Link to today’s real strip.
Author: TFHackett
Crank Calls
I was not so intrigued by Susan Smith’s reappearance yesterday, neither by today’s cameo by a…younger? Ed Crankshaft. Nope, what set these beady eyes to nitpicking was Ed’s peculiar POV in panel one. That angle and that distance just seem impossible on that narrow bridge. My curiosity compelled me to construct the scene from the opposite perspective:

Weird camera angles aside: so it looks like Batiuk’s gonna play the suicide card again, and for the second time on the same female character, and over the same leading man. Unbelievable. At least he knows better than to have Les come hastening after her to talk her down. Unless he’s about to leap out of Crankshaft’s bus. Speaking of old Ed, if indeed this strip is happening eleven years ago, he really went downhill between June 2011 and this cameo in June 2012!
Excuse Me, Have You Seen the Bridge?
“Several years ago…? Could “several” equal eleven years ago? Because this gal looks a lot like Susan Smith. Her hair and attire even match Susan’s when she said her goodbyes to Les and Westview in late June of ’11.

For anyone who’s just picked up reading Funky Winkerbean (or this blog) within the last decade, here’s a quick recap: Susan Smith was one of Les’ students. Susan quite understandably developed an insane crush on Mr. Moore, and her suicide attempt was thwarted by Les himself. Susan surfaced again in Act II, as the abused girlfriend of Matt Miller (again to be rescued by Sir Les-a-lot); seven years after that she showed up at Westview High as a student teacher. Early in Act III, she returned to the WHS faculty. She was greeted there by school secretary Cayla, who would become her rival over, who else, Les. Susan bestowed on Les an impulsive kiss that led to a small scandal that led to, as we see here, her boxing up her belongings as smug Les looked on. So yeah, I’m guessing that this is the same woman. And given her past, the fact that she’s parked her car on a bridge does not bode well.
A tip of the SoSF fedora to “anita the last vcr” (@saleintothe90s) from whose tumblr I cribbed my knowledge of Susan Smith’s background!
The Moore I See, the Les I Know
Y. Knott
October 14, 2022 at 11:19 pm
Someone…could cobble together a pretty good Sunday strip using the strips of just the 10th, 13th and 15th. Just put ’em together in that order, and you’ve actually got something.

Three days setting up Funky and Les taking on some teens in a game of tackle, then one day depicting actual play, followed by three days of Funky and Les walking away, bruised and bettered. Still, this goofy but harmless football arc actually was…well, pretty tolerable. Certainly, no one doesn’t like seeing Les in serious pain. And I’ll say it again, the art this week has been above par…BatAyers even went to the trouble of creating no fewer than eight distinct, diverse Anon-o-Teens. But how did we get from “Let’s fix that!” to “Can you fix your glasses?”
If the plan going in was “to show these kids how it’s done,” I guess that’s been accomplished, even if these kids clearly were not impressed. Of course, what this really was all about was righting a fifty-year-old wrong by Funky allowing Les to finally “feel more a part of things.”
I Love the Sound of Breaking Glass(es)
Banana Jr. 6000
October 14, 2022 at 11:19 am
On Monday, Funky said “Let’s fix that (meaning, throw Les the ball) and show these kids how it’s done!” They did exactly that. So why are they suddenly beaten down and laughed at? We’re left to guess. Batiuk basically makes you write the story for him. He thinks he’s being subtle by not telling you anything.
“Let’s fix that!” strikes me as a mantra for the latter half of Act III Funky Winkerbean. As this 50-year old comic strip approaches its twilight, Batiuk is busy retconning (and/or outright forgetting) established themes. Bull never really beat Les up; he was actually protecting his nerd friend from the real bullies. Yeah, the kids all picked on Wicked Wanda, but as adults they would be made to seek her forgiveness. Continue reading “I Love the Sound of Breaking Glass(es)”
