think more likely possibility is that we’ll have something unrelated to the previous week. For example, it’s been a while since Funky and Les have gone running, and the fact that Les is in California shouldn’t be a barricade to this strip. Or we might get wacky Bernie Silver Chess Club antics, with all the wackiness scientifically removed. Who knows?
Ah well. We’ll all find out together, and our yawning will be such that it will wake the land!
Well, Cindy’s discovering all kinds of new information about Cliff, isn’t she? But let’s stop and take a look at this for a moment, just so we can see how utterly stupid it is.
If you’re anyone other than Tom Batiuk, you might recall that Cindy did a documentary about Cliff, which was considered worthy of an Emmy nomination. In the interview, she and Cliff sat and talked about his life, his blacklisting, his rediscovery, all that stuff. The fact that it was shot with a single hand-held camera…well, the contents must have been pretty damn good to garner an award nomination.
And, apparently, she asked him nothing about his career. You know, the reason you would interview a performer. Apparently, this whole bit about Cliff working with some “movie-serial comedian” (a thing I doubt existed anyway–serials tended to be action-adventure stories) is completely new to her. I mean…*gasp* I need a moment here to process this.
She’s coming across as so dense, I would not be shocked to find her surprised that Cliff played Starbuck Jones. The entire reason for her interview. “Really? That was you? Wow!” But no, after the interview, she’s still unaware. Was she born stupid, or did she study?
I can easily imagine Cindy making a documentary about (grabbing random celebrity) Paul McCartney and asking about how he met Linda Eastman, that time he was arrested in Japan, Linda dying (from cancer!!) and his bitter divorce from Heather Mills. Then, she meets him at a party and says, “Say, I understood you knew John Lennon! How the heck did that come about? Also, someone told me you write songs! Any I would have heard?”*
Today’s episode is amazing. I suppose one could put this down to Batiuk’s general in-strip contempt for women, but wow, it’s pretty cold. It’s ice cold.
Now, it would make sense for Cayla to be asking these questions, because Cayla hasn’t met Cliff before. Cayla could have seen Cindy’s documentary and asked some follow-up questions. But Cayla married Les, so she can’t be shown as flawed. And Les would have told her all this stuff, and she would have listened intently. And Les would be in the scene, to correct Cayla (and Cliff) about how things actually happened.
Cindy, on the other hand is consistently a target in the Funkyverse; Tom Batiuk loves to lob potshots at her, so sure–she’s stupid and bad at her job. Ha ha ha, stupid! You’re a dumb gurl and everything! “Remember high school? I do!”
*Granted, Paul McCartney’s story is pretty well known, so an interviewer might try to go in another angle to get a different perspective on him. But the whole point of Cindy’s documentary was to re-introduce Cliff to a public that had largely forgotten him. One of the things you would do in a documentary like that is tell people what he had done, and why he should be remembered. And all of that would come from his career, not his personal life.
Yeah, I’m back to using italics like a madman.