No Conflict of Interest.

Link to today’s strip

What is going on with Les’ face in panel two today? I can only guess that Ayers saw the word vomit in the speech bubble and decided to give Les an expression to match. It’s a pretty apt depiction since Les is just regurgitating yesterday’s substance.

And good old principal Nate today, distilling into one word the thing most perniciously wrong with Funky Winkerbean. Les presents him with something potentially contentious, and Nate agrees.

No argument about the students’ obligation to be in school, the potential debasing of non-violent rule breaking as a tool of last resort, or the use of the school’s own vehicle of propaganda to take a position on a divisive issue where the student body is likely not unified in viewpoint. Nate agrees. All ‘good’ people agree. Everyone seen is in agreement. The potential opponents are an unseen undefined ‘badness’ that must not be personified.

This is worse storytelling than the Big Gay Prom arc, because at least in that we had a strawwoman in opposition. She was about as nuanced as a shrieking harpy ruining everyone’s lunch, but she was there. Opposition leads to drama. It resists the goal of the protagonists, making them work for what they want. And, most importantly to Batiuk’s goals, it gives what they’re fighting for weight. Debate lets the characters themselves tell the audience why: Why is a walkout the best way for these students to protest school shootings? Does anyone think there is a better way? Is there any specific legislation or legislators these kids are targeting? We’ll probably never know, because so far no one asked.

If Les and Bernie had to convince the Principal to allow the editorial, if they had to explain themselves to parents or disagreeing students, or if they had to potentially sacrifice something to stage this protest, then the ‘protest’ might seem like something more than what it is: hollow, passionless, consequence free virtue-signaling.

Marshal Arts

Link to today’s strip

Wow. That is one unwieldy sentence in panel one. Look, I get it, writing is really hard. I always find some real nasty clunkers anytime I go back and reread something I’ve written. But panel one’s sentence is atrocious.

“So you want to marshal our students to walk out of school on the anniversary of last year’s national walkout urging action to stop gun violence?”

The worst part of the sentence is the ‘urging action’ ending, because it adds a new verb into the sentence. It functions as a new ‘clause’ and my brain did a little hiccup trying to tie that verb to any of the previous nouns. Also ‘verb-noun verbing verbtion to verb noun noun-with-implied-action’ has no less than five ‘active’ words in it: (walk, urge, action, stop violence,)yet comes across limp and passive. I am years and years away from the single high school grammar class I took, so I can’t completely diagram this sentence and it’s awfulness. But it does not scan.

I get that the anemic attempt at a ‘joke’ is dependent on Les restating the plan in order to build up the expectation that he will not go along with it, but that doesn’t make the sentence any better. And the ‘joke’ is a trope so tired that Dawn of the Dead 2004 used it.

CJ: Not to s**t on anyone’s riff here, but lemme just see if I grasp this concept, OK? You’re suggesting that we take some f**king parking shuttles, and reinforce them with some aluminum siding, and then just head on over to the gun store and watch our good friend Andy play some cowboy movie jump-on-the-covered-wagon bulls**t. Then, we’re gonna drive across a ruined city, through a welcome committee of a few hundred thousand dead cannibals, all so that we can sail off into the sunset on this f**king a**hole’s boat? And head for some island that for all we know doesn’t even exist?

Kenneth: Yeah.

Tucker: Pretty much, yeah.

CJ: OK. …I’m in.

Willful Denial

Link to Monday’s strip

Comic Book Harriet back again! And really wishing I had something more to look forward to than a stupid mopey prestige arc where everyone will act ‘super serious’ which to Tom Batiuk is completely indistinguishable from ‘super bored’

Like today’s strip. Lets imagine, for a moment, that we haven’t been warned about the nature of this week’s strips. Lets imagine that Bernie has passed Les a detailed editorial on comic book death matches. Lets imagine that every line is dripping with so much dry sarcasm they might as well be airing this strip on the BBC. Lets imagine anything at all, except for what we will be getting, it’s the only way we’ll enjoy today for what it is.

You Got the Silver

What’s my opinion, Bernie? How about this: next time the school levy fails to pass, my opinion is that the school could save some budget by doing away with “The Bleat.” I’d also recommend giving the boot to clueless, ineffectual teachers like Mr. Moore and Mrs. Bushka, but sadly, they’re tenured in. “Tenure” must also explain why past-their-prime, mirthless franchises such as Funky Winkerbean (and Crankshaft) continue to occupy the ever shrinking amount of real estate allotted to newspaper comics.

It’s been my honor to share the FW misery with you these past couple weeks. Though I am loathe to give away spoilers, TB has already teased in his blog about next week’s “prestige” arc, ripped from last year’s headlines, and comicbookharriet will break it all down for you starting tomorrow.

 

Clothes Make the Maniac

Gerard Plourde
February 27, 2019 at 6:26 am
So we’re to believe that this is the first time in their marriage that Cayla has gone clothes shopping with Les?

Maybe it’s not that implausible if, as this 2011 strip attests, that a sport coat will last Les “for ages”:


…which is about how long this shopping arc seemed to go on. Now the two are walking out to the car and at this point Les is straight up trolling Cayla. In panel 3, the tail of the speech bubble is painstakingly drawn to make it clear that the SHRIEEEEEEK is coming from the passenger side of the car, thus dashing my hopes that it’s the cries of Les as a furious Cayla stabs him in the groin.