Claude Barlow’s “tectonic scale” could probably be applied to today’s strip, and this week in general, which feels like it has been going on for eons.
What really throws me in these Dinkle-Barlow strips is that they come across simply as vehicles to deliver TB’s puns. That concept struggles when Dinkle is a character who otherwise isn’t at all disposed to being a mirthful pun-maker. It struggles further when Barlow, as an unseen character, seems to slide from being an unwitting pun set up to an unwitting pun-maker to a “humorously” terrible composer just to suit Dinkle’s TB’s mood. I get that the Barlow shtick was supposed to add to Dinkle’s over-the-top nature, and that kid of worked back in Acts I and II when he was an over-the-top character. Now, though, he’s a character that used to be over-the-top, like a guy who still wants his nickname to be “Animal” even though the only time he really got crazy was at a couple of parties in college. Now, this is just listless and out of whatever character Dinkle has remaining.