Refutation of Kant’s Categorical Imperitive

Link to today’s strip.

It’s interesting (and instructive) to note that in today’s episode, there are several breaks with Winkerbeanean orthodoxy, which in this instance challenge the commonly-held notion that the Funkyverse is a closed system.  Specifically, one notes Wedgeman’s impromptu coinage of Neeks juxtaposed with Owen’s expression noting a possible increased range (in a strictly functional sense, of course) of Wedgeman’s role beyond the brutish habitue of Westview’s cafeteria.  One could, perhaps, extend this newfound role into the football field as well (“rivals” and “enemies” becoming “renemivals”, eg–a formation typically Batiukian), except that Tom Batiuk has prematurely curtailed such an exploration by having Wedgeman banned from sport (see: SoSF, 10/21-27).  In any case, the possibilities (however slight) of expansion are indeed hinted here.

However, it should be noted en passant that Wedgeman’s mere production of a portmanteau cannot be ex facto evidence of heretofore unsuspected intellectual capacity, as the portmanteau phenomenon is more a function of language qua language and as such can be seen as removing “language” from the underlying “meaning” it is intended to convey, appropriating words as merely a series of connected ur-sounds to be arranged without regard to communicative function.  Thus, Wedgeman’s new role would seem to be more of the nature of a random element, one designed to decrease the comfort-levels of the characters as they interact within their limited confines, and thus, increase narrative in oblique directions; but then one must recall that “randomness” as a plot element (as opposed to a decorative one) is strictly forbidden within the Funkyverse due to the nature of the construct.  I feel certain you are as disappointed as I at the realization of this aspect, and I regret having to voice this argument, as it furthers the angst elements of the entire “Funky critique” positioning, while duly embracing the futility argument advanced by T.Batiuk (see notes)*.

As an aside, one has to note with approval the sheer exuberant gusto with which Wedgeman expresses the (self) enjoyment of his coinage, offering as it does an unexpected, unbridled joyousness at his achievement.  Such expressions are exceedingly rare in the Funkyverse, and one must applaud their occasional appearance, even if they grace the nominally villainous.

On the other hand, “neeks” is totally dumbheaded and dope-like, and hardly worthy of such celebration.   It is the very definition of dumbheaded.  Dumbheaded like a bag of towels.

*Due to a misplaced comma, the notes were not included by the typesetter, who offers this note in recompense: “You suck.  I hate you.  PS I quit.”

Rocky Road

Today’s strip

And now, we see the big reveal as the mysterious “Rocky” is unveiled to us.  To give Tom Batiuk credit, it is a genuine surprise.  To take back a bit of that credit, though, it’s mainly a surprise because I’ve never heard of anyone named “Roxanne” who chooses to go by the name “Rocky.”  It’s generally “Roxy” isn’t it?

The surprise is also unexpected because we’ve never really been given any reason to care who Rocky might be.  I note that no one in the comments this week has hazarded any guesses about Rocky–Rocky has always been referred to as “he.”  And why not?  The focus of this arc has been on comic books, with nothing much about Cory and Friends other than their sudden interest in those comic books.  If Funky or Holly said, “Say, who is this ‘Rocky’ anyway?” that would have laid the groundwork for today’s strip; as it is, it literally comes out of nowhere.  It’s as if, in tomorrow’s strip, Carla should say “Oh, by the way, I used to be a man,” well, that will be a surprise as well.  (That’s if Carla survives for another day.  Her descent from “looks like a Popeye character” in panel one to “prop from a horror film” in panel three is pretty alarming.)

The many faces of Carla

By contrast, Holly’s appearance has been consistent enough that I wonder if Tom Batiuk simply has a set of Holly colorforms that he just moves around.

Another thing for which Mr. Batiuk deserves credit is that Rocky actually appears to be attractive (as much as we can tell in the artwork).  However, I have to dock points here as well, because, if you look closely you’ll see that Rocky is also smirking.

Drown in the Water

Today’s strip

Sky cracks open, walls falling to the floor
Just as well to keep it, a guessing game in store
You’re with me now, will be again
All other points in between
And the cruel, cruel mornings
Have turned to days of swim or sink
If living right is easy, what goes wrong
You’re causing it to drown
Didn’t want to turn that way
You’re causing it to drown
Doesn’t make a difference now
You’re causing it to drown
—Son Volt, Drown

Owen: I’d sure like to know how this could get any worse!

The Universe: Request granted. It’s worse. Like you didn’t see that coming.

And the sad thing is, now we’ll never get to experience the epic love story of Owen and Cody. Not because they’ve literally drowned in the rain, but because our favorite auteur hasn’t got the literary or artistic chops.

All You Zombies

Hopefully we’re done with football for the time being, and can get back to Westview High School business as usual: Les’ yellow shirt, bricks, banners haphazardly taped to the walls, and the teachers (and the cartoonist) displaying how out of touch they are with young people. A zombie theme would actually be quite fitting for The Student Council Homecoming Dance: the somber, dead-eyed students walk the halls as if in a trance.