The wavy panel border returns in today’s strip.
Again, I do not understand exactly what this is supposed to mean. In the visual language of comics, the wavy border should signal Marianne’s scaling of the H as a dream, but it really comes across like it is just signaling the shift in setting from the studio lot to the Hollywood sign. It’s like telling someone you “dreamed of Portugal” when you really mean that you physically went to Portugal.
Day five in grayscale, and I’m actually starting to appreciate it. Seeing Funky Winkerbean in black-and-white on my local paper’s color comics page is like watching an infomercial for an as-seen-on-TV kitchen product. You know how those ads always begin in black-and-white or muted color, showing a frustrated person trying and failing to use common kitchen utensils to measure flour, slice a tomato, take a bite out of a sandwich, or some other non-difficult task… then the ad switches to color to espouse the virtues of how easy it is to eat eggs or to prevent your children from choking on hot dogs if you just owned this amazing new product?
That’s what it feels like reading this week’s FW strips right next to a bunch of full color strips.
Does your comic strip ignore it’s own continuity, reasonable plausibility, and all good taste? What you need is the…
…overly broad Danish humor of WUMO!
…12 year old political and pop culture references of Get Fuzzy reruns!
…first world problems of Dustin!
…awkward innuendo that populates every conversation in Luann!
…hack-y mundanity of Garfield!
…Phantom‘s striped codpiece!