J.J. O’Malley
October 20, 2022 at 12:49 am
Is tomorrow’s strip going to feature Ms. Smith saying to her would-be Clarence the Angel (Second Class), “Oh! You thought I was going to jump? No, I just stopped here because I have a flat tire!”?
Close enough, O’Malley, close enough. A flat tire can happen to anyone, though; a driver of today’s cars would have to be pretty damn hapless to run out of gas. Guess Susan’s still so distraught over having to say farewell to Les (and to her teaching job) to see the “low fuel” light through her tears.
This “Susancide” arc that wraps up tomorrow has been particularly pointless. Batiuk brings back from an eleven year absence a long running, albeit secondary, character who starred in one of his early prestige arcs. But we catch up with her here mere hours after we saw her last. Where is she now?
And where was Ed Crankshaft then? Susan split the scene in July 2011. Less than a year later, Les and Summer were training for their Kilimanjaro klimb when they spotted their old bus driver:
“How do you know that decrepit old man in the wheelchair is Crankshaft, Mr. All-Smart?” Because in ’09, Batiuk & Ayers gave us a week where Crankshaft becomes unstuck in time, flashing forward and back through his life.
Come to think of it, inserting Ed Crankshaft into this flashback gives Ayers an excuse to draw the character the he drew for thirty years: the classic Ed Crankshaft that everyone knows. Not Mindy’s feeble “Gramps,” or that Hector Salamanca lookalike that Rick Burchett turned him into. Even Batiuk himself never drew Crankshaft very well. Dan Davis draws the strip these days, and does a creditable job currently, but only Chuck Ayers could render Cranky’s contemptuous scowl in panel 3!
I know that among our loyal readership, there are a number of you who have some working familiarity with the entertainment business. Help me out here: I’ve heard of a “closed set,” but…
Shit. We’re back in “Hollywoodland.” Why is Mason so hellbent on casting Marianne Winters as Lisa Moore? For that matter, why is making this movie so important to him? What’s behind his strategy to get Les on board with casting Marianne by inviting other actresses to read for her role? It’s not enough for Tom Batiuk to reprise and rehash the whole Les Goes to Hollywood thing, but this time Les is even pissier and all Mason does is fly him back and forth to the coast, take him to lunch at the Chateau Marmot, and kowtow to his every whine. Stop lathering Les’ ass for God’s sake, Jarre!
Son of Stuck Funky 
