Well, now Phil’s just being a jerk. We saw last year that his studio is in a home near some palm trees, somewhere drivable from San Diego Comic-Con. Is that going to be Thursday’s joke? Does Kitch have to get into the car before she learns it’s a cross-country road trip? What does any of this have to do with Kitch’s initial goal of returning to the source of Dibbs Gallery’s Roy Lichtenstein prints? That was only two days ago.
Today’s strip reminds me of the infamous “Me Too on speed dial” strip, where Chester Hagglemore made Ruby Lith get into his car and go to his home for undisclosed reasons. (Spoiler: it was about comic books.) Now Kitch, a woman, has initiated a car trip to a man’s house. (Spoiler: it’ll be about comic books.)
It could have been interesting to re-create that situation, with the genders reversed, as an exploration of sexual double standards. But Funky Winkerbean isn’t nearly that ambitious. For which I am thankful, considering how badly it botched a simple “Me Too” reference. But they could have done this:
And there’s Atomik Komix’ lead art forger Darin, looking like a cat who’s just heard someone open a tin of Fancy Feast. But Phil Holt’s reaction is much more interesting.
“Slumming again?” Phil, you only joined Atomik Komix ten months ago. How often does this woman visit that you can say that? It can’t be that many times, because she buys comic book art, and Tom Batiuk didn’t obsessively catalog every step of the transaction process. The contract signing alone would take a week.
Kitch’s playful response suggests that she knows Phil, too. But how? From 2017 to 2020, Phil was pretending to be dead. Before that, he was doing caricatures for kiddie birthday parties. He was also shown to have a home somewhere that clearly wasn’t Ohio. Flash Freeman, Phil Holt’s closest companion as far as we know, hadn’t seen him since he stomped off with The Subterranean in the 1950s, and spoke of Phil rather negatively.
But Kitch seems to know how toothless Phil’s “grumpy” act really is. And she’s right. There are at least five old people in the Funkyverse who are much worse than Phil. Harry Dinkle, Ed Crankshaft, Lillian McKenzie, Mort Winkerbean, Melinda Budd.
To make another movie comparison: this is the “you two know each other” scene. A new character enters the movie; an existing character greets them in overly familiar way; and someone says “you two know each other?” One of them says “yes, we were in the Army together,“ and exposition is achieved. This interaction appears to be setting that up. But it probably isn’t.
Tom Batiuk is just filling the word balloons with whatever meaningless drivel he thinks will let him get on to the comic books, which is the only thing he wants to talk about. But he’s inadvertently implying that Kitch and Phil have a history, and that this is going to be relevant to the story. 98% of the time in Funky Winkerbean, it’s not.
Hello! This is the commenter known as Banana Jr. 6000. I take my handle from the wise-cracking but philosophical desktop computer from Bloom County. Having recently completed the monumental task of finding Spaceman Spiff among the cosmos, I will now take on an even greater challenge: helping to make Funky Winkerbean fun and interesting to read every day.
I’m delighted to join such a strong team, where everyone brings their own areas of expertise to the discussion. My background is in writing, so that’s probably what I’ll talk about the most. And today’s strip gives me a lot to talk about!
The “Dibbs Gallery” marquee tells us this is Kitch Swoon, who was last seen at Atomik Komix handing out nice-sized checks. Apparently she’s hired the new-look Summer as an assistant. It also looks like Tom Batiuk went through a Roy Lichtenstein phase about a year ago, because this is his second mention in a month. The wedding sign Darin made was a blatant copy of Lichtenstein’s famous work “Crying Girl.”
Add another name to the list of better artists that Funky Winkerbean has ripped off.
How on earth is a visit to Atomik Komix going to “revisit the source material” for Roy Lichtenstein prints? Roy Lichtenstein was a real person, who died in 1997. Is she flat-out admitting that Atomik Komix and Dibbs Gallery’s real business is art forgery?
That would… make a lot of sense, actually. There’s no way those lame, derivative, preachy comic books are producing the kind of money we’ve seen these people throw around. And Westview is the perfect place for such an operation. It’s a town full of comics-obsessed suckers, and a police force that’s willing to cover up certain things.
Today’s strip should have been deleted. We don’t need a strip to tell us what’s going to happen in tomorrow’s strip. Just start the scene already. Batiuk did this correctly the first time Kitch Swoon appeared in 2019:
That strip also had a cameo from Holtron, the star of last week’s pointless Act I flashback. As several commenters remembered, Holtron was repurposed as a prop for the Starbuck Jones movie, and later given to the Atomik Komix team for free. Now this valuable prop from a multi-gazillion dollar movie is just sitting around an office, as a conversation piece. That’s a bit of conspicuous consumption, don’t you think?
Nice “Pineapple” computer, buddy. Get out of here with that crap.
Son of Stuck Funky 
